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    Wyświetlanie 1-9 z 9
    Tytuł:
    Motyw dziecka w prawosławnej ikonografii Chrystusa i Bogurodzicy – historia i podstawy teologiczne (wybrane przykłady dzieł)
    The Theme of a Child in Orthodox Iconography – History and Theological Networks (with Use of Examples of Selected Works)
    Autorzy:
    Sobczak, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/2169984.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia Supraska
    Tematy:
    ikonografia
    sztuka prawosławna
    Iconography
    Orthodox Art
    Opis:
    The theme of a child in Christian art appears from the very beginning of its existence. Usually, it carries a meanings related to the innocence, that belongs to children, a vocation to a new, unknown Life. Works of art remind believers of the need to conform their souls to a child’s ones in order to fulfill this vocation (Mark 10: 13–16). In the context of the Orthodox Christology depiction of the Savior as a child always expresses faith in the true Incarnation of the Logos. Faith in God’s adoption of entire human nature for its divinization and salvation. With the help of art, the Orthodox Church presents the Mysteries in which Almighty God becomes a helpless child while maintaining his divine nature. Church, using artistic medias, indicates a tight connection between Incarnation of Christ and His redeeming Resurrection presented also in Eucharist.
    Źródło:
    Latopisy Akademii Supraskiej; 2020, Dzieci w kulturze duchowej Prawosławia, 11; 253-264
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dzieci w kulturze duchowej prawosławia: wprowadzenie
    Children in the spiritual culture of Orthodoxy: an introduction
    Autorzy:
    Naumow, Aleksander
    Powiązania:
    https://bibliotekanauki.pl/articles/2171246.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia Supraska
    Tematy:
    wschodnie chrześcijaństwo
    Biblia
    hagiografia
    ikonografia
    świętość
    dzieci
    męczeństwo za wiarę
    Opis:
    The issue of children in Orthodoxy is extremely rich and varied, we discover it in all the components of spiritual culture. In the introduction to the volume, the primary figures of children in the Old Testament and the motifs associated with them, will be discussed. Later, the attention will turn to the New Testament, which places the image of the child at the center of the story of salvation – the incarnation of the Logos, the nativity and childhood of Jesus, of Virgin Mary, and of S. John the Baptist, Jesus’ attitude towards children who are seen as a rule model – is the first group of motifs. Then, the martyrdom of children will be presented, from massacre of the Innocents of Bethlehem to victims of the latest persecutions. Next, attention will be paid to the saints’ childhood and youth in hagiology and iconography, indicating that they can be presented as examples of the fulfillment of prophecies, continuation of biblical history or testimonies of social life. The world of children has always particularly concerned the Church, leading to the expansion of the rituals associated with them. But the dynamics of the present day also poses several tasks and challenges for the Church, which often finds right solutions, sometimes just halfway solutions, every so often the issues reveal discrepancies. However, modern times are no exception in this regard, and researching the past, discovering and studying the old processes, attitudes and models often reveals unexpected perspectives. Upbringing in the Orthodox Church, for the Church, by the Church, teaching the truths of faith and religion, the problem of the language of prayer and of catechism, a solid ethical foundation, building authority – all this requires both adults and young people to feel responsible, and the condition is knowledge and experience coming also from a scientific view of the past. Studies, such as those collected in this volume, should contribute to this.
    Źródło:
    Latopisy Akademii Supraskiej; 2020, Dzieci w kulturze duchowej Prawosławia, 11; 9-16
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sakrament namaszczenia chorych i jego obrazowanie w sztuce zachodnioruskiej w dobie polemiki międzywyznaniowej
    The Anointing of the Sick and it’s Representations in Ruthenian Art at the Time of Interconfessional Polemic
    Autorzy:
    Gronek, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2171219.pdf
    Data publikacji:
    2014
    Wydawca:
    Akademia Supraska
    Tematy:
    sztuka ruska/ukraińska
    sztuka religijna
    ikonografia chrześcijańska
    malarstwo ikonowe
    grafika
    sakramenty
    Opis:
    Texts from the New Testament – namely Mark 6, 13 and James 5, 14-15 – witness to the apostolic origin of the sacrament of the anointing of the sick. It was already known in the first ages of Christian Church as Origen, Eusebius of Cesarea, John Chrysostom, Cyrill of Alexandria, St Hypolite, St Serapion of Thmuis write about it. The ordo of the contemporary rite was formed finally in the XIV century. At the synod of Kiev in 1640 the text of catechism was approved and most important questions concerning the liturgy and rites were solved. As a result The Great Euchologion was edited in 1646. The first images representing the sacrament appeared only in printed euchologions of which the earliest was integrated into a vignette header placed in the Euchologion of Stratin (1606). The same type of pictures appear in other editions during the whole XVII century. The possible differences concern the number of details included in the images. The sacrament is presented in most cases in liturgical books, much fewer are actual paintings – icons or frescoes. In the Ruthenian art (e.g. St’Andrew’s Church in Kiev or Holy Trinity Church in the Laure of Kiev-Pechersk), apart from the narrative images presenting the sacrament, there are also – under the influence of baroque art – the ones of symbolic (for example Euchologion edited in Pochaev in 1741) or typological nature (among others using as figure the parable of merciful Samaritan). Still in the XVII and XVIII one does not observe significant changes in the way of presenting the sacrament of anointing of the sick either in the Orthodox Church (as a result of polemic with Catholics) or in the Greek Catholic Church (as a result of Latinization): there were always seven priests administering seven unctions.
