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    Wyświetlanie 1-6 z 6
    Tytuł:
    Cain’s rhetorical artfulness: Erasmus’ Biblical spoof
    Retoryczna przebiegłość Kaina. Biblijny apokryf Erazma
    Autorzy:
    Ryczek, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/2089948.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Early Modern European history
    16th-century Latin-language writers
    16th century humanism
    rhetoric
    Biblical mythopoeia
    Cain
    Desiderius Erasmus (1466–1536)
    wczesna nowożytność
    literatura nowołacińska
    humanizm
    retoryka
    apokryfy biblijne
    Erazm z Rotterdamu (1466–1536)
    Opis:
    This article contains a bilingual, Latin-Polish, edition of a letter written by Erasmus to John Sixtin (Ioannes Sixtinus), a Frisian student he met in England. In it Erasmus describes a dinner party at Oxford to which he was invited as an acclaimed poet. In the presence of John Colet, leader of English humanists, table talk turned into learned conversation. Erasmus’s contribution to the debate was an improvised fable (fabula) about Cain who, in order to become farmer, persuades the angel guarding Paradise to bring him some seeds from the Garden of Eden. His speech, a showpiece of rhetorical artfulness disguising a string of lies and spurious argument, is so effective that the angel decides to steal the seeds and thus betray God’s trust. Seen in the context of contemporary surge of interest in the art of rhetoric, Erasmus’ apocryphal spoof is an eloquent demonstration of the heuristic value of mythopoeia and the irresistible power of rhetoric.
    Źródło:
    Ruch Literacki; 2018, 5; 531-544
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The sense of sight in Jan Kochanowski’s poetry: A research reconnaissance
    Zmysł wzroku w poezji Jana Kochanowskiego – rekonesans badawczy
    Autorzy:
    Krzywy, Roman
    Powiązania:
    https://bibliotekanauki.pl/articles/2088422.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 16th century
    visual imagery
    the elegy ekphrasis
    Jan Kochanowski (1530–1584)
    poezja polskiego renesansu
    studia wizualne
    elegia
    ekfraza
    Opis:
    This study is a research reconnaissance into the visual imagery in the poetry of Jan Kochanowski, Poland’s most talented poet before the Romantic Age. Although he was familiar with the technique of ekphrasis and took an interest in emblems, he seems to have been rather sparing in making use of visual potential of the poetic word. However, he does rely on the sense of sight in his epistemological refl ection concerning the problem of knowing God, aesthetics (the experience of beauty) and ethics (the visible order of the world as a guide to proper conduct). The eye also plays a major role in his descriptions of the human psychology, especially love. The sight has a special function in his Treny (Laments), a cycle of elegies written after the death of his baby daughter Urszula in 1579. While addressing the fundamental questions of life and death, Kochanowski draws on visual and aural imagery to convey the devastating pain felt by the father after the death of his beloved child and to question his earlier confi dence in man’s sovereign mind.
    Źródło:
    Ruch Literacki; 2019, 2; 129-151
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aesculapius and Priapus: The medical and literary contexts of Jan Kochanowskis epigram On The Old Man (II. 42)
    Eskulap i Priap. Fraszka O starym (II 42) Jana Kochanowskiego w kontekstach medycznych i literackich
    Autorzy:
    Lawenda, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2087671.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 16th century
    literature and medicine
    Priapic verse
    bawdiness
    humoural medicine
    Martial (c. 40–103 AD)
    Jan Kochanowski (1530–1584)
    fraszki
    medycyna humoralna
    priapizm
    literatura priapejska
    obscenum
    Opis:
    This is an analysis of the epigram On the Old Man (II.42), Jan Kochanowski's single epigram (fraszka) on a medical theme. The old man of the title suffers from priapism, i.e. an abnormal persistent erection. Part I of the article discusses the significance of the poem's place in the sequence of epigrams that make up the collection and its intertextual links to earlier literature referring to the phallic god Priapus, especially Martial's Epigrams. In Part II it is argued that Kochanowski's understanding of priapism and its underlying causes was based on humoral medicine and detailed descriptions of this condition in Renaissance (primarily Italian) medical manuals. An analysis of the poem from the medical perspective leads to the conclusion that Kochanowski's bawdy conceit contains a misrepresentation: what for humoral medicine was a possible anomaly (priapism in old men) became a well-documented condition.
