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Wyszukujesz frazę "Fashion," wg kryterium: Wszystkie pola


Wyświetlanie 1-10 z 10
Tytuł:
O Łódź Young Fashion z kronikarskiej perspektywy
Łódź Young Fashion from a chroniclers perspective
Autorzy:
Sas, Renata
Powiązania:
https://bibliotekanauki.pl/articles/1194645.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
The young fashion at the start – in the city whose image has been determined by the 200-year history of the light industry. At the Strzemiński Academy of Fine Arts in Łódź – a place holding a well-established position in the area of innovative art, the Festival is both a confrontation of talents and the support in young designers' bold attempts to acquire professional skills. For a good start – the prize of 30,000 euro.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 152-157
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzeźbiarz mody
Fashion Sculptor
Autorzy:
Ścibior, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1194640.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
Azzedine Alaïa, a fashion designer appreciated for the exceptional construction qualities of his designs. His achievements have been presented in museums and galleries around the world. He was often juxtaposed with the masterpieces of the greatest artists in the history of art (Raphael, Caravaggio, Titian, Bernini, Canova) as well as the most famous artists of the 20th century (Basquiat, Pablo Picasso, Julian Schnabel and Andy Warhol). His creations glorified the female figure. He was called the King of Cling, he designed outfits for: Grace Jones, Lady Gaga, Michelle Obama and an army of devotees all over the world. For the needs of his constructions he created his own material – the legendary jersey which he used till the end of his life. He was born in Tunisia in 1935 and graduated from the Department of Sculpture at the Academy of Arts in Tunis. In 1987 in Paris he received the prize of the Minister of Culture for the best designer of the year. At the beginning of his career he worked for Guy Laroche, Thierry Mugler and Charles Jourdan, but later he consistently refused to work for big fashion houses. He acted independently, did not organize shows in the schedule set by the Paris Fashion Week. He prepared collections in his own rhythm. He died in 2017.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 44-49
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sens mody
Fashion Sense
Autorzy:
Popovic, Branko
Powiązania:
https://bibliotekanauki.pl/articles/1194646.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
In the ‘Fashion Makes Sense’ statement by FASHIONCLASH, the word “sense” is about understanding and redefining the fashion narrative in order to be conscious about the impact it has in our world. The multiple meaning of the word ‘sense’ aims to stimulate designers, the industry and the public to think about the state of the fashion industry. FASHIONCLASH believes that the art of fashion can stimulate critical debate about urgent and controversial issues in our society. Fashion as a second skin, tells your environment what relationship you want to have with it and simultaneously shows you what your heart beats for. By researching and questioning fashion in the broadest sense of the word, we learn to understand the sociology and psychology of human behaviour and its role in the world. How can we contribute to the positive development of the fashion industry to improve well-being and a better, more sustainable and inclusive world?
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 104-109
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Moda a dydaktyka
Fashion vs. didactics
Autorzy:
Romecka-Dymek, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1194687.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
The article is related to fashion, focusing on the scientific and cognitive context of the discussed phenomenon, aimed at attempting to define the very concept. It is a study on fashion and didactics, in particular the interpretation of teaching stages, cognitive processes which occur in the successive stages of education of fashion designers. The article focuses on the most important artistic and formal aspects affecting both the artistic and intellectual development of students learning the ropes of fashion design, as well as shaping the design awareness that will ultimately have an impact on creative professionalism.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 110-119
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Re-cover. Ile kosztuje moda?
Re-cover. How much does fashion cost?
