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Wyświetlanie 1-6 z 6
Tytuł:
Latin as the Language of Social Communication of the Polish Nobility (Based on the Latin Heraldic Work by Szymon Okolski)
Łacina jako język komunikacji społecznej polskiej szlachty (na podstawie łacińskiego dzieła heraldycznego Szymona Okolskiego)
Autorzy:
Milewska-Waźbińska, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1892257.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
łacina
herbarz
szlachta
Latin
roll of arms
nobility
Opis:
W artykule podkreśla się rolę języka łacińskiego jako języka komunikacji społecznej szlachty zamieszkującej Rzeczpospolitą Obojga Narodów. Na początku omawia się pojęcie latinitas, które oznaczało nie tylko poprawną łacinę, lecz także wskazywało na treści ideowe antyku przekazywane za pomocą języka starożytnych Rzymian. W artykule prześledzono proces wykorzystania łaciny jako narzędzia pozwalającego na utrzymanie więzi społecznej. Badaniu poddano łaciński herbarz Orbis Polonus Szymona Okolskiego (Kraków 1641-1645). Okazało się, że język tego dzieła pełnił nie tylko funkcję informacyjną, lecz także perswazyjną, propagandową i emotywną. W konkluzji stwierdza się, że Okolski świadomie napisał swe dzieło w języku starożytnych Rzymian.
Źródło:
Roczniki Humanistyczne; 2013, 61, 3; 55-51
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz śmierci w XVII-wiecznych polskich kazaniach pogrzebowych
The Image of Death in The 17th Century Polish Funeral Sermons
Autorzy:
Baczewski, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1954720.pdf
Data publikacji:
2002
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
kazanie pogrzebowe
szlachta
śmierć
ideologia
funeral homily
nobility
death
ideology
Opis:
The present article focuses on the attitude towards death expressed in the noblemen's funeral sermons of the 17th century, on the image of an individual's preparations for death and on understanding death as a phenomenon significant for the society to which the dead one belonged. Generally the attitude towards death in funeral sermons is a reflection of tendencies characteristic of the whole 17th century. It is contained between the motif of vanitas, the need to `familiarize' death, fear of being damned and the need to commemorate the individual who leaves the social life. The image of an individual's death in those sermons was a confirmation of the patterns contained in the 17th century art of good dying, sometimes even a perfect one. Finally, the 17th century funeral sermons showed the death of a nobleman as a loss for the nobility that requires consolidating acts of various kinds. Death was perceived – or so it seems – as a threat for the cohesion of the group. In the present article the author also tried to point out that the death of an individual was an opportunity of indoctrination of the group in the spirit of political ideology characteristic of the nobility.
Źródło:
Roczniki Humanistyczne; 2002, 50, 1; 201-229
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Fall of the Chorupnik Parish. A Contribution to the History of the Reformation in Poland
Autorzy:
Szady, Bogumił
Powiązania:
https://bibliotekanauki.pl/articles/1806993.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Chełm Diocese; Chorupnik; Reformation; Counter-Reformation; Catholic clergy; Church benefices; nobility
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 61 (2013), issue 2. The article addresses the question of the fall of the Latin parish in Chorupnik that belonged to the former diocese of Chełm. The parish church in Chorupnik was taken over by Protestants in the second half of the 16th century. Unsuccessful attempts at recovering its property were made by incorporating it into the neighbouring parish in Gorzków. The actions taken by the Gorzków parish priest and the bishop together with his chapter failed, too. A detailed study of such attempts to recover the property of one of the parishes that ceased to exist during the Reformation falls within the context of the relations between the nobility and the clergy in the period of Counter-Reformation. Studying the social, legal and economic relations in a local dimension is important for understanding the mechanisms of the mass transition of the nobility to reformed denominations, and then of their return to the Catholic Church.
Źródło:
Roczniki Humanistyczne; 2018, 66, 2 Selected Papers in English; 31-42
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbole polskiego życia politycznego w Orator Polonus (1740) Samuela Wysockiego
Symbols of Polish Political Life in Orator Polonus (1740) by Samuel Wysocki
Autorzy:
Górska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1929390.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
symbol
emblemat
retoryka
parlamentaryzm szlachecki
wyobraźnia polityczna
emblem
rhetoric
Nobility parliamentarism
political imagination
Opis:
This paper discusses the function and the origin of over four hundred symbols included in the rhetoric handbook by the Piarist Samuel Wysocki, entitled Orator Polonus (published in Warsaw in 1740). The book is considered an exemplary resource book for parliamentary and local diet speeches and orations of panegyric character. In keeping with the rhetorical practice, the symbola were given the form of arguments, developed on the principle of similitude (similitudo). The author of the handbook was inspired by the compendium by Filippo Picinelli Mundus symbolicus (1681). He used the latter author’s exemplary emblems and symbols and incorporated them to his erudite and moral argumentation. The symbols used by Wysocki promoted an ideal of an exemplary Nobleman and landowner, as well as that of a state officer and a legalist. In this way, Wysocki created a pattern that was distinct from the then-popular emblems. The prevalent pattern related formally to the coats-of-arms, as testified by numerous writings and documentation of the Polish-Lithuanian Commonwealth under the Saxon dynasty. Wysocki’s works are a perfect example of the adaptation of emblems as a genre, with its typical delimitation as regards the choice of theme, symbolic composition and the function of the lemma, deeply rooted in the rhetorical rules and resulting from the political and panegyric interest of the Nobility.
