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    Tytuł:
    Lilingis, the Bastard Half-Brother of Illus
    Autorzy:
    Leszka, Mirosław J.
    Powiązania:
    https://bibliotekanauki.pl/articles/2027739.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Lilingis
    Illus
    emperor Zeno
    emperor Anastasius I
    Isaurians
    Opis:
    The paper is devoted to Lilingis – one of the leaders in the Isaurian uprising against emperor Anastasius I. He was Illus’ half-brother. Illus was an Isaurian who, aside from Zeno, played the most important role in the life of the Byzantine state in the 470s and 480s. It is possible that from 484, Lilingis held the position of the Isaurian comes and was so successful at it that he probably retained it until the end of Zeno’s reign and gained authority among his tribesmen, which resulted in his participation as one of the leaders in the Isaurian uprising. Lilingis was co-commander in the first rebel clash with the emperor’s forces at Kotyaeum (492). He met his death in the battle.
    Źródło:
    Studia Ceranea; 2021, 11; 623-631
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Marcellinus Comes on Emperor Anastasius. A Handful of Remarks
    Autorzy:
    Leszka, Mirosław J.
    Powiązania:
    https://bibliotekanauki.pl/articles/31234126.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Marcellinus Comes
    Anastasius I
    Justin I
    Justinian I
    Byzantine historiography
    Opis:
    Anastasius was for Marcellinus not only a historical figure, but a ruler whose reign he was first able to observe from the perspective of his native Illyricum, and later as an inhabitant of Constantinople. The dominant influence on Marcellinus’ attitude towards Anastasius, as has already been pointed out many times, had been the Emperor’s religious policy, to which the chronicler, as a supporter of the orthodoxy, was opposed. Undoubtedly it was also not indifferent to the manner of Anastasius’ portrayal that at the time of the creation of the first Chronicle Marcellinus was either already associated with Justinian, or wanted to gain recognition in the eyes of Justin I, who after taking over the power after Anastasius’ death had taken action to reverse the negative outcomes of his predecessor’s religious policy.
    Źródło:
    Studia Ceranea; 2022, 12; 689-698
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Trisagion Riots (512) as an Example of Interaction between Politics and Liturgy
    Autorzy:
    Ginter, Kazimierz
    Powiązania:
    https://bibliotekanauki.pl/articles/682407.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Trisagion
    liturgy
    Antioch
    Constantinople
    Anastasius I
    Monophysitism
    theopaschism
    state-Church relations
    Ecclesiastical politics
    Opis:
    This article explores the political and cultural context of the riots provoked by changes in the Trisagion (512). Along with the advancing integration of the Byzantine Empire with Christianity, the state’s interest in theological problems increased; these problems were also reflected in the liturgy. Worship was used as a tool of imperial policy. This mutual interaction between politics and liturgy can be observed particularly clearly in the history of the Trisagion. This hymn, in its primitive form appearing in the book of Isaiah (as the familiar Sanctus Sanctus Sanctus), had two interpretations from the first centuries. According to the first one, the hymn referred to God, or – with the development of theology – to the whole Holy Trinity. According to the second interpretation (probably originating from Antioch), it referred to Christ. Already in the 4th century, the Trisagion entered the liturgy. In the middle of the 5th century, we encounter a new version of the Trisagion (known as SanctusDeus, Sanctus Fortis), which was an elaboration of the above-mentioned hymn. It also found use in the liturgy and originally had a Trinitarian sense. The Monophysites, in order to give the hymn an anti-Chalcedonian sense, added to it the expression who was crucified for us; this makes the hymn unambiguously Christological, but it may also suggest theopaschism (all of the Trinity was crucified). In Antioch, where the Trisagion first appeared in that form (and where the hymn had always been interpreted as referring to Christ), this addition did not provoke protests from the Chalcedonians. However, when the Monophysite emperor Anastasius decided to introduce this version to the liturgy in Constantinople, the inhabitants of the capital – accustomed to understanding the Trisagion in the Trinitarian sense – interpreted the change as an offence against the Trinity. This caused the outbreak of the Trisagion riots (512). Not long afterwards, restoring the anthem in the version without the addition became one of the postulates of military commander Vitalian’s rebellion against Anastasius. Thus, in the case under analysis, we see theology and liturgy blending with current politics; one and the same hymn could be understood as heretical in one city and as completely orthodox in another.
    Źródło:
    Studia Ceranea; 2017, 7; 41-57
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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