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    Wyświetlanie 1-9 z 9
    Tytuł:
    Reading Jacques Rancière (Jerzy Franczak, Błądzące słowa. Jacques Rancière i filozofia literatury [Wandering Words: Jacques Rancièreand the Philosophy of Literature])
    Odczytanie Rancière’a (Jerzy Franczak, Błądzące słowa. Jacques Rancière i filozofia literatury)
    Autorzy:
    Łebkowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2090004.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Źródło:
    Ruch Literacki; 2018, 4; 487-491
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kazimierz Twardowski and the literary and artistic community of Lwów until 1939
    Kazimierz Twardowski a środowisko literacko-artystyczne Lwowa do 1939 roku
    Autorzy:
    Sadkowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2088193.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish criticism of literature and art in the early 20th century
    philosophy and theory of literature and art
    Lwów (Lviv)
    Kazimierz Twardowski (1866–1938)
    krytyka literacka
    teoria naukowej krytyki literackiej i artystycznej
    filozofia Kazimierza Twardowskiego
    Lwów
    Opis:
    This article douments the impact of Kazimierz Twardowski's philosophy and scientific methodology on the criticism of literature and art criticism produced in Lwów between c. 1900 and 1939.
    Źródło:
    Ruch Literacki; 2019, 6; 647-655
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Genesis from the Spirit, or subjectivity and nature in Juliusz Słowacki
    Genezis z Ducha, czyli o podmiotowości i naturze u Juliusza Słowackiego
    Autorzy:
    Kutrzeba, Kacper
    Powiązania:
    https://bibliotekanauki.pl/articles/2087688.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 19th century
    Romanticism
    literature and philosophy
    discourse of modernity
    German Idealism
    critique of ideology
    Juliusz Słowacki (1809–1849)
    romantyzm
    nowoczesność
    mistycyzm
    krytyka ideologii
    rewizja romantyczna
    Opis:
    This article presents a new approach to the interpretation of Juliusz Słowacki's Genesis from the Spirit (1844) from the perspective of the groundbreaking philosophical discourse of modernity. What it actually suggests is that the mystical Form of Słowacki's cosmic vision, believed to be an emanation of the Absolute or a vestige of Creation, has a historical and materialist core. This claim is based on a series of comparisons with passages from Hegel and the premises of the philosophy of Friedrich Schlegel. By following closely the spontaneous movement of inner tensions in Słowacki's poetic discourse this study demonstrates that it is driven his own philosophical project and less so by the discourse of mysticism.
    Źródło:
    Ruch Literacki; 2021, 5; 631-656
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Philosophical and literary two-handedness: The case of Dobrosław Kot
    O filozoficzno-literackiej „twórczości dwuręcznej”. Przypadek Dobrosława Kota
    Autorzy:
    Siwak, Ilona
    Powiązania:
    https://bibliotekanauki.pl/articles/2087665.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    literary theory
    literature and philosophy
    narratology
    relational subject
    philosophy of dialogue
    implied and thematized communication
    Dobrosław Kot (b. 1976)
    twórczość dwuręczna
    narracja drugoosobowa
    narratologia
    podmiot relacyjny
    podmiotowość
    filozofia dialogu
    Dobrosław Kot
    Wit Szostak
    informacja implikowana i stematyzowana
    literatura i filozofia
    Opis:
    The possibility and the ways of articulating subjectivity is the main theme of both the philosophical books and essays of Dobrosław Kot as well as his fiction, written under the pseudonym Wit Szostak. His approach is grounded in ‘the relational subject’, a notion which has been developed in numerous philosophical treaties and in literature. This article examines the ways and means of the constituting the textual subject in Kot's philosophical books, Subjectivity and Loss (2009), Dramatic Thinking (2016), and Odyssseus' Raft: An essay about migrants (2020) and tries to position his thought with regard to similar studies of the relational subject in contemporary humanities. The discussion ranges from second-person narration and the semantics of personal pronouns in the structure of literary works (i.e. points of contact between philosophy and literary discourse) to the functioning of implied and thematized information in literary narratives. Crucially, the tensions between these two forms of communication offer the textual subject an opportunity to articulate his position. Finally, all the analyses point to the conclusion that loss is indeed at the heart Dobrosław Kot’s work.
