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Wyświetlanie 1-2 z 2
Tytuł:
O polityczno-estetycznych aspektach przestrzeni średniowiecznej Świdnicy. XIV-wieczne źródła a ponowoczesne ujęcia badawcze
On political-aesthetic aspects of the space in mediaeval Świdnica. The 14th-century sources and postmodern research approaches
Autorzy:
Chmielowska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/560092.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
urbanistyka średniowieczna
przestrzeń publiczna w średniowieczu
miasto średniowieczne jako dzieło sztuki
księgi miejskie
Świdnica średniowieczna
Opis:
The space of Italian cities in the Middle Ages has been submitted to multidimensional analyses based on grand collections of written records among others. The set of sources concerning these centres is reach enough to learn about their’ space and also to come up with various theses referring to their operation system, what enables extending their definitions as well as making them more detailed. A humble resource of data concerning foundation of Lower Silesian towns – e.g. Świdnica – we have at our disposal, is not the limit when we want to make an attempt at carrying out similar analyses. Despite the fact that the preserved written records for Świdnica are smaller in their number and they differ from the Italian resources, they still make up a basis for extending our knowledge on historic city planning, if completed with other groups of sources (including results of archaeological-architectural research, iconographic and cartographic sources). By doing so, the way of operating of mediaeval space of Świdnica, comprehended in a material category as a system of streets and squares, tenements and building plots, should become only one of dimensions of discovering this city. The paper takes up an idea introduced by Jacques Rancière. Following it, the records from Świdnica city books are treated as tools of the authorities interference in the city space, in other words they reveal political actions with an aesthetic overtone. It allows us to pose a question not only about a look of the city space but also about the relations between the city authorities and its space, and between the city authorities and its abstract idea. This approach seems to reach beyond a physical and material dimension of historic city planning. It also allows us to complete the following complex phenomena and ideas: a mediaeval city, a city community and the relations between subjects co-creating this community, it also improves our understanding of a city as a work of art.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2015, 1(35); 3-19
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
NOBILITATISQVE GERMANAE E XEMPLUM. Wolfgang von Rothkirch und Panthen i jego epitafium z kościoła św. Katarzyny w Makowicach koło Świdnicy.
NOBILITATISQVE GERMANAE EXEMPLUM – Wolfgang von Rothkirch und Panthen and his epitaph from St. Catherine Church in Makowice near Świdnica
Autorzy:
Żernik, Monika
Powiązania:
https://bibliotekanauki.pl/articles/560163.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Wolfgang von Rothkirch
Kościół pw. św. Katarzyny w Makowicach koło Świdnicy
Opis:
Wolfgang von Rothkirch und Panthen had functions of a duke counselor and a starost on the court of Georg Rudolph, duke of Liegnitz and Brieg. Through the eyes of his contemporaries – what was mentioned in Simon Grunaeus’s, rector of St. Mary Church in Liegnitz, funeral sermon – he was seen both as a person of great knowledge and a magnanimous, honest and hard-working man. The epitaph devoted to Rothkirch, placed in a little village church in Makowice near Świdnica, with its form and ideological programme echoing hierogliphics fascination of those times, perfectly matched humanistic currents present at the duke court. The monument was created in ca. 1620 most probably by Georg Weber, one of the most innovative sculptors in the Liegnitz milieu. The dominant role of words as the main bearer of the dead’s praise, as well as the used emblems showing vanitative contents, which – with high probability – may be assumed as Simon Grunaeus’s work, accentuate the monument’s individual character, and also allow us to see Wolfgang von Rothkirch’s epitaph as an elite work, aimed at educated circles of recipients
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2009, 3(13); 19-34
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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