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    Wyświetlanie 1-12 z 12
    Tytuł:
    Hibridisme i autoreferència en el fantàstic d’Espiral, de Manuel Baixauli
    Hybridism and self-reference in the fantastic of Espiral by Manuel Baixauli
    Autorzy:
    Gregori Soldevila, Carme
    Powiązania:
    https://bibliotekanauki.pl/articles/1048431.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fantastic literature
    the fantastic of language
    self-reference
    Manuel Baixauli
    Espiral
    Opis:
    The aim of this paper is to define and to analyse the fantastic universe of short stories by Manuel Baixauli published in the volume Espiral (2010), an original and highly significant example of modern fantastic literature that has abolished the real and imaginary borders, that is to say a significant example of fantastic literature conceived as a language phenomenon. The conception of reality integrates and naturalises the supernatural and the irrational in a vision that joins multiple dimensions and perspectives of reality. The self-referential component is also of essential importance in this fantastic, which assimilates and exhibits themes and motifs of inherited traditions in a fully conscious way.Baixauli reflects on the ways of perception and representation of reality, in a proposal in which he combines elements that come from some forms of genre whithin the fantastic tradition. And he does it with full awareness of the linguistic and cultural condition of the referents he uses, exploring implicit meanings, metaphorical value, expectations they generate, etc. A literature that, from the point of view of fantastic literature, opts for hybridism and self-reference.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 93-106
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La Première Guerre mondiale à la breughélienne: sur Breughel à l’Yser de Franz Hellens
    The First World War à la breughélienne: about Breughel à l’Yser by Franz Hellens
    Autorzy:
    Łukasiak, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/1048757.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Hellens
    Breughel
    fantastic reality
    First World War
    Opis:
    The article shows the importance of a tale “Breughel à l’Yser” in the context of the Franz Hellens’ identity transformation which takes place during the First World War. On the one hand, in his tale Hellens refers by different means to the Breughel’s oeuvre continuing in that way the myth of Belgian writer perceived as a heir of the Flemish painters. On the other hand, via the landscape, the typical element of the Flemish master’s style, the writer introduces the elements of fantasy into a realistic description of a battlefield, creating in that way his own aesthetics of “fantastique reel” (fantastic reality). Thus, this tale enables to examine how Hellens passes fluently from the “inherited identity” to the mature writer’s identity.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 39-48
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fantástico y terror: teoría y práctica de dos categorías ficcionales en el ámbito hispánico
    The Fantastic and Horror: Theory and Practice of Two Fictional Categories in the Hispanic World
    Autorzy:
    Carrera Garrido, Miguel
    Powiązania:
    https://bibliotekanauki.pl/articles/1048453.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    horror
    the fantastic
    Spanish contemporary fiction
    Félix J. Palma
    Opis:
    In the studies of non-mimetic fiction in the Hispanic world, reflections on expressions traditionally considered popular have been consolidating little by little. It is striking that, in this process of academic visibilization, such scarce attention is paid to horror. Often associated with the category of the fantastic, it urges to claim the specificity of this genre as an expression similar to the fantastic; not coincident with it, but, on the contrary, endowed with particular features. The purpose of the article is precisely to illustrate these characteristics. To this end, we resort to sources of various kinds, including those that assume the specific character of horror, and those that study it as part of the fantastic mode. All of them will contribute to the establishment of a solid theoretical basis; once it is fixed, we will proceed to exemplification by means of the analysis of two stories belonging to each of the categories and by the same author: Cádiz-born Félix J. Palma (Sanlúcar de Barrameda, 1968).
