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    Wyświetlanie 1-4 z 4
    Tytuł:
    De- i re- mitologizacje
    Autorzy:
    Sławomir, Magala,
    Powiązania:
    https://bibliotekanauki.pl/articles/487856.pdf
    Data publikacji:
    2019-08-04
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    ART MYTH
    ART PARADIGM
    DE AND RE MYTHICIZATION OF ART
    CULTURE
    POPCULTURE
    COUNTERCULTURE
    MIT SZTUKI
    PARADYGMAT SZTUKI
    DE- I RE- MITOLOGIZACJE SZTUKI
    KULTURA
    POPKULTURA
    KONTRKULTURA
    Opis:
    Not only light escapes our reflections, wandering about the term wave and the term particle. Also arts, which present the world as it if was mysteri- ous and worth living, escape our intellectual order. They bolt from subtle conceptual webs, wander between patterns of discoveries (a “discovery” of perspective in renaissance) and designs (drafts, projects) of inven- tions (“inventing” photography, and then putting it in motion and giving it sound). They bolt, wandering between myths, of which two are most important for arts – the myth of renaissance, i.e. resurrection (but at the same time, liberation), and myth of counterculture i.e. liberation (but at the same time, resurrection). Mythicization, demythologization and remy- thologization sail between two para-myths, i.e. paradigms, mothers of all performance art myths. It is about a discovery myth, which will inspire us to dream up plans for the future, and a myth of invention, which will save us from annoying slavery.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2019, 27; 88-107
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Camp, czyli kamp, czyli co?
    Camp or Kamp, or What?
    Autorzy:
    Magala, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/487635.pdf
    Data publikacji:
    2014
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Opis:
    Based on the ideas of Peter Sloterdijk from his The Critique of Cynical Reason, Magala attempts to determine the meaning and role of the camp in contemporary culture. Also, he used the canonical text by Susan Sontag entitled Notes on Camp and confronted it with determinants of camp stylistics from different areas—global and Polish. He paid particular attention to the problem of the relationship between camp and kitsch. According to camp program, high culture is mixed with low culture and ironic distance is the background of the process of mixing. Magala believes that the phenomenon is rooted in cynicism. He also believes (and he uses Susan Sontag’s idea to prove it) that camp, founded on such an attitude, is a manifestation of dulling sensitivity in pop culture—and in particular, the manifestation of ubiquity of information on major atrocities and suffering.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2014, 17; 64-72
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Oko i słowo (Wizje powieściowe w pamięci społecznej)
    EYE AND WORD (Fictional Visions in Social Memory)
    Autorzy:
    Magala, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/487979.pdf
    Data publikacji:
    2015-11-05
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    NARRATION, REINTERPRETATION, IMAGE, NATURE OF IMAGES, LITERATURE
    NARRACJA, REINTRPRETACJA, OBRAZ, NATURA OBRAZU, STRATEGIA OBRAZU, LITERATURA
    Opis:
    EYE AND WORD (Fictional Visions in Social Memory) There is no library in Plato’s cave. His dialogues were narrated before books got printed and contemporary information caves filled with mass media and social media do not need books sending googling masses to clouds, not libraries. What matters more – a letter, which is the building brick of words, sentences and novels or a pixel which is a building brick of the deluge of images, a drop in the ocean of an iconic overkill? In aesthetics of photography the question is whether a meaning of a photograph depends more on an iconic and often subconscious impact or on a rational interpretation in the light of what we know having read the caption and the explanation of the context. Visions of contemporary world are best deciphered from an unfinished novel by David Foster Wallace, whose epic story of the Internal Revenue Service chapter in Peoria, Illinois, entitled The Pale King shows us the world of hyperactive consumers, addicted to news, speed, travel, alcohol, drugs, sex and entertainment. For them, boredom of a perfectly boring work – like the one performed for the tax office of the US – is a perfect serum restoring them to a meaningful life and full humanity. Boredom as salvation, here is the vision of a novelist, who also claimed, in his last public lecture, that real education can save our souls both from boredom and from hyper consumption. Pixels are a legion, but words matter and meanings can be found.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 20; 194-211
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poczucie humoru w sztuce
    Sense of humor in art
    Autorzy:
    Magala, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/487788.pdf
    Data publikacji:
    2015
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    cruel humor
    situational humor
    Buñuel
    Swift
    Chaplin
    Libera
    Opis:
    „Thank God I’m an atheist” – this was the last gasp of a dying Louis Buñuel. Culture is like a spider web of tubes and wires that are wrapped around modern art museum – the Beaubourg Centre, the Centre Pompidou in central Paris. Art is one of the tangle of tubes and wires. If we sail under the clouds of knowledge surrounding our planet, we see that by clicking on the slogan ‘humor in art’, we can easily run into long lines of virtual statements by renown suppliers of humorous -witty-funny expressions – by Mark Twain, Oscar Wilde, Woody Allen and many others. Sense of humor in art manifests itself in many ways, and in particular those that subtly but firmly make us reflect on ourselves and make us more mentally healthy. Hugo Steinhaus, for example, answered the question in his pass-port form in communist-run Poland: ‘Did you, citizen, travel abroad? No, but the border twice changed about myself’. It is an example of slapstick humor, although it is connected with not so funny a situa-tion in the People’s Republic of Poland which lasted almost half a century, from 1944 to 1989. When Joanna Szczepkowska publicly said on TV that ‘as a result of free elections, communism ended in Poland’, it was considered as funny and true a statement; so it was not simply a joke.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 19; 90-11
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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