Źródło:
Roczniki Humanistyczne; 2011, 59, 4; 61-79
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pałac Potockich w Lublinie w świetle osiemnastowiecznych źródeł
The Potocki Palace in Lublin in the Light of Eighteenth-century Sources
Autorzy:
Gombin, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1953439.pdf
Data publikacji:
2006
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
dekoracje
szlachta/arystokracja
pałac
portrety
Potocki
rokoko
królewski
decorations
nobility
palace
portraits
rococo
royal
Opis:
The Potocki palace in Lublin was for the first mentioned in the sources in 1734. It is not, however, on the plan of Chevalier d'Orxen of 1716, hence it was constructed between those years. It was built for Jerzy Potocki, and most probably was ready in 1730, when his sone, Eustachy, studied at the Lublin Jesuit college. There are no hints that the palace built in the times of Jerzy Potocki was something special with regard to its artistic class and scale. The magnate stayed mainly in Serniki, where he lived in a small wooden mansion of little artistic value. It is there where his sons were born. The fact that the Lublin seat was not a representative building, fit for a bigger event, is evidenced when Eustachy Potocki's wedding with Marianna née Kątska (December 1741) was organised in August Czartoryski's neighbouring palace. The construction and modernisation works in the Potocki palace, as evidenced by the sources, were conducted as late as the 1750s, already after Jerzy Potocki's death, when its owner was Eustachy. It follows from Eustachy's correspondence, now in the Main Archives of the Ancient Acts in Warszawa and in the State Archives in Kraków (the branch at Wawel), that some sentences about the Lublin palace can be found. Thus between January and the beginning of April 1755 the side pavilions were covered with a new shingle, mirrors were imported, curtains and upholstery were installed; glass, lead, calcium, and plaster were used for some unidentified works. They were all related to Eustachy's function of the marshal of the Crown Tribunal, which he took in 1754, and needed a seat appropriate to this rank. During the proceedings of the Tribunal in Potocki's palace there were festive receptions and balls: on the occasion of the king's, president's, the marshal's, or hetman Jan Klemens Branicki's nameday; another event was when a Turkish parliament member stayed in the palace, or the Tribunal's limit. Eustachy Potocki's son, Stanisław Kostka, was born in the Lublin palace. There are only circumstantial evidences as to who could design and supervise modernisation works in the palace in the 1750s. They irrefutably point to Jakub Fontana who then worked at the construction of the palace in Radzyń Podlaski. Potocki himself thought that he should be consulted about the smallest steps. We do not know at present the inventory of the Lublin palace from the times of Eustachy Potocki. The only one we have comes from 1783. According to this inventory, the floors in the Lublin palace were made of timber (in the vestibules it was made of bricks). It follows that the whole building was rather poorer, in the spirit of a gentleman's residence. The inventory does not say anything about the upholstery of the rooms on the ground floor. The rooms on the first floor were crimson, red, yellow, and blue. The “big room” was whitened in 1783. It goes without saying that this white colour meant that its new owners had a neo-classical taste, that colour could not come from Eustachy's times. It seems that in 1755 the colour green was most likely. The furniture mentioned in the inventory of 1783 is obviously a remnant of several sets from various interiors. The decisive majority of the then preserved was of similar colours: red, blue, and red-blue. We also know the other units of the yellow set. The inventory of 1783 mentions the “Big portrait of August II in golden frames.” It might have been the remaining part of a larger collection. We know that in the nineteenth century the royal portraits hang in another residence built by Eustachy Potocki – in Radzyń Podlaski, from where after the First World War they was conveyed to the National Museum in Warszawa. Most of them have been preserved up to date (the portraits of August III, Stanisław Leszczyński, August II, Sigismund I the Old, Sigismund August, Henry of Valois, Jan III Sobieski, and Władysław II Jagiełło). We have no evidential sources that there was a gallery of royal portraits in Lublin, but it goes without saying that in this type of residence there must have hung at least portraits of the then king and his wife. The portraits of August III and Maria Józefa, like August II the Strong, were among those that had been sent from Radzyń to Warszawa. Therefore it is likely that the portraits of kings in the eighteenth century hung in the Lublin palace. They were of a low artistic class that did not fit in the rococo decorations in Radzyń, but were fit for the Lublin seat of a tribunal's marshal, the seat often visited by the nobility for whom that type of works must have been uniquely dear.
Źródło:
Roczniki Humanistyczne; 2006, 54, 4; 291-305
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Upadek parafii w Chorupniku. Przyczynek do dziejów reformacji w Polsce
The fall of the Chorupnik parish. A contribution to the history of reformation in Poland
Autorzy:
Szady, Bogumił
Powiązania:
https://bibliotekanauki.pl/articles/1891908.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
diecezja chełmska
Chorupnik
reformacja
kontrreformacja
duchowieństwo katolickie
beneficja kościelne
szlachta
Chełm diocese
Reformation
Counter-Reformation
Catholic clergy
Church benefices
nobility
Opis:
The article takes up the question of the fall of the Latin parish in Chorupnik that belonged to the former Chełm diocese. The parish church in Chorupnik was taken away by Protestants in the second half of the 16th century. Attempts at recovering its property possessions by incorporating it into the neighboring parish in Gorzków, and then actions taken both by the Gorzków parish priest and the bishop and his chapter were unsuccessful. A detailed study of the attempt to recover the property of one of the parishes that disappeared during the Reformation, is situated within the context of the relations between the nobility and the clergy in the Counter-Reformation period. Research on the social, legal and economic relations in a local dimension is important for understanding the mechanisms of the mass departure of the nobility to reformed denominations, and then of their return to the Catholic Church.
Źródło:
Roczniki Humanistyczne; 2013, 61, 2; 135-145
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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