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    Wyświetlanie 1-5 z 5
    Tytuł:
    Dark epiphanies in Maria Dąbrowskaʼs “Nights and Days”
    Czarne epifanie „Nocy i dni”
    Autorzy:
    Chyła, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/2087704.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    the panoramic novel
    the child and childhood in the novel
    psychoanalysis
    the uncanny
    Maria Dąbrowska (1889–1965)
    Maria Dąbrowska
    Noce i dnie
    nowoczesność
    dzieciństwo
    psychoanaliza
    Opis:
    This article explores the darkened and rarely visited zones of Maria Dąbrowska’s Noce i dnie [Nights and Days] (1932–1934), a tetralogy of novels usually read as a realist family saga. In its broad panorama children and childhood have a very important place, yet what seems to have largely been ignored is the enigmatic nature of childhood and child's role as a locus of mystery. With the help of tropes of the folk imaginarium (primarily the iconic Grimms’ Fairy Tales), and conceptual tools borrowed from Sigmund Freud, Bruno Bettelheim, Jacques Lacan and Julia Kristeva, the article analyzes Dąbrowska’s multi‑layered and elusive characters, caught up in an endless strife trying in vain to tame the chaos within themselves and to get to grips with the threatening uncanniness of the world outside.
    Źródło:
    Ruch Literacki; 2020, 5; 583-504
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Walery Przyborowski’s crime novels: Rewriting the genre
    Powieści kryminalne Walerego Przyborowskiego. W poszukiwaniu gatunku
    Autorzy:
    Ruszczyńska, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/2090006.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    crime fiction
    popular novel
    structural analysis of narrative
    Walery Przyborowski (1845–1913)
    kryminał
    historia
    literatura popularna
    Opis:
    This article combines a general introduction to the crime fi ction of Walery Przyborowski with a study of the structure of the plot of his novels. The analyses of ten of his novels conclude with a typology of their narrative schemes, shown in the context of certain invariant patterns and the conventions of related literary genres. While the main objective of this study is to outline the structure of crime story and the social issues depicted in Przyborowski’s crime fi ction, it also pays some attention to the ways in which it refl ects his concerns about contemporary life and the condition of Poland under foreign rule. Basically, Przyborowski’s formula is to make use of the staples of the genre – mystery, adventure, romance – and the techniques of the popular novel. Moreover, his novels, like all of the 19th-century crime fi ctions, are clearly indebted to the conventions of the historical novel.
    Źródło:
    Ruch Literacki; 2018, 4; 409-428
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A forgotten novel by Jolanta Fuchsówna and Jan Brzękowski, or two type scripts of an interwar thriller „The Black Paris”
    Zapomniana powieść Joli Fuchsówny i Jana Brzękowskiego albo o dwóch maszynopisach międzywojennej powieści kryminalnej „Czarny Paryż”
    Autorzy:
    Boruszkowska, Iwona
    Wójtowicz, Aleksander
    Powiązania:
    https://bibliotekanauki.pl/articles/2089727.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    crime novel
    novel published in serial form
    sensation fiction and modernism
    genetic criticism
    Jolanta Fuchsówna (1899–1944)
    Jan Brzękowski (1903–1983)
    "Czarny Paryż"
    powieść kryminalna
    Jolanta Fuchsówna
    Jan Brzękowski
    edycja genetyczna
    Opis:
    Czarny Paryż [The Back Paris] is a crime novel written by Jolanta Fuchsówna, journalist and writer, and Jan Brzękowski, leading poet of the Cracow Avant-garde who lived in Paris, and serialized in the Cracow daily Ilustrowany Kurier Codzienny in 1932, but not published as a book.In this article two typescripts of the novel are analyzed and compared with the printed text, taking note of all the corrections and amendments introduced by the authors. An integral supplement to this textual study is an extract from Chapter XIII ‘A Party in the Studio of the Japanese Man’ reproduced in two versions, 1) with footnotes and modernized spelling, and 2) the original text from the typescript with all annotations.
    Źródło:
    Ruch Literacki; 2018, 5; 597-614
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Contingency, the body and disgust: The case of ‘Margot’ by Michał Witkowski
    Przygodność, ciało i wstręt. Przypadek „Margot” Michała Witkowskiego
    Autorzy:
    Wróblewski, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2088397.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Contemporary Polish literature
    the post-modern novel
    contingency
    the body
    disgust
    ironism
    Michał Witkowski (b. 1975)
    Julia Kristeva (b. 1941)
    Richard Rorty (1931–2007)
    anger
    Michał Witkowski
    „Margot”
    przygodność
    ciało
    wstręt
    afekt
    świętość
    gniew
    Opis:
    This article, focused principally on the exploration of contingency, the body and disgust in Michał Witkowski’s novel Margot, is also a polemic and a vindication of the book against the barrage of criticism it received from its reviewers. Most of them decided that Margot was a novel about nothing, a haphazard mix of sundry discourses devoid of any linear structure. In fact, several critics blamed the author of giving away both the narrative structure and the plot to capricious contingency. The article takes a fi rm stance against such charges and argues that contingency does not need to be seen as a fault at all. It lies at the heart of the novel and determines the actions of characters, but it plays as important a role in people’s lives outside fi ction. Analysing the ups and down of the main characters (Margot and Wadek Mandarynka), the article explains the function of emotions, the body, the characters’ language and their ideas of sacrum in the legitimization of contingency. A special role in this mechanism is played by disgust. Reactions of disgust are always contingent, or, as Julia Kristeva puts it the abject has the power to terrorize the subject to such extent that he can do nothing but to succumb to contingency. In working out the idea of the contingency of selfhood, the article also draws on Richard Rorty’s approach, and in particular his concept of ironism. The latter is used to classify the main character of Witkowski’s book as a consummate ironist, i.e. a person who tests different languages in which the world can be described in order to pursue his carnal desires. Finally, the article argues that in his novel Witkowski not only brings to light the fortuitous character of the postmodern identity but also creates a heterogeneous language to express it.
    Źródło:
    Ruch Literacki; 2019, 1; 61-76
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jalu Kureks S.O.S. as an apocalyptic novel
    S.O.S. Jalu Kurka jako powieść katastroficzna
    Autorzy:
    Boruszkowska, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/2087697.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    interwar avant-garde
    modernization
    catastrophism
    apocalyptic novel
    Jalu Kurek (1904–1983)
    Jalu Kurek
    S.O.S.
    powieść katastroficzna
    mit modernizacji
    proza awangardy
    Opis:
    Jalu Kurek, a prominent member of the Cracow avant-garde, is the author of several novels. This article discusses the undeservedly neglected S.O.S., published in 1927, and suggests that its weird plotting and literary mockery is in fact an apocalyptic narrative. It has a place, it is argued, in the 'catastrophist' trends which were on the rise in the Polish literature of the late 1920s and 1930s. It should be read in the context of a growing sense of decline and crisis of European society, which, on the one hand, drew on the cultural pessimism of the turn of the 19th century, and, on the other hand, was a reaction against the wave of modernization that was sweeping the world. As this analysis shows, Jalu Kurek's S.O.S. is deeply ambivalent about the onslaught of modernity.
    Źródło:
    Ruch Literacki; 2021, 5; 703-720
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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