Wszystkie pola: Phaedra - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Three Settings in Seneca’s Phaedra
Autorzy:: Rzepkowski, Krzysztof
Powiązania:: https://bibliotekanauki.pl/articles/1045942.pdf
Data publikacji:: 2017-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Phaedra
Seneca
settings
scenic representation.
Opis:: In the following article I present my own concept for interpreting Seneca’s Phaedra, demonstrating that the action takes place in three distinct settings: that of the royal palace (DOMUS), which is the domain of Phaedra’s actions, that of the city of Athens (URBS), which is the realm of Theseus and the Nurse, and that of the forest (SILVAE), which constitutes the world of Hippolytus. In the second part of the article I propose to arrange the stage in a way that takes the proposed settings into account.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 139-155
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: ‘You too, my child?’ On trust and perfidy in classical literature
Autorzy:: Schade, Gerson
Powiązania:: https://bibliotekanauki.pl/articles/1046756.pdf
Data publikacji:: 2014-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Shakespeare
Hamlet
Julius Caesar
Alcibiades
Clytemnestra
Phaedra
Iason
Medea
πίστις
fides
Eduard Fraenkel
Émile Benveniste
Opis:: A tripartite approach is proposed in order to get hold of the complex phenomenon of trust and perfidy in classical literature. In a first part two cases of political treason are discussed: the most prominent victim of treason, Julius Caesar, who was very much surprised when he saw Brutus among his assassins, and the greatest traitor in antiquity ever, Alcibiades. Protean perfidy, however, is a gender-crossing issue, and a second part is dedicated to literary figures, in particular to women. Aeschylus’ Clytemnestra is an outstanding example of a perfidious character. Finally, a third part is concerned with words, for πίστις and fides have attracted the attention of classical scholars and structural linguists alike. At the beginning, however, Hamlet is introduced, an expert both in trust and perfidy as well as in classical literature.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 1; 185-201
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

Artykuł

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