Autorzy:
Salamon, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1194650.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
Biodegradation of the material used for the production of clothes lasts, depending on its composition, from several years to several decades. The clothing industry contributes not only to environmental pollution, but to the production of tons of material waste, whose fate in individual factories has already been known to a wide audience – so why do not we react? What choices should we make to prevent our consumerism from having a disastrous impact on the environment, on the living conditions of people who create our clothes. A presentation of alternatives to our shopping choices, innovative companies and materials, and a better model of cooperation with Third World countries. Transferring production to Europe as another manifestation of our ignorance. Is it worth trusting the ecological turnabout of clothing concerns? The Greenwashing phenomenon as an attempt of silencing of our remorse. Where did the idea for Re-cover come from? Cooperation with homeless people, projects dealing with the problem of homelessness.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 82-87
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zrównoważony rozwój w modowej edukacji
Sustainable Development in Fashion Education. An Interview with Leslie Holden
Autorzy:
Ostajewska, Marta
Holden, Leslie
Powiązania:
https://bibliotekanauki.pl/articles/1194638.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
An interview with Leslie Holden, the director of fashion and design at the Amsterdam Fashion Institute (AMFI). Holden is a menswear designer who graduated from the Royal College of Art in London and collaborated with companies such as Dunhill, Stefanel, Burberry and Liberty. Having over twenty-year experience in international higher education he develops teaching systems to train designers of the future and builds fashion strategies. He believes that the future of fashion should be based on sustainability.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 94-99
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jerzy Antkowiak – fantasta, „niegrzeczny” chłopak polskiej mody
Jerzy Antkowiak – a visionary, a naughty boy of Polish fashion”
Autorzy:
Czudak, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1194648.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
Jerzy Antkowiak, or actually Zbigniew Jerzy Antkowiak, because that is his full name, was born in Wolsztyn on May 18, 1935. Polish fashion designer, stylist graduated from the Faculty of Painting at the State Higher School of Fine Arts in Wrocław, field of study – ceramics. In 1961, he started working as a designer for Moda Polska (Polish Fashion), a leading, important clothing company in PRL. He was connected with it until its close-down. A dreamer and visionary, a perfect storyteller. In the era of shortage of everything, fabrics, accessories, he was able to create Polish fashion in accordance with Western patterns, which were skillfully translated into Polish ground. In the minds of many generations of Poles, he is not only an element of Polish fashion, but above all its leading part.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 22-25
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badanie trendów. Analiza trendów w ramach edukacji w zakresie mody
The study of trends. Trend analysis within fashion education
Autorzy:
Manzini, Alberto Caselli
Powiązania:
https://bibliotekanauki.pl/articles/1194690.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
Today the study of trends is an emerging discipline, a constantly changing social science that arises from the observation of society. The study of trends has arisen in the last twenty years increasing interest from sociologists and companies, intent on obtaining significant increases in sales. The literature on the subject is relatively young. Therefore the role of education in fashion schools and colleges becomes essential to develop in the new generations an adequate spirit of analysis and a targeted series of "skills" useful for identifying evolutionary paths regardless of the field, the business and the activity sector. This article describes what trends are, introducing skills and tools that are nowadays taught in high education modules.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 100-103
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzeologia mody w Polsce na przykładzie praktyk kolekcjonerskich i wystawienniczych Centralnego Muzeum Włókiennictwa w Łodzi
Museology of fashion in Poland illustrated by the example of the collector and exhibition practices of the Central Museum of Textiles in Łódź
Autorzy:
Dalbiak, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1194705.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
Scientific and institutional interest in clothing and fashion was shown in Poland later than in the countries of Western and Northern Europe and America, and it was not until today that the first signs of animation in this area could be observed. In the context of activities undertaken by the Polish academic circles to systematize this research area and the increasingly frequent presence of collector and exhibition practices related to clothing in various institutions, arranging the exhibitions: "Christian Dior and Paris Fashion Icons" and "Jerzy Antkowiak - Polish Fashion" held by the Central Museum of Textiles in Łódź has become another stimulus that may trigger a wider discussion concerning the processes of annexing fashion by Polish museums.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 76-81
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jakie wartości pozwalają zbudować autentyczną markę godną zaufania? Etyczne i ekologiczne wyzwania procesu projektowego i prowadzenia marki modowej
What values help build an authentic brand that is trustworthy? Ethical and ecological challenges of the design process and running a fashion brand
Autorzy:
Bąkowska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1194704.pdf
Data publikacji:
2019
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Opis:
What risks and opportunities does the future of the fashion industry have to face in the coming years and in the perspective of next generations? How to build responsible and ethical supply chains? What do the new EU regulations on slave labour mean for fashion companies? Who are the consumers of the "millenials" and "digital natives" generation and how to get across to them? What new technologies are adapted by the fashion industry and for what purpose? In the fashion industry the most interesting for me is what constitutes its greatest challenge, which is why I will give examples of brands and strategies that, while creating 100% usable products, implement something innovative at the same time. Thus, they allow their customers to 'set up' their own identity and preach values they share: responsibility towards society, care for out planet resources, and minimalism.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2019, 1; 88-93
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-10 z 10

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