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Wyświetlanie 1-5 z 5
Tytuł:
Following Brodsky. Andrey Zvyagintsev’s Apocrypha
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1026438.pdf
Data publikacji:
2021-05-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Brodsky
Zvyagintsev
Apocrypha
memory
Saint Petersburg
Opis:
The article presents the study of the short film Apocrypha by Andrei Zvyagintsev. The text is aimed at the interpretation of the movie in the context of the problem of memory, which is emphasised in the selected work in the explicit and implicit visual associations with the figure and poetry of Iosif Brodsky. The recognition of these characteristic elements in the structure of Zvyagintsev’s film has the influence on the perception of its meaning, leading the culturally aware recipient towards discovering its broad interpretative potential in view of the Russian literary tradition. The study is conducted using the comparative method of analysis. The core theory which constitutes the methodological foundation of the study is Astrid Erll’s concept of cultural memory expounded as intertextuality, i.e. the continuous building up of layers of texts, which are mediated, as well as her idea of transcultural memory, defined in the first instance as a process of fluctuation between the individual and collective level of remembering. Attention is turned to the motifs, which are characteristic both for Brodsky’s and Zvyagintsev’s poetics, such as the aquatic symbolism, temporal and topographical relationships, chromatography of cold colours etc. The application of the selected methodology in the presented discussion allows for exposing the dynamics of the changing nature of culture, which becomes the container of the social and territorial fluctuations of memory.
Źródło:
Studia Rossica Posnaniensia; 2021, 46, 1; 235-251
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Миф Левиафанa в творчестве Андрея Звягинцева (на материале фильмa „Левиафан”)
Mit Lewiatana w twórczości Andrieja Zwiagincewa (na materiale filmu „Lewiatan”)
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1040865.pdf
Data publikacji:
2018-06-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article focuses on an interpretation of Andrei Zvyagintsev’s film Leviathan in the context of the Leviathan myth. The film was inspired by the Book of Job and the philosophical treatise called Leviathan or The Matter, Form and Power of a Common Wealth Ecclesiasticall and Civil written by Thomas Hobbes in 17th century. The article starts with an explanation of the possible meanings of the symbol of Leviathan in various cultural and historical traditions, including the Bible and Hobbes’s book. The background is then expanded further in the interpretation of selected shots from the film, which show that the artistic text of the Russian director can be perceived as a universal parable of human life.
Źródło:
Studia Rossica Posnaniensia; 2016, 41; 253-262
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nostalgiczne kino Wiery Storożewej i Pawła Łungina (na podstawie filmów Podróż ze zwierzętami domowymi i Taxi Blues)
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1023472.pdf
Data publikacji:
2019-09-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
nostalgia
Storozheva
Lungin
memory
history
nostalgic cinema
Opis:
The article presents the interpretation of two Russian films, Travelling with Pets by Vera Storozheva and Taxi Blues by Pavel Lungin, from the point of view of the category of nostalgia. The article shows that the heroes of both artistic texts function in the hybrid reality, the collapse of the old world accompanies their search for the wholeness and new identity. Travelling with Pets emphasizes the spatial dimension of the experience, whereas Taxi Blues transforms it into the vision of the relationship with time, the continuum of past, present and future, which corresponds with the triad: history-memory-nostalgia.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 2; 159-168
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
И. Тургенев как протомодернист. Пьеса „Месяц в деревне” в контексте цикла эссе К. Гринберга „Защита модернизма”. Предвестие нового художественного стиля
I. Turgieniew jako protomodernista. Sztuka „Miesiąc na wsi” w kontekście cyklu esejów К. Greenberga „Obrona modernizmu”. Zapowiedź nowego stylu artystycznego
I. Turgenev as a protomodernist. Drama “A month in the country” in the context of C. Greenbergs collected essays “Modernism defense”. The announcement of a new artistic style
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1623591.pdf
Data publikacji:
2018-06-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Clement Greenberg is considered as one of the greatest and most influential American critics of the late 20th century. Understanding modern and postmodern discussions in the world of literature and fine arts seems to be impossible without the profound knowledge of Greenberg's opinions. The aim of the studies in this article is the comparative analysis of I. Turgenev's drama A Month in the Country and fundamental principles of Greenberg's theory of modernism, the attempt to generate the inner relationships between those two works of art. Treating the aforementioned drama as the model piece of Turgenev's dramaturgy we focus on the parametres which build up the openness of the play, emphasise the innovative character of the text in the context of the changes of the Great Theatre Reform. The interpretation of Turgenev's play in the view of global artistic tendencies shows the uniqueness of his work of art. The comparative method of the analysis helps to discover the encoded features which will influence modernist way of thinking, eliminating the differences between the word and other ways of artistic expression.
Źródło:
Studia Rossica Posnaniensia; 2011, 36; 269-276
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eksces i tragizm: „Noc Walpurgii, czyli Kroki Komandora” Wieniedikta Jerofiejewa
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1622969.pdf
Data publikacji:
2016-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article presents Venedikt Erofeev’s Walpurgisnacht, or the Steps of theCommander in the context of European transavantgarde, American art (e.g. Andy Warhol’s traumatic realism) and the vital literary concepts of the end of the 20th century. The category of shock is here regarded as a postmodern equivalent of the ancient notion of catharsis. The focus of the artistic reality in Erofeev’s text seems to be on the tragic conflict between life and death and on being in transition, which reveals the real purpose of human existence.
Źródło:
Studia Rossica Posnaniensia; 2014, 39; 349-356
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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