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Tytuł:
Mieczysław Romanowski and the profile of the literary magazine ‘Dziennik Literacki’
Mieczysław Romanowski a program „Dziennika Literackiego”
Autorzy:
Chołojczyk, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2088413.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
19th-century Polish literature
Romantic poetry
literary magazines in 19th-century Galicia
Mieczysław Romanowski (1833–1863)
Mieczysław Romanowski
poezja krajowa
„Dziennik Literacki”
„przedburzowcy”
Opis:
The article examines the relationship between the lyrics and prose of Mieczysław Romanowski, the most talented poet of the last generation of the Romantics, and the work of other contributors of the weekly magazine Dziennik Literacki, published in Lwów between 1852 and 1870. Although their concerns and poetics have a lot in common, the high tone of Romanowski’s patriotic art is distinctly his own. In this article the analysis of his poetry is complemented by an examination of his essays and other writings which contain his views on contemporary social issues.
Źródło:
Ruch Literacki; 2019, 1; 1-13
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cain’s rhetorical artfulness: Erasmus’ Biblical spoof
Retoryczna przebiegłość Kaina. Biblijny apokryf Erazma
Autorzy:
Ryczek, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2089948.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Early Modern European history
16th-century Latin-language writers
16th century humanism
rhetoric
Biblical mythopoeia
Cain
Desiderius Erasmus (1466–1536)
wczesna nowożytność
literatura nowołacińska
humanizm
retoryka
apokryfy biblijne
Erazm z Rotterdamu (1466–1536)
Opis:
This article contains a bilingual, Latin-Polish, edition of a letter written by Erasmus to John Sixtin (Ioannes Sixtinus), a Frisian student he met in England. In it Erasmus describes a dinner party at Oxford to which he was invited as an acclaimed poet. In the presence of John Colet, leader of English humanists, table talk turned into learned conversation. Erasmus’s contribution to the debate was an improvised fable (fabula) about Cain who, in order to become farmer, persuades the angel guarding Paradise to bring him some seeds from the Garden of Eden. His speech, a showpiece of rhetorical artfulness disguising a string of lies and spurious argument, is so effective that the angel decides to steal the seeds and thus betray God’s trust. Seen in the context of contemporary surge of interest in the art of rhetoric, Erasmus’ apocryphal spoof is an eloquent demonstration of the heuristic value of mythopoeia and the irresistible power of rhetoric.
Źródło:
Ruch Literacki; 2018, 5; 531-544
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetic marks of presence: Bolesław Leśmian’s relatives in his work and transformations
Poetyckie ślady obecności. Bliscy Leśmiana w replikach i przeistoczeniach
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2090063.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the early 20th century
autobiographical poetry
Bolesław Leśmian (1878–1937)
Bolesław Leśmian
biografia
wiersze biograficzne
Opis:
The discovery of some hitherto unknown documents relating to Bolesław Leśmian’s family has made it possible to re-read his autobiographical poems as responses to circumstances and events from the poet’s real life. An analysis of his poems in the light of the information supplied by the newly-discovered source shows that they provide a thoroughly accurate record of events as they happened, especially deaths. Not only do the deaths of his mother, father and his siblings hurt him deeply and foreshadow the end of his own life, but also make him feel guilty for not being able to remember them properly: as his memory fails him, they are condemned to a ‘second death’.
