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Wyświetlanie 1-2 z 2
Tytuł:
#TROPY#FEMINIZM
Autorzy:
Szuba, Agata
Powiązania:
https://bibliotekanauki.pl/articles/487810.pdf
Data publikacji:
2018
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
OLIMPIA
FEMINISM
SOCIAL MEDIA
INSTAGRAM
SAD GIRLS
WOMAN RIGHTS
BREASTS
NIPPLE
NINETIESWAVE
FEMINIZM
MEDIA SPOŁECZNOŚCIOWE
PRAWA KOBIET
PIERSI
SUTKI
Opis:
#tropy#feminizm The contemporary media message can be perceived in two perspectives: an active one, in which women perform a role of journalists and editors, and a passive perspective, in which they become a part of media mes- sage. The latter aspect is the most controversial for many reasons. Walter Lippmann defines a stereotype as an image created in the mind which al- lows a subordination of a certain fragment of reality a priori. The media’s visible, negative influence on women has them create a reality beyond the boundaries of acceptance, presenting it in a way the audience expects. A new kind of feminism appears, i.e. one which answers the receiver’s needs (succumbing to the expectations and exposing to the view), and a question appears – whether in the time of the feminist legacy, thereby changes resulting from the development of the media, feminists should gain their own unique style? In a way this begins to happen. Due to the development of the media, women gained an unrestricted possibility to express their views, and the reception and availability of the media lifts the restrictions and causes an inconspicuous person to please and sweep the crowd and his or her voice to be impossible to be ignored in the discourse.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 25; 88-107
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KIEDY WRESZCIE PRZEMÓWI EURYDYKA?
Autorzy:
Więckowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/487924.pdf
Data publikacji:
2018
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
PATRIARCHATE
WOMEN’S RIGHTS
WESTERN CULTURE
FEMINISM AND CIVILISATIONAL PROGRESS
PATRIARCHAT
PRAWA KOBIET
KULTURA ZACHODU
FEMINIZM I POSTĘP CYWILIZACYJNY
Opis:
For the author of the essay When Euridice will speak at last feminism is the eternally negative approach towards patriarchate, which was born with it. It is characteristic that problems mentioned in “Lysistrata” or “As- semblywomen” by Aristophanes in the 5th century BC are identical with the demands of contemporary feminism. Its successes in the 19th and 20th centuries concerning the formal emancipation of women’s rights, in the long run are both meaningful and illusory: the culture of patriarchate while granting women the voting and other rights did not change its pa- triarchal principle, it just alleviated its repressive character on a small fragment of the Western culture, though in this zone of the biggest wom- en’s freedom the forgotten disputes about the rigours of the patriarchate all the time come back to life. The paradigm of the fundamental way of thinking about the world remains unchanged, while the approach to women is just its embodiment. Patriarchate is the means of treating the world as a collection of objects to be used, it is not only an approach towards women. The contemporary culmination of the Western culture as a technological civilisation reaches its limit, whose crossing threatens with a total disaster even in the most optimistic scenarios. In this context the author of the essay perceives feminism as a huge possibility, as one of more important movements in civilisation and culture, which not only will fight for formal rights, but rather for a change of the thinking paradigm from object-oriented to sub- ject-oriented. Euridice – the silent-for-centuries subject of lost love – has to start speaking.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 25; 1-39
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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