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Wyświetlanie 1-3 z 3
Tytuł:
АКСИОЛОГИЧЕСКАЯ И КОММУНИКАЦИОННАЯ ФУНКЦИИ МУЗЫКАЛЬНО-КРИТИЧЕСКОГО ТЕКСТА
AXIOLOGICAL AND COMMUNICATIONAL FUNCTIONS OF MUSICAL-CRITICAL TEXT
Autorzy:
Белозерова, Елена
Powiązania:
https://bibliotekanauki.pl/articles/566472.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
музыкальная критика
музыкально-критический текст
функция
оценка
коммуникация
musical criticism
musical-critical text
function
assessment
communication
Opis:
In this document the origin of musical criticism and musical features of critical text is considered. Based on the statements of critics of various periods, the author notes the excellent interpretation of the functions of musical-critical text. Thus, it was found that A. Sohor considered the social functions of musical criticism, regarding the place, which it occupies in music. Position of L. Melnyk is caused by the interpretation of musical criticism as an analytical segment of music journalism. From the author’s view, the most detailed features of musical-critical text are considered by O. Zinkevych and Yu. Chekan. They identified informative, interpretative, axiological, communicative, educative, regulatory and prognostic features. The author paid most attention to axiological and communicative functions of musicalcritical text and concluded that the axiological function is the main function of criticism. It is directly related to the notion of artistic discovery and depends on personal interest in the subject of art. When analyzing the communicative function, the text is seen as the act of speaking, as an expression. Communicative links between texts are also indicated. To sum up, it was concluded that serving the communicative function, musicalcritical text provides a connection among various chains of cultural and artistic process.
Źródło:
Ars inter Culturas; 2017, 6; 145-154
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Речевой жанр как фактор вариативности интерпретации прецедентных текстов в музыке
Speech genre as a variability factor interpretations of precedential texts in music
Autorzy:
Сюта, Богдан
Powiązania:
https://bibliotekanauki.pl/articles/566383.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
pечевой жанр
прецедентный текст
интерпретация
плюральность содержания
вариативность
музыкальная композиция
поэзия
песня Миньоны
speech genre
precedent texts
interpretation
plurality of contents
variability
musical composition
poetry
Mignon song
Opis:
This article demonstrates that the dependence of the plurality of readable content of musical compositions depends on the variability of the speech-genre interpretation of verbal precedent texts laid down in the basis of works. The development of issues of the functioning of speech genres in music is also proposed in association with certain aspects of the theory of precedent and issues of the cooperation of speech genres in poetry and music.
Źródło:
Ars inter Culturas; 2019, 8; 75-88
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Итальянские капельмейстеры в российской империи второй половины ХVІІІ века и православная церковная музыка
Italian Bandmasters in the Russian Empire of the Second Half of the XVIIIth Century and Orthodox Church Music
Autorzy:
Шумилина, Oльга
Powiązania:
https://bibliotekanauki.pl/articles/2159815.pdf
Data publikacji:
2020-12-13
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
православная церковная музыка
вторая половина ХVIII века итальянские капельмейстеры
хоровые концерты
церковнославянский текст
Orthodox church music
second half of the eighteenth century Italian bandmasters
choral concerts
Church Slavonic text
Opis:
The article examines the Orthodox church music of Italian composers of the second half of the eighteenth century, who were invited to the capital of the Russian Empire for the post of first court bandmaster. The main duties of the Italian bandmasters were to compose secular music, especially operas for the court theater. The creation of choral concerts for the court choir that took part in church services with the participation of the first persons of the Russian Empire was not included in the contractual obligations. The main purpose of the appeal of Italian ban-dmasters to this area of creativity was to create a new church repertoire, which was closer in style to the European one. The domestic choir directors, brought up on the traditions of the old church singing art, did not cope with this task. The article contains an overview of the hand-written sources in which the sacred music of the Italian bandmasters was discovered.
Źródło:
Ars inter Culturas; 2020, 9; 35-47
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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