Źródło:
Ruch Literacki; 2018, 3; 323-332
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The agony of striving: A Profile of Jakub Frank in Andrzej Żuławski’s “Moliwda”
„Męka dociekania”. Obraz Jakuba Franka w „Moliwdzie” Andrzeja Żuławskiego
Autorzy:
Misztela, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2089407.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
historical essay
18-century sectarianism and modernity
Jewish Messianism
radical visions of history
Antoni Kossakowski „Moliwda”(1718–1786)
Jakub Frank (1726–1791)
Andrzej Żuławski (1940–2016)
„Moliwda”
Antoni Kossakowski (1718–1786)
frankizm
wiek XVIII
wiek XX
komunizm
tyran
Opis:
This article looks at a character of Jakub Frank, the 18th-century Jewish Messianic leader, in Andrzej Żuławski’s book of idiosyncratic essays Moliwda (published in 1994). Żuławski, a controversial fi lm-maker and writer, whose historic musings are usually focused on an individual who embodies the spirit of the age in this case turns his attention to Jakub Frank. Moliwda is typical of the early phase of Żuławski’s writing career characterized by a radically revisionist explorations of the Age of the Enlightenment in search for parallels with the modern age and his own life. Jakub Frank is presented as a trickster, religious charlatan, political fraudster and fateful ancestor of 20th-century tyrants, but at the same time as a rebel against the idea of God and history enshrined in the Judaic tradition. The article views Żuławski’s interpretation as an attempt to appropriate certain elements of the history of religion to create an authoritarian vision of modernity and its historical roots, based on mechanisms of self-aggrandizement, sexualization of power and subversion of all hierarchies.
Źródło:
Ruch Literacki; 2018, 5; 589-596
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love as a somatic experience: Two poems by Jarosław Iwaszkiewicz
Miłość jako doświadczenie somatyczne. Dwa wiersze Jarosława Iwaszkiewicza
Autorzy:
Kraj, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2090011.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
love poetry
the body
somatic approach
liminality
Jarosław Iwaszkiewicz (1894–1980)
Jarosław Iwaszkiewicz
krytyka somatyczna
Opis:
This article takes up Adam Dziadek’s somatic approach to literature to explore the theme of erotic experience in two poems by Jarosław Iwaszkiewicz, ‘L’amour Cosaque’ and ‘Amore profane’. With the help of inputs from gender studies and the contemporary theories of the subject it has been possible to profi le the ‘I’ of the poems as a deeply fragmented and sexually ambiguous subject, and, upon the evidence of the elusive autobiographical details woven into the text, as a subject suspended in a liminal space, between the real and the fi ctive world. After analyzing the body represented in the text, both perfect and decrepit, as well as traces of the poet’s carnality that interfere with the text and the reader’s sense of his own soma the article arrives at the following conclusion: in Jarosław Iwaszkiewicz’s lyrics the body seems to project its impressions and experiences onto reality, thus blurring the border between the inside and the outside.
Źródło:
Ruch Literacki; 2018, 4; 429-440
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Futurology and utopia in Bolesław Pruss short story “Phantoms”
Futurologia i utopia w „Widziadłach” Bolesława Prusa
Autorzy:
Barski, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/2087929.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature at the turn of the 19th century
realism
futurology
utopia
Bolesław Prus (1847–1912)
futurologia
pozytywizm
Bolesław Prus
fantastyka
Opis:
This article examines Bolesław Prus's use of futurology and utopia in his short story Phantoms (Widziadła). A closer look at the story's images and their sequence not only gives us an insight into the author's philosophy of history but also reveals a utopian vision which can hardly be squared with the realism of his previous work. Thus ‘Widziadła’, written in 1911, can be seen as an important piece of evidence of a change in the writer's beliefs and worldview. It was at that late stage of his life that Prus, a hard-nosed realist and critic of the Romantics, turned into an impassioned idealist who, disillusioned with the world around him, sought refuge in literature. It was to be, however, a fiction like ‘Widziadła’, looking beyond the conventions of realism, unashamedly eclectic and visionary.
