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    Wyświetlanie 1-3 z 3
    Tytuł:
    Représenter la flaua bilis: le portait du colérique dans l’Iconologia de Cesare Ripa
    Representing the flaua bilis: the Portrait of the Choleric in Cesare Ripa’s Iconology
    Autorzy:
    Koźluk, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/31234120.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Cesare Ripa
    Iconologia
    humoral theory
    moods
    choleric
    iconographic attributes
    Opis:
    Representing the flaua bilis: the Portrait of the Choleric in Cesare Ripa’s Iconology. The theory of the four humours (blood, phlegm, yellow bile and black bile) forms the basis of ancient medicine. Coming from the Hippocratic corpus and completed by Galen of Pergamum (129–216 AD) in his De Temperamentis by means of individual complexions (blood, phlegmatic, angry, melancholic), this theory is essential in modern Europe after more than two thousand years of transmission, development and practice of medicine. Our article aims to examine its fortune in the Iconology of the Italian scholar Cesare Ripa (1555–1622). Starting with the Roman edition of 1603, he enriched his famous allegorical repertoire with a complex entry encoding the four temperaments: Collerico per il fuoco, Sanguigno per l’aria, Flemmatico per l’acqua, Malenconico per la terra. We work here only with the Choleric and undertake to determine the reasons which governed the choice of the attributes retained by C. Ripa (youth, nudity, sword, shield adorned with a flame, lion, fury in the gaze) to offer poets, painters and sculptors the archetype of a figure dominated by yellow, hot and dry bile. To this end, we analyze the medical, literary and iconographic sources on which the author relies, considering also the richness and complexity of the medical discourse he had at his disposal and the very purpose of his Iconology.
    Źródło:
    Studia Ceranea; 2022, 12; 633-650
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Representing the Phlegm: the Portrait of the Phlegmatic in Cesare Ripa’s Iconology
    Autorzy:
    Koźluk, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/31333151.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Cesare Ripa
    Iconologia
    humoral theory
    humors
    phlegmatic
    iconographic attributes
    Opis:
    This article is the second in a series of works which aims to contribute to documenting the success of the medical theory of individual complexions, derived from the theory of the four humours, through the major work which constitutes the Iconologia of the Italian humanist Cesare Ripa (1555–1622). We analysed here the figure of the phlegmatic and undertook to determine the reasons which governed the choice of the attributes retained by Ripa (portliness, pallor of the skin, coat in badger furs, tilted head and girded with a black headband, turtle) to offer poets, painters and sculptors the archetype of a character dominated by cold and damp phlegm. To this end, we have been interested in the medical and iconographic sources on which the author was able to rely and have tried to identify the attributes which are part of tradition and those which testify to an inuentio of the author in the iconographic art.
    Źródło:
    Studia Ceranea; 2023, 13; 491-505
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Reading and Annotating Galen between 1515–1531: on some Latin Galen Editions in the Library of the Carmelites in Cracow
    Autorzy:
    Koźluk, Magdalena
    Sowińska, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/682124.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Galen editions
    library of Carmelites in Cracow
    scientific annotations
    scholarly reading
    classical medicine
    marginal annotations
    nomenclature
    Opis:
    Copies of early-printed books have been of interest to to-day’s collectors and researchers not only for their material aspects (names of publishers and places of printing, fonts and composition, number of known copies etc.), but also because they bear signs of their often erratic history following their publication. The path followed by a particular copy of an early-printed book is reflected in its general state as an object (for instance the state of its binding), but also in its internal aspect. On the pages of a copy of an early-printed book, annotations, drawings doodles or graphics testify to the intimate relationship that its owners entertained with it. To better understand how owners dealt with copies of the books they possessed, this paper examines the annotations found in copies of some books that belong to the Carmelite convent in Cracow. We hope to bring to the attention of scholars, copies of works of Galen housed in this library, and primarily to set a perspective on how books were read by cultured individuals of in the 16th century period. To do so, we analyse copies of the 1507 Venice edition of the Articella and a copy of Latin edition of Galien (Iuntae, Venice, 1531). We attempt to identify the intellectual perspectives from which cultured readers approached such texts in the 16th century.
    Źródło:
    Studia Ceranea; 2019, 9; 279-300
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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