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 5-20
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Traces mémorielles de la Première Guerre mondiale et mutations esthétiques après 1918
    Memories of the First World War and aesthetical mutations after 1918
    Autorzy:
    Quaghebeur, Marc
    Powiązania:
    https://bibliotekanauki.pl/articles/1048750.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    First World Warl
    Francophone Literature
    Fantastic
    War story
    Avant-garde
    Opis:
    The German invasion and occupation of Belgium in 1914-1918 deeply impacted the Belgian literary field. In many regards, the country’s political and linguistic evolution was also impacted by the war, although it cannot be reduced to its consequences. The imaginary that impregnated the first attempts of building a francophone literature in Belgium flickered due to the collapse of the Germanic myth that inspired the whole 19th Century. What may be called a “Latin shift”, which began with Maurice Maeterlinck, lead to a renewed subjugation to the French doxa, culminating with the Manifeste du lundi [Monday’s Manifesto]. Nevertheless, after the war and the Russian Revolution, the collapse of traditional values gives birth, on the one hand, to masterpieces by surrealist Paul Nougé, expressionist playwright Fernand Crommelynck or avant-gardist poet Henry Michaux. In all these masterpieces, it’s the nature of language itself that is questioned. For instance, Michaux’s “Lettre de Belgique” [“Letter from Belgium”] shows how the writer works with his Belgian roots in order to paradoxically keep them at bay. On the other hand, the “Fantastique réel” [“Fantastic Real”] tries to keep the language unspoiled by holding on to the Symbolist idealism and acknowledging the wounds of war at the same time, through sudden shifts from Realism to the Uncanny. There are traces of the conflict in literary texts, which were though forgotten by Literary History because of their realistic facture, despite their great efficiency without pathos.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 4; 5-38
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Una nueva mirada desde los límites de lo irreal: la fusión de categorías genéricas en la escritura de la imaginación de Juan Jacinto Muñoz Rengel
    A New Perspective on the Limits of the Unreal: The Fusion of Generic Categories in the Writing of Imagination by Juan Jacinto Muñoz Rengel
    Autorzy:
    Álvarez Méndez, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/1048429.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Muñoz Rengel
    hybridisation
    the fantastic
    science fiction
    horror
    magical realism
    Opis:
    Juan Jacinto Muñoz Rengel (1974) is one of the greatest exponents of the hybridization of the fantastic with other non-mimetic modalities and with popular genre narratives. The mestizaje characterizes, through juxtaposition or fusion, much of his work, generating the ultimate significance of a broader scope. The fantastic is intertwined with adjacent categories, including science fiction, terror and magical realism. It is also commonly combined with the historical, detective, adventure or humorous narrative styles. He merges these diverse modes of invention by transgressing the rigid and normative molds with the aspiration of constructing new literary options. The dissolution of frontiers between the fantastic and other neighboring genres is also potentiated with frequent intertextual nods and suggestive tributes to the traditions of the unusual.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 107-120
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    De la zarzuela a la ciencia ficción: El anacronópete, de Enrique Gaspar. Expansión de los límites de lo fantástico en la coyuntura del nacionalismo
    From Zarzuela to Science Fiction: Enrique Gaspar’s El anacronópete. An Expansion of the Limits of the Fantastic through Conjunction with Nationalism
    Autorzy:
    Brina, Maximiliano
    Powiązania:
    https://bibliotekanauki.pl/articles/1048439.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    19th century Spanish literature
    the fantastic
    science fiction
    nationalism
    Opis:
