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Wyświetlanie 1-10 z 10
Tytuł:
Lato Tadeusza Rittnera „Ostatnie dni starej Europy” i nowoczesny teatr uczuć
Autorzy:
Brzozowska, Sabina
Powiązania:
https://bibliotekanauki.pl/articles/2087593.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Rittner
dramat
teatr
realizm
modernizm
groteska
komedia
Nauki Humanistyczne i Społeczne
Opis:
This is a reassessment of the work of Tadeusz Rittner, a bilingual Polish/German writer and dramatist from Galicia who won much acclaim in the early decades of the last century. This article examines his narrative and dramatic strategies by focusing on his drama Lato (Summer), published in 1913. It is a story about a timid young man who, after hearing from his doctor that he will not live much longer, turns suddenly into a bold and shameless seducer. This could be the stuff of a conventional, farcical exposure of middle class hypocrisy, yet in Rittner’s drama it becomes a fascinating study, never far from Czekhov and Witkacy, tapping all the resources of realism, irony and grotesque to show the whole spectrum of human emotions. The article argues, contrary to the traditional consensus, that his art owes a great deal to Vienna, where he spent most of his life. The peculiar combination of lightness and earthiness, the essence of the Viennese spirit, is crucial for his achievement – the creation of convincing and timeless dramas of human emotions, which expose the precariousness of interpersonal relations. This interpreta-tion of Lato sets it free from the realistic-naturalistic straitjacket imposed upon it by a succession of theatre directors who thought of it as an anachronistic farce rather than a comedy of manners with sparkling dialogue and intelligent alteration of tragedy and comedy, seriousness and buffoonery.
Źródło:
Ruch Literacki; 2021, 4; 493-511
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jakub vs. Jakób Szela: The ghoul’s comeback
Jakub vs. Jakób. Szela – powroty Upiora
Autorzy:
Węgrzyn, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/2087406.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Poland in the 19th century
Polish peasantry
Galicia
the Peasant Uprising of 1846
Jakub Szela (1787–1860)
Rabacja galicyjska 1846 rok
Jakub Szela
historia chłopów polskich
Nauki Humanistyczne i Społeczne
Opis:
This article is intended as an updated addendum to the history of the reception of Jakub Szela, leader of the peasant uprising in Galicia in 1846, in Franciszek Ziejka’s Złota legenda chłopów polskich [The Golden Legend of Polish Peasants], published in 1984. It seems that practically all of the accounts of the bloody events of 1846 follow either of two master narratives distinguished by their characteristic patterns of sidetracking and omissions. The two narratives also differ in their contrarian ideological leanings and aesthetic sensitivity. Another important observation concerns the congruence of the narrative written by the gentry and the traditional national history, and a similar congruence of the peasant narrative with the approach of social history.
Źródło:
Ruch Literacki; 2021, 2; 237-255
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Don Kichot – smutny uśmiech czy groteskowy grymas? Warianty łączenia elementów komizmu i tragizmu w powieści Cervantesa, Królu Learze Szekspira, Monsignor Quixote Grahama Greene’a i Ostatnim husarzu Sławomira Mrożka
Don Quixote – a rueful smile or a grotesque grin? Combinations of comic and tragic elements in Cervantes’ Don Quixote, Shakespeare’s King Lear, Graham Greene’s Monsignor Quixote and Sławomir Mrożek’s The Last Hussar
Autorzy:
Mroczkowska-Brand, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/28763305.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
tragicomedy
mock-epic
satire
absurd comedy
Miguel de Cervantes (1547–1616)
William Shakespeare (1564–1616)
Graham Greene (1904–1991)
Sławomir Mrożek (1930–2013)
Nauki Humanistyczne i Społeczne
tragikomizm
epika heroikomiczna
realizm
satyra
absurd
Opis:
The article opens with a brief history of a genre of literary works that blend both tragic and comic elements, the latter of which seem to have been increasingly more prominent in European culture in general. This article examines various functions of the tragic and comic combination in Cervantes’ Don Quixote, some scenes from Shakespeare’s King Lear, and two modern narrative fictions, where the main character is simultaneously heroic and comic, Graham Greene’s Monsignor Quixote and Sławomir Mrożek’s short story The Last Hussar.
Źródło:
Ruch Literacki; 2022, 6; 993-1006
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stanisław Pigoń and Karol Wojtyła (A Reminiscence)
Pigoń i Wojtyła (Kartka z przeszłości)
Autorzy:
Ziejka, Franciszek
Powiązania:
https://bibliotekanauki.pl/articles/2088327.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Poland’s famous people (20th century)
Cracow intelligentsia
faculty and student relationships
Karol Wojtyła (Pope John Paul II)
Stanisław Pigoń (1885–1968)
Stanisław Pigoń
Karol Wojtyła
inteligencja krakowska
relacje uniwersyteckie
Nauki Humanistyczne i Społeczne
Opis:
This article presents little known facts sampled from the notes and personal records of Professor Stanisław Pigoń and Karol Wojtyła. The two met for the fi rst time in 1938, when young Wojtyła began his studies at the Polish Department of the Jagiellonian University. A bond of mutual liking and respect, based on similar personalities and similar war experiences, morphed into an abiding friendship in the years after the war. The article chronicles that friendship on the basis of documents and private papers held in the Jagiellonian Library (Professor Pigoń’s Archives) and the Archives of the Metropolitan Curia in Cracow. Wojtyła, when he became Pope John Paul II always spoke warmly about his university teachers, especially about Professor Pigoń.
