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    Wyświetlanie 1-4 z 4
    Tytuł:
    Alle Wege führen nach Rom? Die Entscheidungen des Übersetzers Olaf Kühl am Beispiel des Romans „Wie ich Schriftsteller wurde. Versuch einer intellektuellen Autobiographie“ von Andrzej Stasiuk
    All roads lead to Rome? Olaf Kühl’s translatory decisions on the example of the novel “How I became a writer: an attempt at an intellectual autobiography”
    Autorzy:
    Sulikowska-Fajfer, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1191733.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    translation
    translations strategies
    culture translation
    Polish literature
    Opis:
    This article discusses the strategies that may be used during the process of translation of a literary work. It will be shown that the translators’ choices are context driven. The starting point for an analysis are four theoretical approaches to translation strategies (Markovina 1993, Koller 2004, Gercken 1999 and Hejwowski 2006). The analysis of the translator’s choices will be carried out at the example of Andrzej Stasiuk’s novel “Jak zostałem pisarzem. Próba autobiografii intelektualnej” translated into German by Olaf Kühl.
    Źródło:
    Studia Translatorica; 2020, 11; 165-176
    2084-3321
    2657-4802
    Pojawia się w:
    Studia Translatorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Der indirekten Translation auf der Spur – Koelie von Madelon Székely-Lulofs in polnischer Übersetzung
    On the trail of the indirect translation – Koelie written by Madelon Székely-Lulofs rendered into Polish
    Autorzy:
    Gąska, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/1191709.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    indirect translation
    literary translation
    third culture elements
    translation technique
    rendering
    Opis:
    The present article deals with the indirect translation, which is conceived by many translation theoreticians as an inadvisable practice. The aim of the paper is to prove that the Polish rendering of the novel “Koelie” by the Dutch writer Madelon Székely-Lulofs is in fact an indirect translation. The case study draws on a triangulation method consisting of peritextual, epitextual and comparative analysis. The epitextual analysis enabled to advance a hypothesis, that the translator of the novel into Polish – Herminia Bukowska – might have rendered indirect either via the German or English version. On the basis of the comparative analysis of the source text with its renderings into German, English and Polish carried out with regard to the so-called third culture elements, was it possible to verify this hypothesis. The comparison revealed quite a few unambiguous similarities between the Polish and German rendering in the translators’ approach in relation to the mentioned translation units, which in turn differ from the source text.
    Źródło:
    Studia Translatorica; 2020, 11; 9-26
    2084-3321
    2657-4802
    Pojawia się w:
    Studia Translatorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Culture-bound elements: Rendering and preserving in translation
    Autorzy:
    Maksvytytė, Jūratė
    Powiązania:
    https://bibliotekanauki.pl/articles/1191841.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    culture-bound elements
    translation
    strategies
    rendering
    preserving
    Opis:
    Each culture is unique and has its own unique objects or phenomena related to its history, traditions, and cultural identity. These specific objects, otherwise called culture-bound elements, may be strange and unrecognizable to another culture. Translators are often challenged to translate the text of one culture to another and to convey the names of cultural elements, while still preserving their unique meaning, as well as their national and cultural colour. The aim of the article is to analyse the strategies and techniques by means of which the names of Lithuanian culture-bound elements are translated into English in a work devoted to public affairs. To what extent the original is preserved in the foreign-language environment clarifies the (dis)harmony. In short, the name of a culture-bound element is an integral part of such work that otherwise would not accomplish its purpose.
    Źródło:
    Studia Translatorica; 2019, 10; 253-264
    2084-3321
    2657-4802
    Pojawia się w:
    Studia Translatorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Orientalizmy jako elementy trzeciej kultury w tłumaczeniu „Sonetów krymskich” na język niemiecki
    Orientalisms as third culture elements in the translation of The Crimean Sonnets into German
    Autorzy:
    Gąska, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/1191837.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    The Crimean Sonnets
    third culture elements
    orientalism
    translation technique
    rendering
    Opis:
    “The Crimean Sonnets” written by Adam Mickiewicz, which are the literary fruit of the poet’s journey to the Crimea, express his admiration of the peninsula, which the poet called “the East in miniature”. The fascination with the Orient in the Crimean cycle manifests itself not only in applying oriental motifs, which were taken from Arabic or Persian literature, but also in rich vocabulary referring to elements of Turkish, Arabic, Tatar, and Persian culture. Given the fact that in the translation process of “The Crimean Sonnets” from Polish into German these elements are foreign to both the source and target culture, they can be defined as the third culture elements according to Dorota Urbanek. The purpose of this article is to analyse translation techniques used to convey selected orientalisms in “The Crimean Sonnets” in the rendering by Martin Remané and Dirk Strauch. The analysis of the techniques allows to determine whether the translators retained the local colour of the oriental Crimea by preserving the foreign elements or whether they tried to domesticate their rendering.
    Źródło:
    Studia Translatorica; 2019, 10; 205-221
    2084-3321
    2657-4802
    Pojawia się w:
    Studia Translatorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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