Źródło:
Ruch Literacki; 2020, 2; 115-128
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating memory: The reception of Miron Białoszewski’s „A Memoir of the Warsaw Uprising” in the English-speaking world
Tłumaczenie pamięci. Recepcja „Pamiętnika z powstania warszawskiego” w Ameryce Północnej
Autorzy:
Niżyńska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2087215.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
autobiography
trauma
memoir and history
Miron Białoszewski (1922–1983)
Miron Białoszewski
poezja
literatura współczesna
pamiętnik
Opis:
While presenting a wide range of cultural, historical and political factors which have influen- ced the Polish and the American reception of Miron Białoszewski’s A Memoir of the Warsaw Uprising, this article tries to assess the role played in its reception abroad by the fact that the original text existed in several versions (censored and uncensored) and, on its way to print, got fitted out with multiple paratexts (introductions, prefaces and afterwords). Interestingly, there seems to be a connection between these fringe texts, the shaping of the translation as shown by choices made by the translators and editors, the evolving model of what is believed to be the right and proper handling of historical traumas, and the politics of remembrance in diverse historical settings and cultural imaginaries. An in-depth analysis of the details of translation and editorship opens up a series of broader questions about the status of a literary text functioning as evidence of traumatic historic events and the mechanisms of its reception by those directly affected (the family circle) and the people outside (with special attention being paid to the tension between the private and the public, and the normative versus the non-normative).
Źródło:
Ruch Literacki; 2020, 6; 635-651
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Four catastrophes and two evolutions: The place of „The Invincible” in Stanisław Lem’s work
Cztery katastrofy i dwie ewolucje. O miejscu „Niezwyciężonego” w twórczości Stanisława Lema
Autorzy:
Kukulak, Szymon Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2090032.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
science fiction
space exploration
Stanisław Lem (1921–2006)
Stanisław Lem
"Niezwyciężony"
fantastyka naukowa
ewolucja
astronomia
astrofizyka
Opis:
This article questions the consensus view of The Invincible (Niezwyciężony) as one of Lem’s classical sci-fi fi ctions. The author contends that in this novel the familiar conventions (later rejected in His Master’s Voice) coexist with a structural design characteristic of his late novels. An analysis of two pieces of the world of The Invincible, usually disregarded by the critics because of their sketchiness, i.e. the story of the extinct Lyrans and the account of the ancient biosphere of Regis III, reveals that in either case Lem no longer cares for the realist credentials of his fi ction and does not put the two planets on the astronomical map (which is no doubt deliberate choice). Moreover, in contrast to his earlier novels, his outline histories of the two biospheres contain hidden (but nonetheless unmistakable) parallels to the prehistory of the biosphere of the Earth (though he was no believer in evolutionary repeatability). As this article tries to demonstrate the two peripheral facets of the world depicted in the novel are clearly related and subordinated to the central story line (concerned with the ‘necrosphere’ and humanity). This structural dependence as well as the way in which key aspects of the world depicted in the novel seem to illustrate the theses articulated in Lem’s essays justifi es the conclusion that The Invincible should be treated as the fi rst novel of his late phase, represented – on account of its form – by His Master’s Voice.
Źródło:
Ruch Literacki; 2018, 3; 281-304
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maria Konopnicka: Flowers, flower shows, travel writing. (Bibliographical and thematical annexes)
Konopnicka – kwiaty, wystawy, reportaże. (Uzupełnienia bibliograficzne i tematyczne)
Autorzy:
Budrewicz, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/2087675.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
the flower motif
travel writing
Maria Konopnicka's journalism
Maria Konopnicka (1842–1910)
bibliografie
pierwodruki
reportaże
kwiaty
Opis:
This article presents the results of a search aimed at identifying the original publication details of Maria Konopnicka's reportages included in Ludzie i rzeczy (People and Things), a book of her short stories and journalism published in 1898. It has been found that “Na kwiatowej giełdzie” (The Flower Festival [in Nice]) was published in Kurier Warszawski, 1893, No. 103–104; “Akwileja” (Aquileia [Italy]) in Kurier Warszawski, 1895, No. 103, pp. 5–6, while “Po drodze” (On the way [Admont Abbey, Austria]) was originally published in Wędrowiec, 1892 (No. 46–50), and “Chryzantemy” (Chrysanthe-mums) in Kurier Warszawski, 1894, No. 1. A discussion of the motif of flowers and flower shows is based on these and Konopnicka's other texts. In her work flowers functioned as a visual representation of thought, which enabled her to establish a connection between nature, human beings and culture (whose development was conditioned by the economy).