    Źródło:
    Ruch Literacki; 2021, 5; 679-700
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Language as τό μεταξύ: The functioning of speech in Wisława Szymborska’s poems ‘Funeral’ and ‘Elegiac Calculation’
    Język jako metaxú – działanie mowy w wierszach „Pogrzeb” i „Rachunek elegijny” Wisławy Szymborskiej
    Autorzy:
    Korwin-Piotrowska, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/2088461.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Contemporary Polish literature
    Polish poetry
    literature and philosophy
    metaxy (τό μεταξύ)
    Wisława Szymborska (1923–2012)
    metaxú
    poezja współczesna
    Wisława Szymborska
    język
    Opis:
    This article takes as its starting point the Greek term μεταξύ, a preposition meaning ‘between’, fi rst turned into a noun in Plato’s Symposium, and in that substantivized form adapted for their own ends by a number of 20th-century philosophers, most notably by Simone Weil. In her Gravity and Grace (French: La Pesanteur et la grâce) she defi nes le metaxu as in-betweenness, a social and metaphysical category which embraces all that connects and divides (as, for example, a wall that both separates two prisoners and can be used by them to tap messages). In this article Weil’s concept of metaxu is applied to the language and then to various readings of two of Wisława Szymborska’s poems, ‘Funeral’ and ‘Elegiac Calculation’. Pragmalinguistics and semantics, too, play a role in the interpretation of these poems.
    Źródło:
    Ruch Literacki; 2019, 3; 333-344
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Homo capax” – a romantic subject with a past: Adam Mickiewicz’s anthropology
    „Homo capax” – podmiot romantyczny po przejściach. Antropologia Adama Mickiewicza
    Autorzy:
    Bednarek-Bohdziewicz, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2088325.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    19th-century Polish literature
    Romanticism
    philosophy of the self
    duality of character
    Adam Mickiewicz (1798–1855)
    Paul Ricoeur (1913–2005)
    homo capax (homme capable)
    Adam Mickiewicz
    romantyzm
    homo capax
    podmiot otwarty
    Opis:
    The article attempts to outline Adam Mickiewicz’s concept of subjectivity. He introduces it in his visionary poetic drama Dziady (Forefathers’ Eve) where a radically ambivalent situation is presented through the duality of the main character Gustaw/Konrad. The article describes this duality in terms of Paul Ricoeur’s distinction between cogito exalté and cogito brisé. In Dziady Mickiewicz dramatizes the transition from exaltation to dejection, the condition of cogito brisé (living with a wound). His romantic subject cannot throw away his past, but because he is acutely aware of his failings and his inadequacy he is able to free himself from delusions of grandeur and self-centered pride. The condition of uncertainty, inadequacy and chronic insatiability is like a gaping wound or a lack which may lead the ‘I’ to open up and seek the Other. It is a vision of man who knows he is deeply fl awed but capable of pursuing a noble desire; vulnerable and fallible, beset by ‘endless error’ and yet able to act and get his act together; self-centered and yet, because of the relational nature of the human identity, capable of redirecting his emancipatory energy to Others. It can be summed up the concept of homo capax (homme capable) which, as this article argues, provides the key to Mickiewicz’s anthropology.
    Źródło:
    Ruch Literacki; 2018, 6; 667-682
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stuck in loop: Kazimierz Tetmajer’s attempts to cope with transcendental absence (lack)
    Tetmajerowskie próby przepracowania braku
    Autorzy:
    Pilch, Urszula
    Powiązania:
    https://bibliotekanauki.pl/articles/2087387.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the turn of the 19th century
    Young Poland
    philosophy of poetic creation
    Kazimierz Przerwa-Tetmajer (1865–1940)
    nothingness
    absence and lack
    figuration
    Gilles Deleuze (1925–1995)
    Félix Guattari (1930–1992)
    Kazimierz Tetmajer
    pustka
    brak
    poezja
    figuracja
    wywoływanie
    Opis:
    At the core of Kazimierz Tetmajer’s lyricism is the perception of transcendental absence, which provokes a range of unsettling reactions like fear, horror, or scorn (irony), and, in turn, the need to regain some sort of balance. This article analyzes all elements of this paradigmatic situation, especially the poet’s owing up to those reactions, his attempts to come to terms with them, and, if possible, to work out a way of converting their negativity into something that he actually wanted. At all times, it seems, he looks hard for the adequate means to express his emotional states. Struggling to express the inexpressible, he performs acts of creation which, however, do not produce anything (i.e. ‘nothing’ or ‘lack’). This outcome sets in motion, largely beyond conscious control, an emotional reaction, the affect of emptiness and lack (l’affect de vide et de manque). That emptiness constitutes a certain whole, or, more precisely, a negative figuration of lack. Attempts to make sense of it endow it with a new, spatial quality – it is a site where lack becomes nothing (le néant), but at the same time is reconstituted as a space which can engulf the human subject. This precarious situation defines in a way the human condition. The poet, as Tetmajer’s poetry shows, is stuck in a loop. The creative act is elicited by a lack which he tries to control, fill in, and master, yet all the attempts to find an adequate expression or figuration are in vain. They merely recreate the original absence (lack).
