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Wyświetlanie 1-4 z 4
Tytuł:
Dimensión mítica y ritual en las representaciones literarias del narco
Autorzy:
Jastrzębska, Adriana Sara
Powiązania:
https://bibliotekanauki.pl/articles/700899.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Narco‑fiction, very popular in the recent Mexican and Colombian literature, emphasizes one of the determinants of narco‑culture: a deep rootedness in the primitive mentality and mythical thinking. Such roots translate into a particular religiosity, the cult of legendary narcos. The same mentality has driven the creation of a culture based on a ritual. The article analyzes examples of these phenomena, on the basis of selected texts of Colombian and Mexican narco‑fiction writers with the aim of showing that mythical thinking remains relevant in the postmodern and post‑political reality. Key words: narco, Colombian fiction, drug trafficking, narco‑culture, violence
Źródło:
Romanica Silesiana; 2014, 9
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
De Macondo a Medellín: viaje de ida y vuelta
Autorzy:
Jastrzębska, Adriana Sara
Powiązania:
https://bibliotekanauki.pl/articles/701260.pdf
Data publikacji:
2012
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The weight of the figure of Gabriel García Márquez and of magical realism in later generations is the root of a conflict that has become a part of literary matters. The writer’s work has become an inevitable reference for all Colombian writers, no matter how much it is hated, petrifying into a label that is as frequent as it is erroneous. In the writings of such authors as Fernando Vallejo, Héctor Abad Faciolince, Nahum Montt or Juan Gabriel Vásquez, the complex relationship with the heritage of García Márquez is reiterated as a secondary theme, complementing the image of violent Colombia. The article discusses specific examples of narrative works of the above mentioned authors and their very specific, respectful attitude to the paternal figure of García Márquez and his work, to love-and-hate, to rejection-and-tribute, to a simultaneous affirmation-and-negation, which results in an ironic transformation and reinterpretation of the concept of magical realism and of the Macondian heritage, and subsequently widens the perspective from which the literary image of contemporary Colombia is constructed and read. Key words: Magical realism, Colombia, recent literature, Gabriel García Márquez.
Źródło:
Romanica Silesiana; 2012, 7
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fuera del tiempo y del mundo. Literaturas centroamericanas actuales frente a su historia reciente: Horacio Castellanos Moya
Autorzy:
Jastrzębska, Adriana Sara
Powiązania:
https://bibliotekanauki.pl/articles/700931.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The article analyzes nine novels of a Salvadorian writer, Horacio Castellanos Moya, written between 1994 and 2011, and indicates elements that could be considered to be paradigmatic of the current Central American narrative and its links to the topic of the recent past of the countries of the region, namely, militarisms, political violence, civil war and its consequences, as well as criminal violence and political frustration. The aspects that are analyzed are the distortion of the classic model in of the police, the possible therapeutic value of literature, and finally, the problem of collective and individual identity affected by violence. Key words: Violence, Central America, novel, Horacio Castellanos Moya, El Salvador.
Źródło:
Romanica Silesiana; 2011, 6
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Angosta: el miedo de todos los miedos
Autorzy:
Jastrzębska, Adriana Sara
Powiązania:
https://bibliotekanauki.pl/articles/701091.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The crime novel, which in modern literature has become a kind of a new social novel dealing with topics such as different expressions of violence, crime or corrupt societies, is hardly ever separated from its true realistic and urban Aesthetics. However, in order to build a scenario of a noir novel and convey the air of terror and threat, some authors resort to a repertoire of narrative aspects typical for a horror story, thus transforming the reality into a thriller or giving it some fantasy touch. The following article analyses the space configuration presented in Angosta, a novel by Colombian writer Héctor Abad Faciolince and it proposes to interpret the story as a sort of universalistic thriller in which various human fears of an era of globalism and late capitalism get together. Key words: Colombian fiction, violence, Héctor Abad Faciolince, crime fiction
Źródło:
Romanica Silesiana; 2016, 11, 2
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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