    Źródło:
    Latopisy Akademii Supraskiej; 2014, Synody Cerkwi Prawosławnej w I Rzeczypospolitej, 5; 121-143
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ikona Matki Bożej „Krzew Gorejący” jako wizualizacja tekstów liturgicznych
    Autorzy:
    Stawecka, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2167774.pdf
    Data publikacji:
    2012
    Wydawca:
    Akademia Supraska
    Tematy:
    ikona Bogarodzicy „Krzew Gorejący”
    ikonografia
    Matka Boża
    Emmanuel
    XVI-wieczna ikonografia
    Icon of the Mother of God “The Burning Bush”
    Iconography
    XVI Century Iconography
    Mother of God
    Opis:
    The icon of Mother of God “the Burning Bush” forms a theological and biblical synthesis of Mariology. Its idea is based on the excerpt from the Book of Exodus relating the vision in which Moses saw the Angel of God in the flame coming from the middle of a bush. The Old Testament types of announcements of Mary’s role, evoked in the icon, put into the categories of “the Burning Bush”, “the Tree of Jesse”, “Jacob’s Ladder”, “the Gate of Ezekiel” and others, are a visual form of the liturgical texts. The original icon of Mother of God “ the Burning Bush” contained many verbal inscriptions, explaining the role of Theotokos in accomplishment of the salutary will of God. The central composition with Mother of God and Emmanuel surrounded by multitudes of angels with various attributes – liturgical utensils, books, candles and others – evokes a solemn liturgy.
    Źródło:
    Latopisy Akademii Supraskiej; 2012, Język naszej modlitwy- dawniej i dziś, 3; 49-65
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przedstawienia dzieci w ikonografii witraży Adama Stalony-Dobrzańskiego
    The Presentations of Children in the Iconography of Adam Stalony-Dobrzański
    Autorzy:
    Siemieniec, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2169987.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia Supraska
    Tematy:
    Adam Stalony-Dobrzański
    witraże
    ikonografia
    sztuka cerkiewna
    Stained glass
    Iconography
    Orthodox art
    Opis:
    Adam Stalony-Dobrzański is an Orthodox artist who significantly influenced the image of the Orthodox art in the second half of the 20th century in Poland, and at the same time contributed to the renaissance of Byzantine-Ruthenian iconography. By popularizing the form of a stained glass window as an element of the Orthodox church interiors, he extended the tradition of Eastern Christian art, finding a medium in the form of glass and lead to express the mystery of the icon. He is the author of at least 342 stained glass compositions made for Orthodox, Catholic and Protestant churches. The multitude of iconographic themes appearing in Stalony-Dobrzański’s stained glass windows – referring to the centuries-old tradition of Christian art – features representations of children. These are the scenes showing the childhood of Jesus and Mary (the Orthodox church of the Nativity of the Blessed Virgin Mary in Gródek), presentations of St. Sophia with Faith, Hope and Love (the Holy Trinity Cathedral in Hajnówka, the House of the Metropolitan in Warsaw), the image of the Guardian Angel leading a child (the Catholic church of Our Lady of the Scapular in Stalowa Wola-Rozwadów) or Christ blessing children (the Evangelical-Augsburg Church of Holy Trinity in Warsaw). A kind of iconographic novelty is introduced here with depictions of children as Unknown Saints of our time (the Orthodox church of St John Climacus in Warsaw). In the stained glass windows, we also find images of Jacinta, Francisco and Lucia – three children who witnessed the apparitions of The Blessed Virgin Mary in Fatima, recognized by the Catholic Church.
    Źródło:
    Latopisy Akademii Supraskiej; 2020, Dzieci w kulturze duchowej Prawosławia, 11; 189-206
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Renowacja ikonostasu oraz polichromie w prawosławnej kaplicy cmentarnej pw. św. Jerzego w Topilcu
    Renovation of the Iconostasis and Developing the Polychromes in the St. George Orthodox Cemetery Chapel in Topilec
    Autorzy:
    Sobczak, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/2170005.pdf
    Data publikacji:
    2021
    Wydawca:
    Akademia Supraska
    Tematy:
    ikonografia
    ikona
    sztuka sakralna
    polichromia
    męczennicy
    męczennicy chełmscy i podlascy
    iconography
    icon
    sacred art
    polychrome
    martyrs
    kholmian and
    podlachian martyrs
    Opis:
    The beginnings of the Orthodox parish in Topilec, the Białystok poviat, date back to the first half of the 16th century. There is a cemetery chapel erected in 1951 on its territory. In the years 2018–2020, comprehensive artistic work was carried out there. The iconostasis of the chapel was renovated and supplemented with a deacon doors. Also the polychromes of the presbitery and the chapel’s vaults were also developed. The depictions of the saints were inspired by the local iconographic tradition and early Christian art. The symbolism and aesthetics taken from the „martyrs’ era” are intended to emphasize the exceptional importance of the cemetery, where many innocent victims of the post-war period were buried.
