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Wyszukujesz frazę "Chronotope" wg kryterium: Temat


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Tytuł:
THE CHRONOTOPE OF LOVE EXPLORED THROUGH ORHAN PAMUK’S THE MUSEUM OF INNOCENCE
CHRONOTOP MIŁOŚĆ ODKRYWANY W MUZEUM NIEWINNOŚCI ORHANA PAMUKA
Autorzy:
Vaso, Kleitia
Powiązania:
https://bibliotekanauki.pl/articles/955748.pdf
Data publikacji:
2019-02-03
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Chronotope
love chronotope
idyllic chronotope
The Museum of Innocence
Orhan Pamuk
Mikhail Bakhtin
Peter Pan
Alice in Wonderland
the garden
island
space
time
eternal
transient
chronotop
chronotop miłości
chronotop idylliczny
Muzeum Niewinności
Or-han Pamuk
Michaił Bachtin
Piotruś Pan
Alicja w Krainie Czarów
ogród,
wyspa
przestrzeń
czas
wieczność
przejezdny
Opis:
Through Orhan Pamuk’s novel, The Museum of Innocence, and Mikhail Bakhtin theory on the chronotope, specifically the idyllic chronotope, the article explores the specific chronotope of love which possesses a dual nature, both specific and timeless. Like all lovers, the novel’s protagonists, Füsün and Kemal belong simultaneously to the particu-lar place and time of their circumstances and the intimate world they create which tem-porarily transcends the boundaries of space and time. This private world echoes that of Adam and Eve, one suspended between the innocence and isolation of a private world and the looming threat of the real world’s interference. This dynamic between the place-less and time-less world of two and its existence within a specific place and time is espe-cially palpable in Orhan Pamuk’s novel, the very premise of which rests on the preserva-tion of a specific temporal period through artefacts, here belonging to Füsün, Kemal’s love. The eponymous museum refers to Kemal’s obsessive gathering and conservation of any item that belongs to her. The meetings of the lovers are dated with a historian’s precision and placed in the exact spot of Istanbul, the author’s beloved city. Kemal and Füsün could be Adam and Eve or any other literary couple following in their footsteps, yet their isolated world is interrupted by the noises, light and smells belonging to Istanbul alone. This specific chronotope belonging to love echoes Peter Pan’s island or Alice’s wonderland but the adult version of this private universe cannot be quite as separate from the real world. The latter can only partially escape and remains halfway trapped in its exact coordinates and time zone. My article ventures the thesis that the children’s and adult’s versions represent a similar effort to create a world of innocence and freedom though to a lesser degree in the second case.
Źródło:
Świat Tekstów. Rocznik Słupski; 2018, 16; 139-148
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CHRONOTOPE OF RETURN: THE ATTEMPT TO REGAIN TIME THROUGH SPACE
CHRONOTOP POWROTU: PRÓBA ODZYSKANIA CZASU PRZEZ PRZESTRZEŃ
Autorzy:
Vaso, Jora
Powiązania:
https://bibliotekanauki.pl/articles/955721.pdf
Data publikacji:
2019-02-03
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
exile
chronotope
irreversible return
nostalgia
time
space
powrót
wygnanie
chronotop
nieodwracalny powrót
czas
przestrzeń
Opis:
A person does not have to be an exile in order to be in search of lost time as Marcel Proust has famously confirmed. However, for the exile, lost time is more salient because it is demarcated by the particular moment of departure from a specific place: home. While nostalgia of home seeks to conserve a place in time, the return attempts to recap-ture time through regaining space. The exile returns home in order to, once and for all, anchor a wandering identity to a particular place and time or, in other words, to recapture the former self attached to the exile’s chronotope of home. The traces that the native space has left on the exile are imprinted as memory, gradually amplified to what Walter Benjamin refers to as aura: “In the trace, we gain possession of the thing; in the aura, it takes possession of us”. However, with the loss of distance, imaginary or physical, the aura of home may be lost. It is precisely this aura that is tested upon the exile’s return. The return may reveal a different reflection than anticipated: neither the person nor the space recognize one another. Though infinitely connected, time and space cannot be regained interchangeably.
Źródło:
Świat Tekstów. Rocznik Słupski; 2018, 16; 129-138
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
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