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Wyświetlanie 1-2 z 2
Tytuł:
Mecanismos de terror de Estado en el caso de los niños perdidos del franquismo: historia y nueva novela histórica
Mechanisms of state terror in the case of lost children of the Francoist regime: history and the new historical novel
Autorzy:
Wachowska, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/1050693.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
lost children of the Francoist regime
Francoist state terror
historical memory
new historical novel
eugenics
Antonio Vallejo Nágera
Opis:
The purpose of this paper is to uncover the mechanisms used by the Francoist regime to seize the children of its political opponents, as well as to discuss the problem as depicted in contemporary historical novels. In order to achieve these goals, the paper begins with an inquiry into eugenics, as interpreted by the infamous Spanish psychiatrist Antonio Vallejo Nágera. Further, the author reviews the processes through which biological parents (and/or family) lost the legal control over their children, many of whom had their identities changed. Consequently, the analysis focuses on three new historical novels (La voz dormida by Dulce Chacón, Mala gente que camina by Benjamin Prado, and Si a los tres años no he vuelto by Any R. Cañil), which use the mediation of historical memory to recover the remembrance of the lost children of the Francoist regime.
Źródło:
Studia Romanica Posnaniensia; 2015, 42, 2; 33-49
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo
Parody, Intertextuality and Satire in the Detective Stories of Lorenzo Lunar Cardedo
Autorzy:
Gómez-de-Tejada, Jesús
Powiązania:
https://bibliotekanauki.pl/articles/1048209.pdf
Data publikacji:
2020-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Lorenzo Lunar Cardedo
Latin American Detective Novel
Neopolicial (New Detective Fiction)
Cuban Literature
Satire
Parody
Opis:
Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar Cardedo’s style there are the marginal atmospheres, the stylization of popular speech, the intertextuality, the humor, the parody, and the social criticism. This article focuses on the parodic, intertextual and satiric aspects of his work, particularly discernible in the novel Proyecto en negro (2013), in which the author emphasizes – in opposition to the official discourse – the perpetuation of corrupt, chauvinist, racist, and homophobic behaviors in contemporary Cuba, while relaxing the genre formula limits in order to follow a much more irreverent path within the new Latin American detective fiction.
Źródło:
Studia Romanica Posnaniensia; 2020, 47, 1; 5-17
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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