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    Wyświetlanie 1-5 z 5
    Tytuł:
    Schulz pod ścianą
    Schulz at the Wall
    Autorzy:
    Romanowski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/645472.pdf
    Data publikacji:
    2020-09-24
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The paper is an analysis of a 1958 memorial essay on Bruno Schulz by Hanna Mortkowicz-Olczakowa, focused on its two aspects. One is Schulz’s relationship with the writer Maria Kuncewiczowa, rarely addressed by scholars but important since her novel Cudzoziemka played a significant role in Schulz’s literary criticism. The other is Mortkowicz-Olczakowa’s memorial narration itself and her role in promoting the Drogobych writer’s myth. The memorial essay shows clear ambivalences as regards the myth of Schulz, most likely representing a mourning bias in the postwar reception of his writing.
    Źródło:
    Schulz/Forum; 2020, 15; 187-194
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Schulz, duchy i meblościanka
    Schulz, Ghosts, and a Wall Unit
    Autorzy:
    Romanowski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/645567.pdf
    Data publikacji:
    2019-10-28
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The paper presents an analysis of the “Schulzoid” novel by Dominika Słowik, Atlas: Döppelganger, which addressed the topic of passing from adolescence to adulthood during the Polish systemic transformation. The author’s starting point is the famous interpretation of Schulz’s fiction by Artur Sandauer in his essay “The Degraded Reality” [Rzeczywistość zdegradowana], based on a claim that Schulz represented in his own way the experience of the decomposition of the known world as a result of the capitalist expansion in the early 20th century. The analysis focuses on the figure of the grandfather and the transformation itself. The former is the central character in the narrator’s mythology of childhood: he keeps telling fascinating stories about life at sea, on the other hand being a fantasist who tries to alleviate his sense of exclusion from the new reality. The systemic transformation has been represented in Słowik’s novel by a series of antinomies as well. The nostalgic and sublime descriptions of the material conditions at the turning point have been combined with the pictures of degradation and trash. Then the novel is placed against the background of the literature of the 1990s, summed up by Olga Drenda’s essay, Duchologia polska. Słowik remembers the material conditions of the period of the systemic transformation and the trashy, though also sentimental, aesthetics of the historical moment when she and other authors of her generation were children. This makes the author of the paper compare their writing with Schulz’s postulate of the return to childhood. Yet in Schulz’s fiction childhood is the source of a private mythology – the images that constitute the writer’s imagination. The writers of the 1990s make a turn toward the reminiscences of childhood to revise critically the myths of the historical turning moment and to articulate their own and their generation’s experience of the transformation.
    Źródło:
    Schulz/Forum; 2019, 13; 86-101
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Masochizm Schulza w ujęciu Ficowskiego
    Jerzy Ficowski’s Approach to Schulzian Masochism
    Autorzy:
    Romanowski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/645435.pdf
    Data publikacji:
    2016-03-07
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The author examines Jerzy Ficowski’s approach to Schulzian masochism. Examining few traces of Schulz’s sexuality in Ficowski’s study Regions of the Great Heresy, he argues that his biographical portrait presents the writer as an eternal child, innocent and unspoiled by the dirty universe of sex. In Ficowski’s later studies dealing with Schulz’s masochism, the key issue is a connection of art and sexuality since the biographer claims that masochism is the deep, dark root of Schulz’s creative power.
    Źródło:
    Schulz/Forum; 2016, 7; 99-120
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mimowolna sylwa. O książce Anny Kaszuby-Dębskiej „Bruno. Epoka genialna”
    An Unintended Silva Rerum. Anna Kaszuba-Dębska’s Book Bruno. Epoka genialna
    Autorzy:
    Romanowski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1375664.pdf
    Data publikacji:
    2021-05-25
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The article offers a critical discussion of Anna Kaszuba-Dębska’s book Bruno. Epoka genialna [Bruno. The Age of Genius]. The reviewer argues that the main feature of Kaszuba-Dębska narrative is its heterogeneity; it manifests itself through the renouncement of the authorial voice, which it replaced by a dense tissue of quotations, as well as through the extensive discussion of cultural contexts and the lack of a consistently outlined dominant theme organizing the course of the protagonist’s life. For this reason, the reviewer regards Kaszuba-Dębska’s publication as a text reminiscent of a silva rerum (cf. commonplace book), whose heterogeneity, however, seems to stem from the author’s lack of control over her material, rather than from an attempt to cross the borders of the biographical genre.
    Źródło:
    Schulz/Forum; 2020, 16; 121-136
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Porządek kalendarza, porządek wyobrażenia. W stronę biogeografii Schulza
    The Order of the Calendar, the Order of the Concept. Towards a Biogeography of Bruno Schulz
    Autorzy:
    Romanowski, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/645538.pdf
    Data publikacji:
    2018-12-03
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The paper proposes an approach to Schulz’s life in terms of biogeography. The author criticizes the stereotype of Schulz’s biography as that of a settled, provincial man who hardly ever left his hometown, and when he did, he suffered from anxiety and the sense of failure. That stereotype was created by Jerzy Ficowski, who brought into being the figure of Schulz as a weak, shy, hypersensitive, and anxious artist, who in his art found shelter from everyday reality. The paper presents some aspects of Ficowski’s approach to Schulz’s spatial experience (decontextualization, negligence of social life and the urban experience) to show how a critique of that approach may lead to a new, biogeographical version of the writer’s life.
    Źródło:
    Schulz/Forum; 2018, 11; 45-54
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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