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    Wyświetlanie 1-3 z 3
    Tytuł:
    Художественный стиль в истории украинсково литературного языка
    Autorzy:
    Сюта, Галина М.
    Powiązania:
    https://bibliotekanauki.pl/articles/615553.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    Ukrainian literary language
    artistic style
    literary norm
    poetic style (artistic) norm
    tradition
    innovation
    writer’s language practice
    Opis:
    In the article, the role of the artistic style as one of the major componens of the Ukrainian linguo-culture has been stressed. The writers’ language-creative practice has been qualified as an important factor in the national literary language development and as a criterion of the literary norm formation. As for the latter, two major kinds of writers’ impact are noted – structural-expanding and cutting, aimed at improvement. In this context, the concept of norm arises as an actual parameter to determine the level of correlation of both literary language and language of fiction.
    Źródło:
    Stylistyka; 2013, 22; 415-424
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Стилістичні студії мовознавців харківської філологічної школи 20–30 рр. ХХ ст.
    Stylistic studies of the linguists of Kharkiv philological school in the 1920s and 1930s
    Autorzy:
    Черемська, Ольга
    Powiązania:
    https://bibliotekanauki.pl/articles/1008795.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    Kharkiv linguistic school
    stylistics of the Ukrainian language
    culturre of language
    fonctional styles
    individual language
    literary language
    normality
    Opis:
    The article focuses on the concept of historical memory on the basis of the Ukrainian linguistics ofthe 1920s and 1930s. The aspects of the scientific work of linguists of the Kharkiv Philological School (O. Vetukhov, M. Yogansen, O. Kurylo, M. Nakonechnyi, K. Nymchynov, V. Simovych, O. Synyavskyi, S. Smerechynskyi, M. Sulyma, B. Tkachenko, О. Finkel), who were in creative interaction with the Slavic and European scientific circles, are characterised; the influence of the ideas of the Prague linguistic circle, in particular its structural-semantic paradigm, on the directions of scientific research of Ukrainian linguists during the mentioned period is noted. Attention is focused on the main achievements of Ukrainian linguistics in the field of stylistics. The work of O. Kurylo Attention on the modern Ukrainian literary language (1920) is analysed in view of the terminology apparatus of stylistics, including theoretical and methodological principles of Ukrainian and Slavic linguistics in general. The stylistic advisers of M. Gladkyi, which highlight the cultural aspects of journalism and literature, and peculiarities of word-formation in the language of the press and fiction, are discussed. The work Ukrainian phrase. Short Sketches (1928) by M. Sulyma, devoted to issues of stylistic morphology and stylistic syntax is investigated as well as the terminology of stylistics used in the work of S. Smerechynskyi Essays on the Ukrainian syntax (in connection with phraseology and stylistics) (1932); M. Yogansen’s scientific discoveries Elementary laws of versification (1922) and How the narrative is constructed. Analysis of Prose Samples (1927) as well as O. Finkel’s: A Brief Introduction to Theoretical Stylistics (1927), L. Bulakhovsky’s The Basics of Linguistics (1931–1932) are scrutinised. The course of B. Tkachenko’s Essay of Ukrainian Stylistics (Kharkiv, 1929–1930?), created under the influence of French stylistics by S. Bally is noted, in which for the first time in Ukrainian linguistics, the necessity of studying stylistics as a separate educational discipline was proved, its purpose and task were articulated, and conceptual apparatus outlined; the essence and nature of the interrelations of the literary language with individual and folk-colloquial language are investigated.
    Źródło:
    Stylistyka; 2019, 28; 373-392
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ukraina i Kozacy w poetyckiej reminiscencji polskiego romantyka. O stylu dumek historycznych Bohdana Zaleskiego
    Autorzy:
    PIĄTKOWSKI, CEZARY
    Powiązania:
    https://bibliotekanauki.pl/articles/1008778.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    the semiotic-cultural notion of style
    the principle of relativity of literary style
    style exponent
    local characteristics
    historical characteristics
    the Ukrainian school in Polish romantic poetry
    dumka
    Opis:
    The article presents remarks on the style of historical dumkas of Bohdan Zaleski, whowas one of the main representatives of the so-called Ukrainian school in Polish romantic poetry. The following three texts, representative of the pre-emigration period in the life of the poet (ending in 1830), form a basis for our analysis: Co mi tam! czyli Poranek starego myśliwca, Dumka hetmana Kosińskiego and Dumka Mazepy. The following can be concluded after the performed analysis (taking into account e.g. the semiotic-culturalnotion of style):1. The leading influence in these works in terms of style is the romantic principle of relativity, stating that the style of literary work should depend on such factors as a particular time, place and environment (with particular culture and mentality), determining the choice of language and style in the analysed dumkas. The poet, using imaginative style, paints the couleur of the Ukrainian Arcadia – allowing the reader to become more familiar with the local and historical characteristics of the land of the childhood and painting the figures of Cossacks that are vivid, full of temperament, dashing and endearing to the reader.2. The care for an appropriate rendition of the characteristic of the region, time and environment does not, however, mean that the author falls into mannerism, vagueness or uses too exotic vocabulary. Zaleski tries to use, without overdoing it, only those Ukrainisms, orientalisms and archaic words that could have been known to the nineteenth century readers from their previous acquaintance with the literature from the previous eras. Moreover, some of the words or phrases used in the dumkas are commented by the author so that to aid in the understanding of the texts.3. Owing to the choice of exponents coming not from the highest registers but from vernacular, the poet emphasises the emotional and sometimes jocular tone of the characters, making the style natural and simple.
    Źródło:
    Stylistyka; 2015, 24; 211-228
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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