    Źródło:
    Latopisy Akademii Supraskiej; 2021, Obraz - Słowo - Litera, 12; 117-121
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wybrane aspekty ikonografii archimandryty Zenona (Teodora) i jej teologiczne podstawy
    Selected Aspects of Archimandrite Zenon’s (Teodor) Iconography and its Theological Foundations
    Autorzy:
    Leszczyński, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/2170003.pdf
    Data publikacji:
    2021
    Wydawca:
    Akademia Supraska
    Tematy:
    współczesna ikonografia prawosławna
    teologia ikony
    archimandryta Zenon (Teodor)
    Mikołaj Afanasjew
    contemporary Orthodox iconography
    theology of icon
    archimandrite
    Zenon (Teodor)
    Nicholas Afanasiev
    Opis:
    The artistic venture of Archimandrite Zenon (Teodor) represents a long way of searching for new inspirations for contemporary icon painting, which led him to the beginnings of Christianity. His work was influenced and motivated mainly by the theology of the eminent Orthodox historian and canonist, Father Nicholas Afanasiev. Father Zenon, relying on the theological assumptions of the Russian thinker, creates his own, modern, artistic language, becoming at the same time the most significant and influential among contemporary artist-iconographers.
    Źródło:
    Latopisy Akademii Supraskiej; 2021, Obraz - Słowo - Litera, 12; 123-135
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wymiar ekumeniczny wielojęzycznych ornamentów w ikonografii cerkwi prawosławnej w Przemkowie autorstwa prof. Adama Stalony-Dobrzańskiego
    Ecumenicаl аnd Multilinguаl Ornаments in the Iconogrаphy of the Orthodox Church in Przemków by Prof. Аdаm Stаlony-Dobrzаński
    Autorzy:
    Szmajda, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/2169999.pdf
    Data publikacji:
    2021
    Wydawca:
    Akademia Supraska
    Tematy:
    Adam Stalony-Dobrzański
    teologia ikony
    ekumenizm
    Przemków
    ikonografia
    polichromia
    Аdаm Stаlony-Dobrzаński
    icon theology
    ecumenism
    iconogrаphy
    polychrome
    Opis:
    The iconogrаphy of the Orthodox Church in Przemków to this dаy surprises reseаrchers аnd enthusiаsts of professor Аdаm Stаlony-Dobrzаński’s work to the present dаy. Its thoughtful conception, ecumenicаl аnd multilinguаl аccents cаuse аdmirаtion. It provides a pаssаge to the world of sаcrum which, combined with choir singing, gives а sense of heаven on eаrth. One of the creative achievements of the post-war apostle of Orthodox culture in Poland was a fragment of ektenia for Christian unity located on the western wall of the Orthodox Chuch of St Аrchаngel Michаel in Przemków in eight different languages: Hebrew, Germаn, Orthodox-Slаvic, Czech, Ukrаiniаn, Polish, Hungаriаn and Аrаbic – “For the peаce of the whole world аnd the prosperity of the holy Churches of God аnd for the unity of аll to the Lord let us prаy”. The source of Professor Аdаm Stаlony-Dobrzаński’s ecumenism wаs the heritаge of the whole Western аnd Eаstern Christiаnity, the Lаtin аnd Byzаntine trаditions.
    Źródło:
    Latopisy Akademii Supraskiej; 2021, Obraz - Słowo - Litera, 12; 293-323
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Święta Tekla – ikonografia i miejsce świętej w historii Kościoła
    Saint Thecla – the Iconographic Pattern of this Female Saint and Her Role in the History of Christianity
    Autorzy:
    Zalewska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2169986.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia Supraska
    Tematy:
    Święta Tekla
    Pierwsza męczennica
    Święta równa Apostołom
    ikonografia świętej Tekli
    rola kobiety w historii chrześcijaństwa
    Saint Thecla
    The first female martyr
    Saint Thecla equal to the Apostles
    the iconography of Saint Thecla
    the role of women in the history of Christianity
    Opis:
    The article concentrate on several aspects related to the person of Saint Thecla. One of the most important issues is the presentation of Thecla as historical figure and her role – a female Saint equal to the apostles – in the history of Christianity. Another aspect of the considerations is the searching for this saint woman iconography based on the analysis of the oldest surviving examples in comparison with the content of the hagiographic “Acts of Paul and Thecla”, which were written in the 2nd and 3rd centuries after Christ. The considerations were used in the development of an iconographic pattern, which contains historiographic premises of presenting the first martyr Saint Thecla on the Deacon’s Doors into the orthodox church of Saint Nicholas the Wonderworker in Topilec village.
    Źródło:
    Latopisy Akademii Supraskiej; 2020, Dzieci w kulturze duchowej Prawosławia, 11; 223-240
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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