    This article addresses Enrique Gaspar’s novel El anacronópete (1887) by means of the articulation of the fantastic genre and nationalism. The nineteenth century witnessed a powerful scientific and technological development, which introduced economic, political and social changes. This can be traced in literature, especially in the second half of the century: for example, in the antagonistic positions between Emilio Ferrari and Gaspar Núñez de Arce in the field of poetry, or novels by Benito Pérez Galdós as Doña Perfecta (1876), in which the tension between the countryside and the city is compared to that existing between tradition and modernity. In this context, the value of Gaspar's novel surpasses the anecdote of presenting the first time machine in literature, eight years before Wells’s. Its value lies in the way in which, starting from the articulation of scientific and literary discourse, it expands the limits of the fantastic while using the procedure to address the question of national identity. The action takes place during the International Exhibition in Paris in 1878. The novel shows the popularity of the “famous Jules Verne” in Spain, whose “marvelous hypotheses” will be considered “children's toys in the face of the magnitude of the real invention of the modest Zaragoza neighbour of Spain”. More than a science fiction novel, the text calls for the incorporation of concepts related to the process of creation of national identities from such disciplines as history and sociology.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 51-63
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Las corrientes de investigación en teoría de lo fantástico presentes en el hispanismo: estado de la cuestión
    Trends of research on fantastic theory in Hispanic studies: state of the investigation
    Autorzy:
    Gregori, Alfons
    Powiązania:
    https://bibliotekanauki.pl/articles/1051232.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fantasy
    literary fantastic
    marvelous literature
    Spanish literary criticism
    literary theory
    Opis:
    Tzvetan Todorov typified the literary fantastic as an autonomous gender in 1970, separating it from marvelous texts and other bordering modes that contained unreal or supernatural elements. In the Latin-American Hispanic studies his model and several other views about fantastic literature encouraged an advancing body of important theorizing, more or less critical with his definition of the gender, finding or not correlations with French or Anglo-Saxon alternative approaches to Todorov’s taxonomist view. In Spain a consistent incorporation to the debate occurred much later thanks to Catalan researcher David Roas. In the present article it is presented a brief state of the investigation about the literary fantastic through the last 20 years in Hispanic studies, when the first reactions to structuralist visions of the subject were enriched by sociocritical, historic, psychologist and philological contributions. two particular, solid but conflicting approaches are analyzed as the opposed poles of a quite wide spectrum of different understandings and ways of doing literary fantastic: on one hand, Mexican scholar Ana María Morales philologist and intratextual-based view, and, on the other hand, Roas psychologist and actual-reader-response-based position. This accurately examined presentation shows the complex variety and the enormous interest of Hispanic studies theorizing about fantasy worlds.
    Źródło:
    Studia Romanica Posnaniensia; 2013, 40, 2; 5-23
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Memoria histórica y efecto fantástico en la narrativa breve de Jesús Moncada
    Historical memory and fantastic effect in Jesús Moncada’s short stories
    Autorzy:
    Gregori, Alfons
    Powiązania:
    https://bibliotekanauki.pl/articles/1048735.pdf
    Data publikacji:
    2017-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Contemporary Catalan literature
    fantastic short stories
    Jesús Moncada
    historical memory
    collective memory
    Opis:
    The main aim of this article is to analyse the complexity of the subject of memory in the work of Jesus Moncada, as an author from Aragon writing in Catalan and introducing the Spanish Civil War issue in fantastic fiction, namely in Històries de la mà esquerra [Stories of the Left Hand] (1981). Furthermore, the short story that closes the book, “D’uns vells papers de música” [Old Sheet Music], is discussed to illustrate that matter in the context of the conflict between the real and the fantastic, on the one hand, and between history and memory, on the other hand. Thus, in the mentioned narrative fiction collective memory stands as a specter whose condition is noticed by its anachronistic return under grotesque forms, resulting from the horror facing death or the unreal, and from the irony interwoven by the narrator. In doing so Moncada problematizes any attempt to reconstruct historical memory based on literature.
