Autor: Filteau, Claude - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Lintertexte et la délocalisation de la culture du texte dans Salut Galarneau! de Jacques Godbout
Autorzy:: Filteau, Claude
Powiązania:: https://bibliotekanauki.pl/articles/700761.pdf
Data publikacji:: 2007
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Opis:: The article is a study of intertextual strategies in Godbout’s philosophical novel “Salut Galarneau!” (1967) Claude Filteau which asserts that inter- and transtextuality belong to the democratic regime of writing. Intertextuality works primarily through literary genres. The paper concentrates on the figure of François Galarneau, the main character of the novel who, in his search for truth, is unable to overcome his own contradictions as a self-taught writer and a ‘Quebecois’ without money in a consumerist world. Through copies of letters, classified ads, cooking recipes, women’s advice columns and TV commercials the main hero relates his life story, while dreaming about being stripped off the book pages by his readers. It is Galarneau’s ‘wandering letter’, called by Jacques Ranciére the ‘orphan speech’, Key words: intertextuality; novel; philosophical tale; heteroglossia; low culture; Canadian literature
Źródło:: Romanica Silesiana; 2007, 2
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Conflits et tension dramatique dans le roman d’amour L’exemple d’Orgueil et préjugé de Jane Austen
Autorzy:: Filteau, Claude
Powiązania:: https://bibliotekanauki.pl/articles/701190.pdf
Data publikacji:: 2012
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Opis:: Since Jane Austen’s Pride and Prejudice, a conflict between protagonists appears to be the main event in a love novel. A crisis that such conflict results in is a source of narrative tension. Because the reader cannot anticipate the outcome of the crisis, it creates considerable suspense. The polemical confrontation, however, is mainly a dialogical component of the narrative. What Penelope Brown and Stephen Levinson call “face threatening acts” can explain the verbal strategies and emotional reactions of the heroes during their confrontation. Nonetheless, the conflict also shows that emotions rely on a particular experience of space that generates anger or fear. Depending on the context, the expression of gratitude as a polite gesture or as a way of recognizing the merit of others seems the only ethical strategy capable of ending the conflict in Jane Austen’s novel. Key words: Narrative conflict, face threatening acts, narrative tension, love novel, Jane Austen.
Źródło:: Romanica Silesiana; 2012, 7
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

Artykuł

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