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Wyszukujesz frazę "Lukas, W." wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
Schulzowska „teoria obrazu” w interpretacji Anny Juraschek
Bruno Schulz’s Idea of Image/Picture in the Interpretation by Anna Juraschek
Autorzy:
Lukas, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/645482.pdf
Data publikacji:
2020-09-24
Wydawca:
Fundacja Terytoria Książki
Opis:
The article is a review of and a discussion with the recent monograph by Anna Juraschek, Die Rettung des Bildes im Wort. Bruno Schulz’ Bild-Idee in seinem prosaischen und bildnerischen Werk, Göttingen 2016. Juraschek has put forward the following thesis: alongside his own specific philosophy of language expressed in his narrative works and essays, Bruno Schulz also suggests a particular philosophy of image/picture, which he develops in his visual art. This “program” is not specified and may be reconstructed only by interpreting his graphic works; it is, however, corroborated by the poetics of Schulz’ stories. Juraschek regards the “word” and the “image” in Schulz as artistic entities, and emphasizes the visual nature of his fiction and the narrative qualities of his graphic works. She points at Schulz’s crossing of the boundaries between different arts and claims that the writer criticizes the very notion of mimesis (a statement that, according to the reviewer, may be questioned). Juraschek tries to reconstruct the main sources inspiring Schulz’s idea of image/picture: the classic European painting, German literature (i.e. Leopold von Sacher-Masoch and Joseph von Eichendorff), as well as German philosophers and cultural critics such as Walter Benjamin. According to the reviewer, there are three points that Juraschek’s study can contribute to Schulz studies. First, the German scholar succeeds in systematizing different kinds of verbo-visual relations and interactions in Schulz’s oeuvre. Second, she fully appreciates his graphic work which thus far seems to have been undervalued, especially by Polish scholars. Last but not least, Juraschek brings to the fore some striking affinities between the ideas of Schulz and those of Walter Benjamin. As a possible background of interpreting Schulz, the philosophical writings of Benjamin are a context which certainly deserves more investigation.
Źródło:
Schulz/Forum; 2020, 15; 231-240
2300-5823
Pojawia się w:
Schulz/Forum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problematyka pamięci w twórczości Brunona Schulza z perspektywy niemieckiej refleksji pamięcioznawczej
The Problem of Memory in Bruno Schulz’ Oeuvre in the Perspective of German Memory Studies
Autorzy:
Lukas, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/645724.pdf
Data publikacji:
2018-12-03
Wydawca:
Fundacja Terytoria Książki
Opis:
The author attempts at reconstructing the concept of cultural memory found in Bruno Schulz’ oeuvre. The aim is to show that Schulz, not unlike Thomas Mann, anticipated some theoretical aspects of postmodern memory studies as pursued in Germany since the 1980s. On the one hand, there are striking affinities between Schulz and the art historian Aby Warburg whose ideas of “collective visual memory” and “pathos formulas”, developed until the 1920s, have only recently been rediscovered and acclaimed in the present-day cultural research. On the other hand, Schulz draws on Jung’s depth psychology by referring to the theory of archetypes and the common unconscious. Unlike Warburg’s, Jung’s ideas have been rejected in contemporary German memory studies because of their alleged biologistic flaw. Due to his affinities to both Warburg and Jung, Schulz suggests his own vision of individual and collective memory, which allows for reconciling the “biological” and the “culture-oriented” reflection on collective memory and may be a source of inspiration in today’s research.
Źródło:
Schulz/Forum; 2018, 12
2300-5823
Pojawia się w:
Schulz/Forum
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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