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    Wyświetlanie 1-5 z 5
    Tytuł:
    Post-revisionism: Conflict (Ir)resolution and the Limits of Ambivalence in Kevin McCarthy’s Peeler
    Autorzy:
    McAteer, Michael
    Powiązania:
    https://bibliotekanauki.pl/articles/641402.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Royal Irish Constabulary
    detective
    war
    revisionism
    Opis:
    This essay considers a historical novel of recent times in revisionist terms, Kevin McCarthy’s debut novel of 2010, Peeler. In doing so, I also address the limitations that the novel exposes within Irish revisionism. I propose that McCarthy’s novel should be regarded more properly as a post-revisionist work of literature. A piece of detective fiction that is set during the Irish War of Independence from 1919 to 1921, Peeler challenges the romantic nationalist understanding of the War as one of heroic struggle by focusing its attention on a Catholic member of the Royal Irish Constabulary. In considering the circumstances in which Sergeant Seán O’Keefe finds himself as a policeman serving a community within which support for the IRA campaign against British rule is strong, the novel sheds sympathetic light on the experience of Catholic men who were members of the Royal Irish Constabulary until the force was eventually disbanded in 1922. At the same time, it demonstrates that the ambivalence in Sergeant O’Keefe’s attitudes ultimately proves unsustainable, thereby challenging the value that Irish revisionism has laid upon the ambivalent nature of political and cultural circumstances in Ireland with regard to Irish-British relations. In the process, I draw attention to important connections that McCarthy’s Peeler carries to Elizabeth Bowen’s celebrated novel of life in Anglo-Irish society in County Cork during the period of the Irish War of Independence: The Last September of 1929.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 9-24
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Shibboleths of Grief: Paul Muldoon’s “The Triumph”
    Autorzy:
    Pietrzak, Wit
    Powiązania:
    https://bibliotekanauki.pl/articles/2032781.pdf
    Data publikacji:
    2021-11-22
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Paul Muldoon
    Ciaran Carson
    elegy
    contemporary Irish poetry
    Opis:
    The essay explores Paul Muldoon’s elegy for the fellow Northern Irish poet Ciaran Carson with a view to showing that “The Triumph” seeks to evoke a ground where political, cultural and religious polarities are destabilized. As the various intertextual allusions in the poem are traced, it is argued that Muldoon seeks to revise the notion of the Irish shibboleths that, as the poem puts it, “are meant to trip you up.” In lieu of this linguistic and political slipperiness, “The Triumph” situates Carson’s protean invocations of Belfast and traditional Irish music as the new shibboleths of collectivity.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 51-63
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry
    Autorzy:
    Ostalska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/641384.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    contemporary Irish poetry
    gender discourse
    the Troubles
    Northern Ireland
    Opis:
    This paper examines the literary representation of the beginnings of the Northern Irish Troubles with regard to a gender variable (women’s roles and functions ascribed to them, mostly punitively, by men ), in the selected poems by Heaney, Durcan, Boland, Meehan and Morrissey. The reading of Heaney’s “Punishment” will attempt to focus not solely on the poem’s repeatedly criticized misogyny but on analyzing it in a broader, historical context of the North’s conflict. In Durcan’s case, his prominent nationalist descent or his declared contempt for any form of paramilitary terrorism (including the IRA) do not seem to prevent him entirely from immortalizing female victims of the Troubles. Boland’s attitude seems the most unequivocal: the clear aversion to the language of death and rendering Irish women’s experiences (and children’s) in this discourse. The article concludes with analysis of Meehan’s “Southern” guilt for the situation of Catholics in the North with the simultaneous critique of perpetrated violence and Morrissey’s complicated standpoint: atheist/neutral/Protestant/communist and her striving for the impossible impartiality in a war-ridden and politically divided country. Trying to avoid systemic victimization of Irish women, the paper intends to analyze the historical and political circumstances which made them more susceptible to various forms of attacks at the beginnings of the Troubles, as reflected in the titular labels.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 84-106
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Defying Maintenance Mimesis: The Case of Somewhere over the Balcony by Charabanc Theatre Company
    Autorzy:
    Ojrzyńska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/641592.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Northern Irish drama
    Charabanc
    Luce Irigaray
    mimicry
    mimesis
    Somewhere over the Balcony
    Opis:
    Making reference to Luce Irigaray’s definitions of mimesis and mimicry, and the ways in which these concepts respectively reinforce and challenge the phallogocentric order, this article investigates the representation of the Troubles in the play Somewhere over the Balcony by Charabanc-a pioneering all-female theatre company which operated in Belfast in the 1980s and early 1990s. The article discusses the achievement of the company in the local context and offers a reading of Somewhere over the Balcony, Charabanc’s 1987 play which depicts the lives of underprivileged working-class Catholic women in the infamous Divis Flats in Belfast. Showing the protagonists’ struggle with the everyday reality of sectarianism in Northern Ireland, it celebrates female creativity and jouissance. The article argues that the characters challenge the masculinist order by means of mimicry. Irigaray defines this strategy as a deliberate assumption of prescribed female roles, which involves a playful attitude to “mimesis imposed”-in other words, to the programmed repetition of socially sanctioned patterns (This Sex 76). Mimicry, as well as other productive strategies help the female characters in the play to transform the balconies of their flats into an area of creativity and empowerment, which challenges binary thinking about the division into private and public space. Such a geopolitical reading of the play corresponds to the artistic agenda of the company, communicated by its very name. It also sheds light on Charabanc’s attempt to create a more inclusive and varied cultural space that would reach beyond gender, sectarian, and class divides in Northern Ireland.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 137-150
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “A right kind of rogue”: Lisa McInerney’s "The Glorious Heresies" (2015) and "The Blood Miracles" (2017)
    Autorzy:
    Ostalska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/641440.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Lisa McInerney
    Irish noir fiction
    motherhood
    Magdalene Laundries
    the adoption discourse
    the rogue discourse
    Opis:
    The following article analyzes two novels, published recently by a new, powerful voice in Irish fiction, Lisa McInerney: her critically acclaimed debut The Glorious Heresies (2015) and its continuation The Blood Miracles (2017). McInerney’s works can be distinguished by the crucial qualities of the Irish Noir genre. The Glorious Heresies and The Blood Miracles are presented from the perspective of a middle-aged “right-rogue” heroine, Maureen Phelan. Due to her violent and law-breaking revenge activities, such as burning down the institutions signifying Irishwomen’s oppression (i.e. the church and a former brothel) and committing an involuntary murder, Maureen remains a multi-dimensional rogue character, not easily definable or even identifiable. The focal character’s narrative operates around the abuse of unmarried, young Irish mothers of previous generations who were coerced to give up their “illegitimate” children for adoption and led a solitary existence away from them. The article examines other “options” available to “fallen women” (especially unmarried mothers) in Ireland in the mid-twenty century, such as the Magdalene Laundries based on female slave work, and sending children born “out of wedlock” abroad, or to Mother and Baby Homes with high death-rates. Maureen’s rage and her need for retaliation speak for Irish women who, due to the Church-governed moral code, were held in contempt both by their families and religious authorities. As a representative of the Irish noir genre, McInerney’s fiction depicts the narrative of “rogue” Irish motherhood in a non-apologetic, ironic, irreverent and vengeful manner.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2019, 9; 237-258
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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