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    Wyświetlanie 1-2 z 2
    Tytuł:
    Under Our Eye: Margaret Atwood’s Variation on the Panopticon in The Heart Goes Last
    Autorzy:
    Kuźnicki, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/971257.pdf
    Data publikacji:
    2020
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Jeremy Bentham
    Michel Foucault
    Margaret Atwood
    the Panopticon
    dystopian fiction
    surveillance
    Opis:
    In her dystopian dark comedy The Heart Goes Last (2015), Margaret Atwood openly refers to Jeremy Bentham’s concept of the Panopticon. The future world depicted in her novel is filled with violence and deprived of both human bonds and hope. Hence, being contained, monitored and - after Foucault - disciplined and punished appears to be the characters’ last resort. Surveillance tempts both sexes as it is politically correct and universal, and it does not privilege one group of people over the other. The article discusses the dystopian vision of the near future as created by Atwood in her 2015 novel, with direct references to the conception of the Panopticon, both in its original meaning proposed by Bentham, and - more significantly - in Michel Foucault’s reading of this idea as a metaphor of the way western societies are organized.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2020, 63, 1; 75-86
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    More Liveable” Speculations: the Gender of SF in Margaret Atwood’s Short Story “Oursonette” and in the Comic Book / Graphic Novel War Bears
    Autorzy:
    Ostalska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/579266.pdf
    Data publikacji:
    2020
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    contemporary English-language literature, speculative fiction, Margaret Atwood, comic books, graphic novels, “Canadian whites,” superheroines, gender discourse
    Opis:
    Taking into account the broadness of the SF genre, the article commences with examining the difference between speculative fiction and science fiction, as outlined specifically by Donna J. Haraway and Margaret Atwood. Drawing on Atwood’s understanding of speculative genre, the paper analyses two separate but intertwined artistic forms: a classic short story with embedded dialogue and a comic book / graphic novel based upon the extended version of the earlier narrative. The short story “Oursonette” was written by Atwood as a part of a national project of artists commemorating the sesquicentennial anniversary of the Canadian Confederation. It depicts Victory in Europe Day, 8 May 1945, from the perspective of Canada and its impact upon the publishing of “Canadian whites,” otherwise known as WECA comic books. Partially black-and white War Bears (2019), referring to the tradition of “Canadian whites” comics, is a modern graphic novel, co-authored with Ken Steacy, which essentially uses the plot of Atwood’s “Oursonette” as the foundation for drawing an expanded story that precedes and follows the original. The narrative is not simply elaborated, a new dimension of visual imagery and a significant layer of intersectionality have changed its meaning to a large extent. The article analyses those alterations in detail to come to a conclusion as to whether they are beneficial or redundant to the original form and content. Thematically, the paper probes the gendered dimension of Atwood’s (and partly Steacy’s) rendering of the superheroine subcategory, with regard to SF genre and its literary convention. The article compares how this issue is represented in both examined literary genres: a narrative by Atwood and a comic book / graphic novel by Atwood and Steacy.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2020, 63, 1; 21-37
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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