Źródło:
Ruch Literacki; 2018, 6; 627-633
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historic representations of the planets: The Warsaw parade of the planets pageant as described by Martin Gruneweg
„Jak to się zwykło przedstawiać planety”? Warszawski pochód planet w zapiskach Martina Grunewega – rekonesans
Autorzy:
Starownik, Agata
Powiązania:
https://bibliotekanauki.pl/articles/2087791.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish culture in the late 16th century
urban and court pageants in Early Modern Europe
carnival parades
planets
the Zodiac
Warsaw
Martin Gruneweg (1562–c. 1618)
Gruneweg
planety
widowisko
Warszawa
Nauki Humanistyczne i Społeczne
Opis:
In his voluminous memoirs compiled in the early 17th century the Dominican Martin Gruneweg describes a pageant named the Parade of the Planets that took place in Warsaw on 15 February 1580. Central to its stage design was the iconography of the seven planets, each of them represented by its Zodiac sign and its affiliated House. However, no less important for the spectacle was the appearance of numerous characters and stage props from the carnival tradition, e.g. richly dressed men from the Orient, Bacchus, a procession of floats. The Parade of the Planets was a festivity which brought together the court and the townsfolk; it was probably organized by both court and town. More generally, it could be described as an urban carnival parade mimicking some features of the Renaissance Trionfo. The knowledge of celestial phenomena presented in this spectacle was probably adjusted to the needs of a wide audience of the ‘middling sort of people’, whose belief in the geocentric model of the cosmos was still intact. It seems that the Parade of the Planets contained hardly any profound insights or hermetic clues. Gruneweg, though, does find it susceptible to an allegorical interpretation which reveals the spectacle's embedding in Christian spirituality and middle-class virtues. He is pleased with the colourful spectacle, but warns of taking too much pleasure in this kind of entertainment.
Źródło:
Ruch Literacki; 2020, 3; 295-311
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Brunon Schulz’s ‘Spring’: History and myth
„Wiosna” Brunona Schulza: historia i mit
Autorzy:
Bill, Stanley
Powiązania:
https://bibliotekanauki.pl/articles/2087211.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
literature, history and myth
the Austro-Hungarian Empire
Bruno Schulz (1892–1942)
Joseph Roth (1894–1939)
Bruno Schulz
historia
polityka
imperium Habsburgów
mit
Joseph Roth
Nauki Humanistyczne i Społeczne
Opis:
The most prevalent popular and critical images of Bruno Schulz present a Polish-Jewish writer and artist who turned away from politics and history in his creative work only to be devoured by the most violent political and historical forces in his life. This article attempts to reinsert Schulz’s writings into the social and political history of his day and age, focusing on an interpretation of his novella Spring (Wiosna). It argues that Schulz viewed the meaning and progression of history and politics in mythical terms. Accordingly, his stories contain ironic mythologizations of social, political and historical events. In Spring, Schulz captures, or rather constructs, the mythological essence of the disintegration of the Habsburg Empire, producing his own imaginative and contradictory commentary on the history of his native region during his own lifetime.
Źródło:
Ruch Literacki; 2020, 6; 619-633
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The Song of Our Land” Revisited: The poems of Wawrzyniec Engeström
Śladem „Pieśni o ziemi naszej”. Poematy Wawrzyńca Engeströma
Autorzy:
Budrewicz, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/2087787.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Polish-Swedish literary connections
Romanticism
nationalism
patriotic poetry
Wincenty Pol (1807–1872)
Józef Ignacy Kraszewski (1812–1887)
Wawrzyniec (Lars) Engeström (1829–1910)
Engeström
Kraszewski
Pol
poemat
parafraza
Nauki Humanistyczne i Społeczne
Opis:
Wawrzyniec Engeström (altern. Lars Benzelstierna von Engeström) was a 19th-century Polish aristocrat with Swedish roots, a historian, writer and political activist who made it his life's mission to build bridges between Polish and Swedish culture. The rapprochement he sought was based on anti-German and anti-Russian sentiments. In his poems A Song about Our Stars (Pieśń o gwiazdach naszych, 1874, 1883) and The Vistula: A National Fantasy (Wisła – Fantazja narodowa, 1883) he drew on Wincenty Pol's Songs of Our Land (Pieśni o ziemi naszej). They all celebrated the idea of national unity based on historical memory, religion and custom. His inspiration came from Swedish Romantic literature, whose main works he translated into Polish.
