- Tytuł:
-
Akulturacja? Czy inny wektor współczesności? Kilka słów o refleksji Czesława Miłosza
Acculturation? Or another vector of modernity? Reflections on the thoughts of Czesław Miłosz - Autorzy:
- Lubelska-Renouf, Magdalena
- Powiązania:
- https://bibliotekanauki.pl/articles/690171.pdf
- Data publikacji:
- 2017
- Wydawca:
- Łódzkie Towarzystwo Naukowe
- Tematy:
-
Miłosz Czesław
Cheng François
Scheler Max
Cézanne
Acculturation
Chinese painting
Polish poetry
haïku
Cheng Françoi
akulturacja
malarstwo chińskie
polska poezja
haiku - Opis:
- While Max Scheler’s acculturation problematic is once more topical, under the better known term “globalisation” (in the sense of westernisation), there are vectors in our culture that appear to run counter to this unifying trend. In our article, we examine one of Czesław Miłosz’s poetic intuitions that is today “embodied” in the writings of François Cheng, the Chinese-born French poet and thinker. In his essays on beauty, we analyse the swinging back and forth between poetry, thought and painting; we also examine the meeting of Eastern (Buddhist and Taoist) and Western (Christian) thought; a meeting that Cheng and Miłosz particularly perceived in the pantings of Cézanne and which, while constituting a link between these two traditions, would, according to them, also make up for the greatest western weakness, i.e. Cartesianism.
- Źródło:
-
Prace Polonistyczne; 2017, LXXII; 25-40
0079-4791 - Pojawia się w:
- Prace Polonistyczne
- Dostawca treści:
- Biblioteka Nauki