    Źródło:
    Ruch Literacki; 2021, 2; 195-216
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The relevance of history: Dramatic history poems by Stanisław Wyspiański and Tytus Czyżewski
    Czym jest historia dla życia. Rapsody historyczne: Wyspiański i Czyżewski
    Autorzy:
    Sienkiewicz, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/2088292.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the late 19th and Interwar period
    philosophy of history
    historical epic poems
    emancipation and progress
    modernity
    the French Revolution
    Stanisław Wyspiański (1869–1907)
    Tytus Czyżewski (1880–1945)
    Wyspiański
    Czyżewski
    rapsody
    historia
    rewolucja
    teodycea
    nowoczesność
    Opis:
    This article examines the analogies, and more specifically the historical 'theatre of the imagination', between Tytus Czyżewski's Robespierre/Rhapsody (1927) and Stanisław Wyspiańs-ki's poetic dramas Rhapsodies (Kazimierz the Great and Bolesław the Bold). Each of those poems foregrounds its principal historical character. Wyspiański's dramatic poems, commonly known as Rhapsodies, focus on Kazimierz the Great, Bolesław the Bold, and Piast. kings of pivotal significance in his vision of Poland's historical destiny. Twenty years later Tytus Czyżewski, an acclaimed avant-garde painter and poet, composed a poetic-essayistic salmagundi, in which he sought to render in a similarly elevated style and condensed dialogue the drama of the leaders of the French Revolution, Robespierre and Danton. While Robespierre has to face, apart from some common people, God, the Spirit and Judges that sit in judgment on him, the final section of Rhapsody evokes Juliusz Słowacki. A monologue, mimicking his lofty verse, establishes a metaphorical common thread in Polish history – from the days of mail-clad knights to the wretched everyday life in the trenches – set against a broad background of wars, destruction and the French Revolution. For Czyżewski the French Revolution was a ground-breaking event, the first act of a great historical process that ushered in the Modern Age with its ideas of progress, reason, freedom, social justice, the elimination of poverty. It continues to inspire mankind with the hope that even a most ambitious change is possible. For Wyspiański, on the other hand, the grand project of human emancipation does give rise to doubts whether a wholesale obliteration of the Old is justified and to questions about God, free will, theodicy and destiny, and the 'tyranny of reason'. The differences between the two philosophies of history – Wyspiański's, from the turn of the 19th century, and Czyżewski's, representative of the artistic and intellectual climate of the late 1920s – are no doubt profound, and yet, what both of them seem to share is a deep concern with the relevance of history for the present and for designing the future.
    Źródło:
    Ruch Literacki; 2019, 6; 613-630
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sacrum i błoto. Uświęcenie materii w wierszu [ Snycerz był zatrudniony Dyjanny lepieniem…] Juliusza Słowackiego
    The sacred and mud: Sacralization of matter in Juliusz Słowacki's poem ‘The carver was busy shaping Diana's statue’
    Autorzy:
    Rzepniewska-Kosińska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2170188.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 19th century
    Romanticism
    philosophy of art
    spirit and matter
    Genesis from the Spirit
    Juliusz Słowacki (1809–1849)
    Snycerz był zatrudniony Dyjanny lepieniem…
    sakralizacja
    materia
    materia sztuki
    myśl genezyjska
    Opis:
    In this interpretation of Juliusz Słowacki's ‘Snycerz był zatrudniony Dyjanny lepieniem…’ [The carver was busy shaping Diana's statue] the discussion focuses on his attitude to matter, especially as the material of art. The article argues that Słowacki elevates and even sacralises mud, the most lowly of raw materials, and thus exposes the falseness of the popular view that he despises matter, the base opposite of the spirit. However, it would be more accurate to say that in his vision, which is part of his Genesis from the Spirit philosophy, the path to salvation leads through the reconciliation of spirit and matter rather than a triumph of one over the other.
    Źródło:
    Ruch Literacki; 2021, 6; 787-801
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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