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    Wyświetlanie 1-2 z 2
    Tytuł:
    Kaplice św. Kazimierza i Niepokalanego Poczęcia Najświętszej Maryi Panny przy katedrze wileńskiej oczami karmelitanek bosych – nierozpoznane źródło z 1638 r.
    Chapels of St. Casimir and the Immaculate Conception at the Vilnius Cathedral as seen by Carmelite nuns – unrecognised source from 1638
    Autorzy:
    Czyż, Anna Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/450074.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Vilnius
    chapel of St. Casimir
    chapel of the Immaculate Conception
    Pac family
    Carmelite nuns
    Opis:
    The article recalls a source from 1638 which has hitherto not been referred to in the subject-matter literature, concerning the history of two chapels at the cathedral in Vilnius: the chapel of St. Casimir founded by King Zygmunt III, and the chapel of the Immaculate Conception which was furnished as a burial chapel by Bishop Eustachy Wołłowicz (lit. Eustachijus Valavičius). The source is a diary from travels from Lublin to Vilnius (14 November–26 December 1638) written by Carmelite nuns when going to a new monastery founded by Stefan Pac (lit. Steponas Pacas) and his wife Anna Maria Ancilia née Rudomina–Dusiacka (lit. Ona Marija Ancilia Rudomina-Dusiackaitė). The memoirs were written by a nun, Mary Magdalene (Anna Żaboklicka) who described various aspects of their journeys as well as a visit to the Vilnius Cathedral organised by the Pac family. The nuns were particularly impressed by the chapel of St. Casimir. Thanks to the fact that the nun described the chapel in detail, it was possible to reconstruct the subjects of some paintings by Bartłomiej Strobel, and to additionally interpret several facts connected with the appearance of the altar with the reliquary of St. Casimir. Even though the description of the chapel of Bishop Eustachy Wołłowicz is not as detailed, it should be underlined that by inviting the nuns there, the Pac family wanted to emphasise their kinship with the monarch of Vilnius, who was commonly highly regarded.
    Źródło:
    Saeculum Christianum. Pismo Historyczne; 2017, 24; 162-169
    1232-1575
    Pojawia się w:
    Saeculum Christianum. Pismo Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Antonii Messing twórca pomnika Panny Marii przed kościołem Reformatów i serii wzorowanych na nim nagrobków wzniesionych na cmentarzach Warszawy
    Antoni Messing- co-creator of the Sacred Virgin Marys statue located in front of the Reformed Church and co-author of series of tombstones patterned after it and raised at the cemeteries of Warsaw
    Autorzy:
    Wiraszka, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/449814.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Warsaw
    The Palace of Wilanów
    The Powązkowski Demetry
    The Evangelical Augsburg Cemetery
    The Evangelical Reformed Cemetery
    The Orthodox Cemetery in Wola
    Henryk Marconi
    Antoni Lessing
    the statue of the Virgin Mary of the Immaculate Conception
    Opis:
    Antoni Messing (ca. 1821-1867) the owner of the stone workshop located in Warsaw on 6 Powązkowska Street (mtge. 27C) is currently most famous for one monument- the Statue of the Virgin Mary of Immaculate Conception which was placed in front of the Church of St Antony of Padua on Senatorska Street (1851). What made this monument different from other independently standing monuments was the use of lanterns which at evening time illuminated the statue of the Virgin (1853). The innovative idea spread not only around Warsaw, but also outside the city boundaries. References to the monument elevated by Messing were not limited to the way and form of illuminating the statue. The inventory research conducted on Warsaw cemeteries ena-ble the extraction of a group of tombstones imitating the shape and the decor of the plinth of the statue of the Virgin. The number of examples of this collection of tombstones numbers 19. Their execution dates back to the period 1853-1874 - with one exception only, all of them were elevated during the period of Antoni Messing’s ownership of the stone workshop. All of them represent the same commemoration in the form of a crucifix located on a plinth. Exam-ples can be separated into two groups. One, comprising 8 tombstones, the closest to the origi-nal, the other, comprising 11 examples preserves the architectural structure without the sculp-tural decor. The origin of the formal concept is to be traced in the project of Henryk Marconi’s garden vase designed for Wilanowski Park (ca. 1845-1851) as well as the finishing elements of the Stanisław and Antoni Potocki’s tombstones. Consequently, the contribution of Messing consists in the creation of the series of tombstones modeled on the statue of the Virgin Mary rather than the originality of the project.
    Źródło:
    Saeculum Christianum. Pismo Historyczne; 2016, 23; 181-190
    1232-1575
    Pojawia się w:
    Saeculum Christianum. Pismo Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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