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Wyświetlanie 1-2 z 2
Tytuł:
Musicolinguistics: Deciphering the Nigerian Hip-Hop Music: Cryptolect
Autorzy:
Waliya, Yohanna Joseph
Powiązania:
https://bibliotekanauki.pl/articles/513813.pdf
Data publikacji:
2019-06-30
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
Musicolinguistics
Nigeria Hip-Hop Music (NHHM)
cryptolect
cryptolectics
Rapcultureafrica
Opis:
Young rappers use a secret language or cryptolect to shield themselves from public criticism but share persuading hidden messages that influence their communities. Some of these young musicians are Nigerian University students and their special use of language gives birth to this type of hidden language. In this article, I highlighted the cryptolect or Cant used by Rapcultureafrica, a team of both young students and ex-students of the University of Calabar and their cohorts. The cryptolect is making its way into everyday speech especially English and Pidgin as the rappers use it in their rhythmic music. Many people hear these Cants in rap and feel that it allows them to reconnect with their cultural identity in the postcolonial period. It is for this reason, I write this research paper to decrypt to the world the exact messages these rappers are presenting in their music. In this report, I will apply a critical lens using the theoretical framework called Rappers Cryptolect Theory. I will rely on the help of the informants and solicit their help in deciphering these messages for this aspect of the crytptolectics9 in order to make an entry into Linguistics and unconventional English lexicons with the aim to contribute towards establishing crytptolectics in Musicolinguistics as a part of the field of study.
Źródło:
Language, Discourse & Society; 2019, 7, 1; 43-57
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Creativity and Authenticity in an Emerging Naijas Youth Hip Hop Culture
Autorzy:
Idom, T. Imyabri
Mensah, Eyo O.
Ochagu, Kaka
Powiązania:
https://bibliotekanauki.pl/articles/2129832.pdf
Data publikacji:
2022-05-21
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
Naija Hip Hop
Calabar
Electronic Media
Migration
Identity, Style
Youth
Creativity
Authenticity
Postcolonialism
Poststructuralism
Opis:
Since the last quarter of the 20th century, hip hop has become a cultural means of self-expression, entertainment, and empowerment for youths throughout the world. The creative manipulation of verbal and non-verbal codes has been the main vehicle through which the enormous hip hop cultural industry has been sustained and revitalized. This study investigates the creative ingenuity of a group of Naija (Nigerian) youths in Calabar, south-eastern Nigeria, in the creation of a peculiar hip hop brand in the Nigerian Hip Hop Nation (NHHN). Particularly, the study works through Appadurai’s (1996, 2002) theory on migration and the electronic media as agents of modernity to apprehend the emergence and development of hip hop in Nigeria through the example of Calabar hip hop exponents. This article also derives discursive insight from Alim’s (2009) idea of style as a major non-verbal linguistic vector of hip hop to identify and interrogate the creative ingenuity of the Nigerian youths here examined. Our study concludes that through the formation of a creative bond and the manipulation verbal and performance codes from their cultural space these Nigerian youths have established a peculiar brand of hip hop and are contributing to the transnational, multi-vocal Global Hip Hop Nation.
Źródło:
Language, Discourse & Society; 2022, 10 (1); 92-108
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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