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    Wyświetlanie 1-2 z 2
    Tytuł:
    Teresa Feodorowna Ries and The Witch
    Autorzy:
    Leśniak, Anka
    Powiązania:
    https://bibliotekanauki.pl/articles/424457.pdf
    Data publikacji:
    2019
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    Teresa Feodorowna Ries
    women sculptor
    The Witch
    feminism
    symbolical reconstruction
    Opis:
    The article is based on artistic research and concerns the case of Russian woman sculptor Teresa Feodorowna Ries (1866-1956), who gained the position of a prominent artist at the time of Austro-Hungarian Empire and the First Austrian Republic. In 1938 her studio was 'Aryanised' and she had to flee to Switzerland. There are three intertwining threads in the article. The first one refers to some facts from Ries's life, that seem to be significant for the conducted research. The second concerns the fate of her sculptures during and after the Second World War, with a particular focus on The Witch (Die Hexe), which, according to the surviving documents and the opinions of art restorers, has been damaged on more than one occasion, and under varying circumstances. There are also considered possible causes of this damage, which in the opinion of the author are related to the rebellious meaning of this sculpture, both in its title and in its form of artistic expression. The last thread is an explanation of the author's interest as a contemporary Polish woman artist in Teresa Ries and her Witch. The Witch by Teresa Ries is the contradiction of a consistent image through and through. Firstly, because although we see the influence of different artistic styles in the form of this sculpture and the traces of diverse cultural traditions in its allegorical layer. Secondly, because the sculpture today is damaged and some of its parts are missing. Thus The Witch, a witness of history, of political and social changes, is an accusation against the HIStory, institutions, politics towards women (artists), and antisemitism, that support patriarchal order. However, The Witch as a representation of the character of the witch in culture has an inspiring potential for political and social changes and the emancipation of minorities.
    Źródło:
    Sztuka i Dokumentacja; 2019, 21; 143 - 158
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pojęcie i doświadczenie czasu w polskiej sztuce konceptualnej
    The Concept And Experience Of Time In The Art Of Polish Conceptualism
    Autorzy:
    Zdanowicz, Maciej H.
    Powiązania:
    https://bibliotekanauki.pl/articles/424647.pdf
    Data publikacji:
    2012
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    In my paper I analyse the art of selected Polish conceptual artists
    whose art and creative strategies clearly attempt to analyse the essence of time
    I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞)
    Natalia LL's recordings (Permanent recordings of time)
    Zdzislaw Jurkiewicz's Saturn and Jupiter Ways
    and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time
    In the presented analyses
    I refer to the psychological and philosophical concept of perception and aperception
    as well as an anthropological understanding of time
    In my view
    conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist
    With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term
    CONCEPTUALISM
    CONCEPTUAL ART
    ROMAN OPALKA
    NATALIA LL
    ZDZISLAW JURKIEWICZ
    STANISLAW DROZDZ
    PERCEPTION
    APERCEPTION
    TIME
    SPACETIME
    NOTATION
    RECONSTRUCTION
    DOCUMENTATION
    Opis:
    In my paper I analyse the art of selected Polish conceptual artists, whose art and creative strategies clearly attempt to analyse the essence of time. I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞), Natalia LL's recordings (Permanent recordings of time), Zdzislaw Jurkiewicz's Saturn and Jupiter Ways, and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time. In the presented analyses, I refer to the psychological and philosophical concept of perception and aperception, as well as an anthropological understanding of time. In my view, conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist. With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term.
    Źródło:
    Sztuka i Dokumentacja; 2012, 6; 141-147
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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