    Źródło:
    Studia Romanica Posnaniensia; 2017, 44, 1; 37-50
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’Albí, o l’alteritat del monstre en la narrativa fantàstica de Ramon Vinyes
    The Albino, or the monster’s otherness in the fantastic fiction of Ramon Vinyes
    Autorzy:
    Gregori, Alfons
    Powiązania:
    https://bibliotekanauki.pl/articles/1048793.pdf
    Data publikacji:
    2016-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Fantastic short stories
    contemporary Catalan literature
    Ramon Vinyes
    exile literature
    gothic motives
    literary parody
    Opis:
    Ramon Vinyes has been known in the literary world because of his being mentioned in García Márquez’s Cien años de soledad as a fictional character, “the Catalan sage”. In fact, he was a poet, playwright and short story writer, who did create his works in his homeland, as well as in Colombia during his exile years, though always writing in Catalan. Vinyes’s most acknowledged short story is “L’Albí” (The Albino), telling the bizarre aftermath of a monstrous presence in a village of the Catalan hinterland. In the present article, the author analyses the ways in which fantasticity and weirdness are used in the configuration of this mysterious character – which is a meaningful projection of otherness – taking into account the function of ideology and parody in the text. Thus, the study argues about the role played by several allusions to English history and significant gothic motives, showing that these elements, along with fantasticity, ideology and parody, build a singular narrative fiction which is at the cutting edge of its contemporary Catalan literary context.
    Źródło:
    Studia Romanica Posnaniensia; 2016, 43, 2; 99-116
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La invisibilitat com a matèria política: Vermell de Cadmi de Margarida Aritzeta i Los invisibles de José María Merino
    Invisibility as a political matter: Vermell de Cadmi by Margarida Aritzeta, and Los invisibles by José María Merino
    Autorzy:
    Gregori, Alfons
    Powiązania:
    https://bibliotekanauki.pl/articles/1048436.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Spanish fantastic literature
    Catalan science fiction
    José María Merino
    Margarida Aritzeta
    invisibility in literature
    ideology in literature
    Opis:
    Invisibility is the main motif of two non-mimetic novels belonging to the Catalan and Spanish literature respectively: Vermell de Cadmi [Cadmium Red] (1984) by Margarida Aritzeta, and Los invisibles [The Invisible] (2000) by José María Merino. The aim of the present article is to compare both novels by analysing how the dialectical process between body, fantasticality, and social conflict works in them, taking into account their historic and literary contexts, possible interpretations of the unusual events from an ideological point of view, and the strategies used for achieving the fantastic effect in both of them.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 65-78
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les llegendes de Maria de Bell-lloch: entre la literatura fantàstica i el folklore
    The Legends of Maria de Bell-lloch: Between Fantastic Literature and Folklore
    Autorzy:
    Samper Prunera, Emili
    Powiązania:
    https://bibliotekanauki.pl/articles/1048461.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Catalan legends
    history of folk literature
    Maria de Bell-lloch
    Catalan female writers
    fantastic literature
    Catalan literature
    Opis:
    In 1881 Maria de Bell-lloch, a pseudonym used by Maria del Pilar Maspons i Labrós (1841-1907), published Llegendas catalanas. A writer of the Renaixença movement, she is one of the first women who stand out in the study of Catalan folk literature in this foundational period of interest for folklore in Catalonia. Some of the stories in the collection have been considered fantastic stories and have been included in various anthologies. The aim of this paper is to analyse this corpus in a philological way to see which stories can be integrated into fantastic literature, considering the theoretical difficulties that the legend poses as a genre.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 21-37
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    El llindar neofantàstic en l’obra narrativa de Joan Barceló i Cullerés
    The Neofantastic Threshold in Narrative Works by Joan Barceló i Cullerés
    Autorzy:
    Badia-Escolà, Andratx
    Powiązania:
    https://bibliotekanauki.pl/articles/1048433.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Joan Barceló
    Catalan fantastic literature
    the neofantastic
    Catalan narrative of the 70’s
    Catalan children’s books
    Catalan young adult literature
    Opis:
    The fantastic is one of the elements in the narrative poetics of Joan Barceló, a seminal Catalan writer of the 70s. The purpose of this article is to analyse the fantastic from a theoretical perspective, including its specific uses in Barceló’s stories and novels, how it works and why. Thus, the paper draws on the concept of the neofantastic to reveal a literary space of aesthetic and ideological transgression that moves among three thresholds: the magical or fairy, the unusual and the absurd or nonsense.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 2; 79-92
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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