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Wyszukujesz frazę "of the narrative" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Ten trzeci, pasożyt. Miłość romantyczna a struktura narracyjna nowel Józefa Bogdana Dziekońskiego
The Third Party, or Serres' parasite: Romantic love and the narrative structure of Józef Bogdan Dziekoński's fiction
Autorzy:
Wojciechowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2170189.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
narrative structure of the romance
desire
parasite / imposter in a triad
René Girard (1923–2015)
Michel Serres (1930–2019)
Józef Bogdan Dziekoński (1816–1855)
Dziekoński
romans
miłość
Girard
Serres
pasożyt
Opis:
This analysis of selected novels and short stories by Józef Bogdan Dziekoński – Pająk [ The Spider], Siła woli [ Willpower], Piosnka [ A Simple Song], and Wyzwolenie zapaleńca [ The Liberation of Enthusiast] – shows that they share similar narrative structure based on the interception of messages sent by the narrator to an absent ideal recipient by an eaves-dropping intruder who gradually displaces the original addressee. Working within the framework of a romance story Dziekoński develops a philosophy of desire which accepts incompleteness, contingency and disillusionment. They combine in an affirmation of life and an opposition to morbid phantasies or the idea of irreplaceability of love in the myth of l'amour tristanien.
Źródło:
Ruch Literacki; 2021, 6; 821-842
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adam Mickiewicz’s „Pan Tadeusz” and the culture of remembrance
Kultura pamięci: Pan Tadeusz Adama Mickiewicza
Autorzy:
Speičytė, Brigita
Powiązania:
https://bibliotekanauki.pl/articles/2087171.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Lithuania
epic poetry and Romanticism
historical narrative
the culture of remembrance
Adam Mickiewicz (1798–1855)
kultura pamięci
epopeja
nowoczesność
tożsamość
recepcja
Opis:
Adam Mickiewicz's epic poem Pan Tadeusz, published in Paris in 1834, can be seen as an expression of a romantic culture of remembrance which emerged in Poland and Lithuania in the aftermath of a traumatic political event, the January Uprising of 1830–1831. This article discusses the poet's transformation of the devices and generic model of heroic epic for the double purpose of expressing a notion of historical time which holds out an open future for both the individual and the national community, and of promoting the acceptance of a complicated past through the resolution of its conflicts. Both in Poland and in Lithuania, Pan Tadeusz was regarded as a monumental tribute to the culture of the Polish-Lithuanian Commonwealth and a major influence on the modern national literatures in Lithuanian, Belarusian and Yiddish, sprouting on the territory of the former Grand Duchy of Lithuania.
Źródło:
Ruch Literacki; 2020, 6; 585-602
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Walery Przyborowski’s crime novels: Rewriting the genre
Powieści kryminalne Walerego Przyborowskiego. W poszukiwaniu gatunku
Autorzy:
Ruszczyńska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2090006.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
crime fiction
popular novel
structural analysis of narrative
Walery Przyborowski (1845–1913)
kryminał
historia
literatura popularna
Opis:
This article combines a general introduction to the crime fi ction of Walery Przyborowski with a study of the structure of the plot of his novels. The analyses of ten of his novels conclude with a typology of their narrative schemes, shown in the context of certain invariant patterns and the conventions of related literary genres. While the main objective of this study is to outline the structure of crime story and the social issues depicted in Przyborowski’s crime fi ction, it also pays some attention to the ways in which it refl ects his concerns about contemporary life and the condition of Poland under foreign rule. Basically, Przyborowski’s formula is to make use of the staples of the genre – mystery, adventure, romance – and the techniques of the popular novel. Moreover, his novels, like all of the 19th-century crime fi ctions, are clearly indebted to the conventions of the historical novel.
Źródło:
Ruch Literacki; 2018, 4; 409-428
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Exhausted’ realism and problematic identity: Biographical narratives of a new generation, or the ‘New’ Polish fiction of the1970s
„Wyczerpany” realizm i problematyczna tożsamość. Pokoleniowo-biograficzne narracje „nowej” prozy lat siedemdziesiątych
Autorzy:
Kaliszuk, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2088400.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
20th-century Polish literature
‘New fiction’ of the 1970s Generation
generational identity
biographical narrative
late-modern exhaustion
disillusionment
Bohdan Zadura (b. 1945)
Julian Kornhauser (b. 1945)
Adam Zagajewski (b. 1945)
Henryk Lothamer (1945–1979)
Stanisław Piskor (b. 1944)
Donat Kirsch (b. 1953)
biografia
tożsamość
nowoczesność
modernizm
pokolenie
Opis:
This article deals with the rise in the Polish literature of 1970s of a new type of biographical novel, associated with the fi rst post-war generation of writers like Bohdan Zadura, Julian Kornhauser, Adam Zagajewski, Henryk Lothamer, Stanisław Piskor and Donat Kirsch. Their work is subsumed here under the label ‘new fi ction’ primarily because of its literary context, i.e. the late-modern fears and uncertainties culminating in the assumption that literature reached the state of exhaustion. The article argues that the ‘new fi ction’ acquired its distinctive character from a preoccupation with the biographical narrative and a sense of generational identity. The writers who defi ned themselves in these generational terms saw their prospect of following their aspirations and building up authentic lives weighed down by the constricting realities, and, as the article claims, resigned themselves – at best not entirely – to this sad conclusion.
Źródło:
Ruch Literacki; 2019, 1; 27-41
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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