Źródło:
Ruch Literacki; 2021, 5; 723-736
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Disgust as a form of legitimization of perversion in „Lovetown” by Michał Witkowski
Wstręt jako legitymizowanie perwersji w „Lubiewie bez cenzury” Michała Witkowskiego
Autorzy:
Wróblewski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2090029.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 21st century
gay and lesbian literature
cathartic disgustand perversion
Sigmund Freud
Michał Witkowski (b. 1975)
wstręt
perwersja
płeć
homoseksualizm
Opis:
This article examines the relationship of disgust and perversion in Lovetown (Lubiewo bez cenzury) by Michał Witkowski. An overview of the reception of the book reveals that reviewers and critics have focused mainly on Witkowski’s portrayal of the LGBT community, the structure of the novel (dubbed the ‘queer Decameron’), and the textual (meta) creation of the writer’s voice, but it ignored his handling of disgust and perversion. Central to this reading of Lovetown, which draws on Sigmund Freud’s analyses of disgust and perversion, is the observation that the narrator interlards his lingo with neutral, ‘objective’ explanations of the main characters’ deviant behaviours. This glossary, written for the general reader, tends, in effect, to legitimize deviance. An in-depth analysis of the writer’s handling of the categories of the disgusting, the perverse and the sacred leads to the conclusion that Lovetown exemplifi es a cathartic-therapeutic narrative in which disgust becomes a tool of self-fulfi llment.
Źródło:
Ruch Literacki; 2018, 3; 305-322
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Więc były w tych schodach zarazem i strach, i chęć ucieczki” – los podmiotu uwikłanego w dwuznaczność świata ( Schodami w górę, schodami w dół Michała Choromańskiego)“
And these stairs stirred up fear, but also a desire to escape”: The fate of a subject embroiled in the world's ambiguities in Michał Choromański's Schodami w górę, schodami w dół ( Upstairs, Downstairs)
Autorzy:
Natkaniec, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2172221.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
psychological thrillers
psychoanalytic character study
Michał Choromański (1904–1972)
Michał Choromański
psychoanaliza
psychologizm
proza XX wieku
awangarda
Opis:
This interpretation of Michał Choromański's novel Schodami w górę, schodami w dół (Upstairs, Downstairs) focuses primarily on issues related to the inner life of the characters and the representation of the outside world in the context of classical psychoanalysis. The appropriateness of the psychoanalytical approach is justified by numerous references to Freud's theory in the text of the novel. The study reaches out to Choromański's other novels and short stories, but embarks on a more systematic comparison of Schodami w górę, schodami w dół with only one of them, Zazdrość i medycyna (Jealousy and Medicine), his most popular novel published in 1936.
Źródło:
Ruch Literacki; 2022, 1; 73-93
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bex: Juliusz Słowackis journey to the underworld
Bex. Słowackiego wyprawa w podziemia
Autorzy:
Tomasik, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2087776.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romantic biography
tour of Switzerland
travel writing
Juliusz Słowacki (1809-1849)
romantyzm
podróżopisarstwo
turystyka
przewodniki turystyczne
Opis:
On 31 July 1834 Juliusz Słowacki in the company of the Wodziński family set off from Geneva on a tour of Switzerland. He completed the first leg of journey on the same day in Bex, a village to the south‑east of Lac Leman. The following day the party visited Bex's famous salt mine and Słowacki wrote a laconic account of their excursion to the bowels of the earth in a letter to his mother. With the help of contemporary travel guides and the accounts of other travelers it is possible to fill the details of that trip. After exiting the mine, the party made their way south to Martigny.
