Temat: deixis - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Czas w tekście urzędowym
Autorzy:: MALINOWSKA, EWA
Powiązania:: https://bibliotekanauki.pl/articles/957662.pdf
Data publikacji:: 2007
Wydawca:: Uniwersytet Opolski
Tematy:: legal text
office text
absolute time
relative time
deixis
Opis:: In the office world time runs in a different way than in the world. of colloquial expe- rience. Untargeted texts (legał texts) project futurę events; therefore a considerable num- ber of office utterances is formed in a futurę tense. In legał utterances there is actually only a relative time i.e. as far as time is concemed, an event may be presented only in re- ference to a different event and time period between them, and not through a datę (an ab- solute time moment). The absolute time appears only in the regulations determining the datę when a given legał act comes into force.On the other hand, in office letters, the absolute time (the calendar time) dominates, which is connected with a documenting function of these texts. Time dating is connected with factography and further proceedings. Time deixis is expressed in the form of nume- rals indicating a day, a month and a year, or in the form of adverbs (e.g. immediately, promptly etc.)
Źródło:: Stylistyka; 2007, 16; 331-339
1230-2287
2545-1669
Pojawia się w:: Stylistyka
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Antropocentričeskoe izmerenie stilâ
Anthropocentric style dimension
Autorzy:: Smirnova, Nadežda V.
Powiązania:: https://bibliotekanauki.pl/articles/615245.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Opolski
Tematy:: subjective perspective of the fictional text
anthropocentrism
deixis
egocentric elements
co-referential nominations
Opis:: The principle of anthropocentrism, being the basis of human cognitive activity, detects the subject’s central position in the fictional universum. Possessing verbal fixation the subjects of the fictional text, the Narrator and the Character, interacting with each other form a subjective narration model. The stages of the subject’s representation in the fictional text related to the lack of knowledge of communicators’ field in general, are formally reflected in the sequence of nominations. The classic narration based on the maximum connectivity of its component elements, should tend to such a type of organization of the co-referential nominations’ rows, which would let the narratee clearly identify the object throughout the text. The deviances in the co-referential nominations’ rows, which occur in the non-classic narration, provoke referential interpretation and lead to the increment of text entropy. Basing on Vladimir Nabokov’s stories, two types of egocentric introductions in the co-referential nominations’ rows have been detected, based on the narration manner. The first type is reflected within the context of third-person narration, when a deictic first-person pronoun introduces itself with the identical reference as a proper noun, an anaphor, a substantive expression, into the sequence of character’s nominations. The second type is reflected in the first-person narration, it is related to the introduction into the sequence of nominations of a character not involved in the communication, a deictic second-person pronoun. “Egocentric explosions” in the co-referential nominations’ rows represent one of the most effective stylistic devices of the non-traditional narrative formation. They lead to the narrative mode switching providing stereoscopic effect.
Źródło:: Stylistyka; 2015, 24; 237-247
1230-2287
2545-1669
Pojawia się w:: Stylistyka
Dostawca treści:: Biblioteka Nauki

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