    Źródło:
    Ruch Literacki; 2021, 5; 587-629
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Historic representations of the planets: The Warsaw parade of the planets pageant as described by Martin Gruneweg
    „Jak to się zwykło przedstawiać planety”? Warszawski pochód planet w zapiskach Martina Grunewega – rekonesans
    Autorzy:
    Starownik, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/2087791.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish culture in the late 16th century
    urban and court pageants in Early Modern Europe
    carnival parades
    planets
    the Zodiac
    Warsaw
    Martin Gruneweg (1562–c. 1618)
    Gruneweg
    planety
    widowisko
    Warszawa
    Nauki Humanistyczne i Społeczne
    Opis:
    In his voluminous memoirs compiled in the early 17th century the Dominican Martin Gruneweg describes a pageant named the Parade of the Planets that took place in Warsaw on 15 February 1580. Central to its stage design was the iconography of the seven planets, each of them represented by its Zodiac sign and its affiliated House. However, no less important for the spectacle was the appearance of numerous characters and stage props from the carnival tradition, e.g. richly dressed men from the Orient, Bacchus, a procession of floats. The Parade of the Planets was a festivity which brought together the court and the townsfolk; it was probably organized by both court and town. More generally, it could be described as an urban carnival parade mimicking some features of the Renaissance Trionfo. The knowledge of celestial phenomena presented in this spectacle was probably adjusted to the needs of a wide audience of the ‘middling sort of people’, whose belief in the geocentric model of the cosmos was still intact. It seems that the Parade of the Planets contained hardly any profound insights or hermetic clues. Gruneweg, though, does find it susceptible to an allegorical interpretation which reveals the spectacle's embedding in Christian spirituality and middle-class virtues. He is pleased with the colourful spectacle, but warns of taking too much pleasure in this kind of entertainment.
    Źródło:
    Ruch Literacki; 2020, 3; 295-311
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sources of inventio in Sebastian Fabian Klonowics “Philtron”
    O zapleczu inwencyjnym poematu „Philtron” Sebastiana Fabiana Klonowica
    Autorzy:
    Lawenda, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2089367.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 16th century
    Humanist learned compendia
    treatises in verse
    erudition
    Christian love
    Sebastian Fabian Klonowic (c. 1545–1602)
    Sebastian Fabian Klonowic
    erudycja
    Philtron
    miłość chrześcijańska
    charitas
    poemat moralizatorski
    traktat
    renesansowe kompendia wiedzy
    kompilacja
    Opis:
    This article examines the sources of literary invention in Philtron, a treatise in verse on the theme of Christian love by the Polish and neo-Latin Renaissance poet Sebastian Fabian Klonowic. To get a better appreciation of his work it is necessary to look at his sources, especially books of humanist erudition, learned compendia, dictionaries, handbooks of rhetoric, anthologies and commonplace books. An analysis of his use of those sources in Philtron and an examination of his notes indicate that Klonowic probably did not read all of his books through from beginning to end. Some of his readings were intentionally selective. In particular, while collecting material for his treatise, he would mine the grand 16th-century reference books like Ambrogius Calepinus's multilanguage Dictionarium, Dominico Nani's anthology Polyanthea, or Erasmus' Apophtegmata. The argument and topoi in at least some parts of Philtron are much indebted to the contemporary compendia and erudite research.
    Źródło:
    Ruch Literacki; 2019, 5; 511-532
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Simone Simoni: Stefan Batory’s ‘vita medica’
    Simone Simoni: Stefana Batorego „vita medica”
    Autorzy:
    Ryczek, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/2087769.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Poland in the 16th century
    Stefan Batory, King of Poland (1576–1586)
    the king's health and royal doctors
    Simone Simoni (1532–1602)
    medicine and natural philosophy
    Aristotelianism
    Rzeczypospolita w XVI wieku
    Stefan Batory, król Polski (1576–1586)
    nadworni lekarze Batorego
    medycyna i filozofia naturalna
    arystotelizm
    Opis:
    Simone Simoni (1532–1602) was an Italian philosopher interested primarily in early modern Aristotelianism and court physician to King Stefan Batory of Poland. After the king's sudden death at Grodno on 12 December 1586, Simoni was accused of having made serious mistakes while attending his royal patient. In a bitter dispute with his rival, Niccolo Bucello, he came up with a spirited defence of his diagnosis and the adequacy of the treatment in view of the circumstances which played a crucial role in the last days of his patient. This article examines Simoni's argument concerning the king’s health, diseases and death, entitled Divi Stephani Primi Polonorum Regis Magnique Lithuanorum Ducis etc. sanitas, vita medica, aegritudo, mors (Nyssa 1587). Simoni fleshes out his polemic with a wide range of rhetorical devices, including many forms of irony and arguments ad personam. He also brings into it the larger context of interrelations between medicine and early modern philosophy, especially natural philosophy, summed up in the adage ubi desinit physicus, ibi medicus incipit (where the philosopher finishes, there the physician begins). Basically a vita medica of the king in his last days, it is also a fascinating portrait of a monarch with a passion for game hunting.
    Źródło:
    Ruch Literacki; 2020, 4; 341-357
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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