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Wyszukujesz frazę "ecofeminism" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Krytyka ekofeministyczna a katastrofa klimatyczna. Narracje o kryzysie w nareszcie możemy się zjadać Moniki Lubińskiej
Ecofeminist Criticism and Climate Catastrophe. Narratives of Crisis in nareszcie możemy się zjadać by Monika Lubińska
Autorzy:
Herman, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1927302.pdf
Data publikacji:
2021-09-21
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
ecofeminism
ecocriticism
geopoetics
ecopoetry
Monika Lubińska
Opis:
The aim of this study was to introduce and discuss ecofeminist literary criticism and its philosophical background rooted in works of ecofeminist researchers such as Val Plumwood and Ariel Salleh. As intersectional theory, ecofeminism provides a profound analysis of the conceptual connection between women and nature. Ecological feminism is also concerned with relations between various forms of discrimination — racism, sexism, heterosexism and speciesism. Ecofeminist criticism is believed to be a method of reading that provides an interdisciplinary study of the relationship between subject, literature and environment. It examines issues such as carnality and sexuality which are also viewed as significant motifs in contemporary Polish poetry, e.g. in the works of Monika Lubińska. Research that combines literaturę studies and ecological themes seem to be particularly important in the second decade of 21st century — a time increasingly associated with climate crisis. The ecofeminist approach was used to analyze nareszcie możemy się zjadać, a debut book of poetry written by Polish author Monika Lubińska. The existence of garbage, activism issues and femininity were among the topics examined. Special attention was paid to Lubińska’s juxtapositions of sensuality and technology and to her writing method which involves the use of recycled phrases from Internet search engines, Wikipedia and her smartphone’s dictionary. The study revealed that the ecological sensibility of Monika Lubińska is deeply intertwined with her feminist awareness.  
Źródło:
Zagadnienia Rodzajów Literackich; 2021, 64, 1; 87-99
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“She Cuppeth the Lightning in her Hand”: Spirituality, Domination, and Violence in The Power (2016) by Naomi Alderman
Autorzy:
Warchał, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/971264.pdf
Data publikacji:
2020
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
The power
Naomi Alderman
cyborg
ecofeminism
spirituality
dystopia
Opis:
The Power by Naomi Alderman offers a dystopian vision of the world in which girls and women develop the ability to produce electric current. The power is both a blessing and a curse since it enables women to stand up to oppression and upturn male dominance, but also turns their bodies into lethal weapons. The following article aims to analyse depictions of women and girls in the novel while taking into consideration their entanglement in religion, organised crime, and politics. The analysis includes two perspectives, ecofeminist and posthuman. The power, on the one hand, can be seen as an emblem of rediscovered interconnection between people and the forces of nature or animals. On the other hand, the depictions of women make them resemble cyborgs, combinations of living organisms and machines. Moreover, the article comments on the utopian potential of the world presented in the novel, and on the dystopian outcomes of the described shift of power.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 1; 87-97
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Making Kin in Broken Places”. Post-apocalyptic Adolescence and Care in Jeff VanderMeer’s Borne
Autorzy:
Czemiel, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/579128.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
post-apocalypse
biotechnology
New Weird
Gothic
ecofeminism
Anthropocene ethics
Opis:
Abstract en: This article attempts to place Jeff VanderMeer’s novel Borne (2017) in the context of the New Weird, and more broadly within the tradition of speculative fiction represented by the Weird and the Gothic. The aim of this is also to bring into focus the role of genre fiction in diagnosing the uncanny underside of its times. In the present context, the key issue is to develop new models of subjectivity that would embrace a trans-species, less anthropocentric and more ecological model of caring and “making kin”. This phrase references Donna Haraway’s project, which is argued to dovetail with VanderMeer’s conclusions, defining the article’s ethical premise, formulated around the theme of adolescence in a post-apocalyptic setting.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 4(128); 39-53
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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