Źródło:
Ruch Literacki; 2020, 3; 229-245
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Constructing Japan: Strategies of the creation of the ‘Japan effect’ in the fiction of Wacław Sieroszewski and Ferdynand Ossendowski
Konstruowanie Japonii. Strategie tworzenia „efektu japońskości” w utworach Wacława Sieroszewskiego i Ferdynanda Ossendowskiego
Autorzy:
Deja, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2087596.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the early 20th century
popular literature
Japan
orientalism
exoticism
strategies of representation
the reality effect
Roland Barthes (1915–1980)
Wacław Sieroszewski (1858–1945)
Ferdynand Ossendowski (1876–1945)
japoniznm
Japonia
orientalizm
egzotyzm
efekt rzeczywistości
literatura popularna
Młoda Polska
dwudziestolecie międzywojenne
Nauki Humanistyczne i Społeczne
Opis:
This is an analysis of the strategies used to create a perception of Japan, or the ‘Japan effect’ – a term inspired by Roland Barthes ‘reality effect’ (effet de reel) – in the fiction of Wacław Sieroszewski and Ferdynand Ossendowski, two Polish writers who were first to introduce Japan to the Polish general public. Both visited Japan, Sieroszewski in 1903 and Ossendowski in 1921; both were authors of popular fiction set in exotic locations. However, each of them chose a different strategy of presenting the Japanese setting of their stories. While Ossendowski's construction of the ‘Japan effect’ can be described as ‘encyclopedic realism’ (his narrative is stitched up with multiple notes and explanations), Sieroszewski takes a more direct, dramatic approach. Sieroszewski prefers to confront the reader with various exotic ‘props’ and to take him on a journey of discovery of the peculiarities of Japanese behavior, aesthetic values and ways of thinking.
Źródło:
Ruch Literacki; 2021, 4; 461-
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Moving out of the dolls house: Henrik Ibsen, Kate Chopin and Eliza Orzeszkowa
Wyprowadzka z domu lalek. Henrik Ibsen, Kate Chopin, Eliza Orzeszkowa
Autorzy:
Sokalska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2087765.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
19th century fiction and drama
women's emancipation
growth of self‑awareness
the doll's house metaphor
Henrik Ibsen (1828–1906)
Eliza Orzeszkowa (1841–1910)
Kate Chopin (1850-1904)
Henrik Ibsen
Eliza Orzeszkowa
Kate Chopin
emancypacja
postać kobiety w literaturze XIX wieku
Nauki Humanistyczne i Społeczne
Opis:
This is a comparative study of three literary works of the 19th century, Eliza Orzeszkowa's novel Marta, Kate Chopin's novel The Awakening, and Henrik Ibsen's drama Nora. The common analytical frame is the metaphor of the doll's house, which seems to provide an apt description (diagnosis) of the condition of each heroine, the space they inhabit, and their attitude to the economy of their everyday lives and their husbands. It also defines the situation in which each of them decides, or is compelled by circumstances, to move out of their sheltered place. In each of the three fictional cases the attention is focused on the growing self‑awareness of women, who would not have gained a mature knowledge of the world and of themselves if they had not been forced to abandon their doll's house existence.
Źródło:
Ruch Literacki; 2020, 4; 397-415
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I am going to paint your picture, nobody but you, always you”: Portrait paintings of women in the literature of the Young Poland period
„Będę malował ciebie, tylko ciebie, zawsze ciebie. O kobietach na obrazach w literaturze Młodej Polski
Autorzy:
Kamińska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/2087609.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 19th and early 20th century
the Young Poland period
literature and art
ekphrasis
portrait paintings of women
Stanisław Przybyszewski (1868–1927)
Kazimierz Przerwa-Tetmajer (1865–1940)
Jan August Kisielewski (1876– 1918)
Karol Irzykowski (1873–1944)
Wacław Berent (1873–1940)
Stanisław Grudziński (1852–1884)
Młoda Polska
kobieta
obraz
sztuka
artysta
malarstwo
ekfraza
Nauki Humanistyczne i Społeczne
Opis:
Ekphrases are fairly common in the literature of the Young Poland movement, with descriptions of paintings of women making up a notable portion of such visual representations. This article examines the functioning of the motif of a woman’s portrait in the work of writers of the late 19th and early 20th century, including Stanisław Przybyszewski, Kazimierz Przerwa-Tetmajer, Jan August Kisielewski, Karol Irzykowski, Wacław Berent and Stanisław Grudziński. The analyses, guided by feminist literary theory, focus on the implied artist's control over the painted figure (man over woman, but also the woman artist over the male recipient), the ways in which the work of art can becomes a vehicle of subconscious truths, the correspondences between emotions and colours.
Źródło:
Ruch Literacki; 2021, 4; 513-532
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-10 z 10

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