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    Wyświetlanie 1-6 z 6
    Tytuł:
    Retour subreptice de l’Histoire chez quelques romanciers belges francophones (Baillon, Simenon, Savitzkaya, Toussaint)
    Retourn of History in a few Belgian francophone novelists (Baillon, Simenon, Saviztkaya, Toussaint)
    Autorzy:
    Demoulin, Laurent
    Powiązania:
    https://bibliotekanauki.pl/articles/1048749.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literature
    world war
    history
    autobiography
    television
    Opis:
    André Baillon, Georges Simenon, Eugene Savitzkaya and Jean-Philippe Toussaint: four Belgian novelists, while portraying precisely their time, ensure generally avoid the great History. They attach indeed to depict the everyday world of men, women and children of their time. But History sometimes appears suddenly and occupies a place unexpected. We try to see how, when and where.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 133-146
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Maud Frère, interprète de l’Histoire : Les jumeaux millénaires et le conflit de 1940-1945
    Maud Frère, interpreter of History: Les Jumeaux millénaires and conflict 1940-1945
    Autorzy:
    Bizek-Tatara, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/1048745.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Belgian literature
    Maud Frère
    History
    World War II
    Opis:
    This article concerns the portrayal of the World War II in the Belgian literature on the basis of Les Jumeaux millénaires Maud Frère (1923-1979). Published in 1962, the novel is considered as one of few testimonies of German Occupation in Belgium, its influence on the post-war Belgian-Belgian conflicts (Quastion royale, 1940-1945) and the literary output (déshistoire). This autobiographic narration, full of bitterness and disappointment, portrays a literary and very subjective interpretation of this shameful, unsaid and often neglected period in the Belgian history.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 61-72
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Voglio essere presente come vita: Liana Millu et sa voix singulière de Birkenau
    Voglio essere presente come vita: Liana Millu, a singular voice from Birkenau
    Autorzy:
    Teklik, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1048397.pdf
    Data publikacji:
    2018-11-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    World War II
    Liana Millu
    Holocaust Literature
    Testimony
    Concentration Camp
    Opis:
    Contemporary research on remembrance yields more and more women’s concentration camp testimonies and evidence of their unique character. The names quoted in these materials include Liana Millu (1914-2005), an Italian women of Jewish descent, an Auschwitz-Birkenau and Ravensbrück prisoner. Her work proves that the experience of trauma, though unimaginable, is utterable. Millu resorts to literary fiction to outline life stories of Birkenau women, their typical problems, ways of dealing with tham, as well as the survival strategies thay employed. Liana Millu’s testimony is an unusual attempt to show how women experienced the trauma of the camp.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 3; 15-24
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’histoire d’une mémoire décalée. Grandes Vacances en Angleterre d’Évelyne Pollet
    The story of displaced memory. Grandes vacances en Angleterre by Évelyne Pollet
    Autorzy:
    Teklik, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1048747.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Belgium literature
    World War I
    II
    Évelyne Pollet
    displaced memory
    Opis:
    Today’s studies on memory encourage multidirectional memory, which assumes the transdisciplinary perspective and permits new understanding of texts which address traumatic events of the previous century. This is so in the case of Evelyne Pollet (1905-2005). Her largely autobiographical novel Grandes vacances en Angleterre (1945) is a record of a Belgian refugee family’s stay in Great Britain during World War One. This would not be particularly interesting if it had not been for the fact that the author does it near the end of the second global conflict. Her return to the events of 1914 1918 is not coincidental. Pollet purposefully turns the reader’s attention away from the inglorious chapters of her biography, her close ties with the collaborators’ literary milieu, and her intensive editorial work during the occupation. Grandes vacances en Angleterre is an example of instrumental approach to the type of memory referred to ‘displaced memory’.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 49-60
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Traces mémorielles de la Première Guerre mondiale et mutations esthétiques après 1918
    Memories of the First World War and aesthetical mutations after 1918
    Autorzy:
    Quaghebeur, Marc
    Powiązania:
    https://bibliotekanauki.pl/articles/1048750.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    First World Warl
    Francophone Literature
    Fantastic
    War story
    Avant-garde
    Opis:
    The German invasion and occupation of Belgium in 1914-1918 deeply impacted the Belgian literary field. In many regards, the country’s political and linguistic evolution was also impacted by the war, although it cannot be reduced to its consequences. The imaginary that impregnated the first attempts of building a francophone literature in Belgium flickered due to the collapse of the Germanic myth that inspired the whole 19th Century. What may be called a “Latin shift”, which began with Maurice Maeterlinck, lead to a renewed subjugation to the French doxa, culminating with the Manifeste du lundi [Monday’s Manifesto]. Nevertheless, after the war and the Russian Revolution, the collapse of traditional values gives birth, on the one hand, to masterpieces by surrealist Paul Nougé, expressionist playwright Fernand Crommelynck or avant-gardist poet Henry Michaux. In all these masterpieces, it’s the nature of language itself that is questioned. For instance, Michaux’s “Lettre de Belgique” [“Letter from Belgium”] shows how the writer works with his Belgian roots in order to paradoxically keep them at bay. On the other hand, the “Fantastique réel” [“Fantastic Real”] tries to keep the language unspoiled by holding on to the Symbolist idealism and acknowledging the wounds of war at the same time, through sudden shifts from Realism to the Uncanny. There are traces of the conflict in literary texts, which were though forgotten by Literary History because of their realistic facture, despite their great efficiency without pathos.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 5-38
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Définir l’Afrique par la littérature – le littéraire comme vecteur de l’africanité dans le discours des Congrès des écrivains et artistes noirs (Paris, 1956 et Rome, 1959)
    Defining Africa through literature – the literary as a vector of Africanity in the discourse of the World Congresses of Black Writers and Artists (Paris, 1956 and Rome, 1959)
    Autorzy:
    Obszyński, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/43665648.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Panafricanism
    World Congresses of Black Writers and Artists
    Black literature
    Négritude
    Afropolitanism
    Afrotopia
    Opis:
    In our paper we show how Black writers (those of Africa and those of the Black diaspora in Europe and America) have contributed to the intellectual work centered on the idea of Africanity. We explain to what extent literature, as one of the domains of culture, reflects different visions of Africa, as formulated in the discourse of the World Congresses of Black Writers and Artists (Paris, 1956 and Rome, 1959). With reference to the official texts presented or elaborated during these events, we expose in which way literature is involved in the decolonial remapping of the geocultural place of Africa and in the remodeling of the postcolonial literary geography while pointing out the precursory or heralding character of certain postulates whose echoes will be heard during the festivals of negro and pan-African art of the 1960s and whose relevance is also confirmed nowadays.
    Źródło:
    Studia Romanica Posnaniensia; 2023, 50, 1; 83-95
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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