Temat: short-story - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: La perte en filigrane Cet imperceptible mouvement d’Aude
Autorzy:: Kapołka, Karolina
Powiązania:: https://bibliotekanauki.pl/articles/973582.pdf
Data publikacji:: 2012
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: aude
short story
transformation
loss
death.
Opis:: Considered one of the most interesting Quebec writers, Aude released a collection of short stories entitled Cet imperceptible mouvement in 1997. What comes to the fore in that collection is the austerity of style intertwined with a unique emotional load, a combination which has raised critics’ eyebrows even if it is typical of Aude’s prose. One of the pivots of her stories is the notion of loss, looked at from various angles. The protagonists typically lose their dearest ones, be it because the latter leave, die or because they drown in mourning. Maimed with the loss, the protagonist reassesses his/her life, faces new challenges, makes constant choices. Excelling in the short story structure, Aude records the depth of loneliness and raises existential queries by means of what might at first sight seem simple gestures, common objects and insignificant situations.
Źródło:: Romanica Silesiana; 2012, 7
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Lieux ludiques: « Les Prisonniers » de Maupassant
Literary Topoi, Literary Play: “The Prisoners” by Maupassant
Autorzy:: Färnlöf, Hans
Powiązania:: https://bibliotekanauki.pl/articles/1368350.pdf
Data publikacji:: 2021-02-15
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: topos
Maupassant
folktale
short story
“Les Prisonniers”
Opis:: This study examines the role of topoi in the short story “Les Prisonniers” (The Prisoners) by Maupassant. For historical reasons, the notion of topos is preferred to that of the stereotype, as the latter indicates a manner of conceiving reality from a 20th century perspective (and thus posterior to Maupassant’s authorship). The analysis of the topoi shows that the author brings to play intertextual references linked to the tradition of the folktale and the short story. In foregrounding the story, Maupassant prepares two opposing scenarios. Following the transgressive plot, the initially dominant features of the story are overthrown. The functionality of the narrative elements, entering as units in an elaborated plot, leads to a view of the story primarily as a fictional construction playing with topoi, rather than as an expression of Maupassant’s stereotyped vision of reality.
Źródło:: Romanica Silesiana; 2019, 16, 2; 82-92
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: La fonction créative du stéréotype dans le récit bref en France au XVIe siècle
Creative Function of Stereotype in French Sixteenth’s Century Short Story
Autorzy:: Pietrzak, Witold Konstanty
Powiązania:: https://bibliotekanauki.pl/articles/1368345.pdf
Data publikacji:: 2021-02-09
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: stereotype
short story
16th century
France
Opis:: In premodern literature, stereotype, called locus communis, had to play an important role inherited from Greek and Latin Antiquity’s rhetorics. In particular, it served as source of convincing arguments appropriate to discuss philosophical, theological or moral questions. The concept of common place has also found its use in short stories of 16th century. Firstly, in the realm of invention, when authors adapted narrative plots taken from written tradition; secondly, in the realm of elocution, when they employed topic images and sentences. The aim of this paper is to elucidate those two meanings of stereotype in French nouvelles published in that time.
Źródło:: Romanica Silesiana; 2019, 16, 2; 29-39
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

Artykuł

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