Źródło:
Ruch Literacki; 2020, 4; 381-396
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The sense of sight in Jan Kochanowski’s poetry: A research reconnaissance
Zmysł wzroku w poezji Jana Kochanowskiego – rekonesans badawczy
Autorzy:
Krzywy, Roman
Powiązania:
https://bibliotekanauki.pl/articles/2088422.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 16th century
visual imagery
the elegy ekphrasis
Jan Kochanowski (1530–1584)
poezja polskiego renesansu
studia wizualne
elegia
ekfraza
Opis:
This study is a research reconnaissance into the visual imagery in the poetry of Jan Kochanowski, Poland’s most talented poet before the Romantic Age. Although he was familiar with the technique of ekphrasis and took an interest in emblems, he seems to have been rather sparing in making use of visual potential of the poetic word. However, he does rely on the sense of sight in his epistemological refl ection concerning the problem of knowing God, aesthetics (the experience of beauty) and ethics (the visible order of the world as a guide to proper conduct). The eye also plays a major role in his descriptions of the human psychology, especially love. The sight has a special function in his Treny (Laments), a cycle of elegies written after the death of his baby daughter Urszula in 1579. While addressing the fundamental questions of life and death, Kochanowski draws on visual and aural imagery to convey the devastating pain felt by the father after the death of his beloved child and to question his earlier confi dence in man’s sovereign mind.
Źródło:
Ruch Literacki; 2019, 2; 129-151
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Walery Przyborowski’s crime novels: Rewriting the genre
Powieści kryminalne Walerego Przyborowskiego. W poszukiwaniu gatunku
Autorzy:
Ruszczyńska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2090006.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
crime fiction
popular novel
structural analysis of narrative
Walery Przyborowski (1845–1913)
kryminał
historia
literatura popularna
Opis:
This article combines a general introduction to the crime fi ction of Walery Przyborowski with a study of the structure of the plot of his novels. The analyses of ten of his novels conclude with a typology of their narrative schemes, shown in the context of certain invariant patterns and the conventions of related literary genres. While the main objective of this study is to outline the structure of crime story and the social issues depicted in Przyborowski’s crime fi ction, it also pays some attention to the ways in which it refl ects his concerns about contemporary life and the condition of Poland under foreign rule. Basically, Przyborowski’s formula is to make use of the staples of the genre – mystery, adventure, romance – and the techniques of the popular novel. Moreover, his novels, like all of the 19th-century crime fi ctions, are clearly indebted to the conventions of the historical novel.
Źródło:
Ruch Literacki; 2018, 4; 409-428
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stanisław Przybyszewski’s Vigils
O Wigiliach Stanisława Przybyszewskiego
Autorzy:
Matuszek-Stec, Gabriela
Powiązania:
https://bibliotekanauki.pl/articles/2087392.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the turn of the 19th century
symbolism
Polish-German literary connections
Stanisław Przybyszewski (1868–1927)
Stanisław Przybyszewski
"Z cyklu Wigilii"
Vigilien
Opis:
Stanisław Przybyszewski’s Vigils is a prose poem written originally in German; its publication in 1895 was followed by a revised edition in 1901. A Polish translation, by Przybyszewski himself, entitled Z cyklu Wigilii was published in 1899. This interpretation of the Vigils not only takes a closer look at its origins and history, but also analyzes the differences between the two German versions and makes a comparison of the German and Polish texts. The comparison reveals that the most flagrant and blasphemous passages have been left out of the Polish version. Moreover, the omission of the original conclusion changes the meaning of the story. The article quotes the opinions of the first readers of the Vigils, the German and Polish reviewers, and goes on to present its own interpretation of the poem. What it actually dramatizes is the failure to find a formula that would integrate the protean, irrational and entropic reality the story. In effect, the project of establishing a connection between the act of creation and transcendental knowledge through a total, mystical union of male and female, soul and soma, turns out to be an illusion.
Źródło:
Ruch Literacki; 2021, 2; 159-174
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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