Temat: polyphony - Katalog OPAC zbiorów

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Tytuł:: Hybridité et altérité dans Magnus de Sylvie Germain
Hybridity and otherness in Magnus from Sylvie Germain
Autorzy:: Jauer, Annick
Powiązania:: https://bibliotekanauki.pl/articles/483754.pdf
Data publikacji:: 2016
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:: otherness
identity
writing
reading
polyphony
Opis:: Magnus, a novel from Sylvie Germain published in 2005, is a narration made up of several marks of hybridity – structural, generic and discursive hybridity. Those marks are not simply formal but emphasize the necessity of a true presence towards the world and others. The itinerary of the character is a spiritual one, and the novel reveals the part played by reading and writing in the reconsideration of our relationship towards the world and the other people.
Źródło:: Quêtes littéraires; 2016, 6; 138-146
2084-8099
2657-487X
Pojawia się w:: Quêtes littéraires
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: La Caricature littéraire : L’Éducation sentimentale de Flaubert
Literary Caricature: L’Éducation sentimentale by Flaubert
Autorzy:: Guinand, Cécile
Powiązania:: https://bibliotekanauki.pl/articles/483689.pdf
Data publikacji:: 2015
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:: Flaubert
L’Éducation sentimentale
caricature
poetics
satire
polyphony
Opis:: In the fictional universe of L’Éducation sentimentale, caricature is practiced in several ways by some characters who design caricatural portraits, play the role of famous caricatural characters and perform literary caricature in their press releases. Present and produced in the fictional universe, Flaubert also integrates it in the narration. He builds a literary caricature on the basis of graphical caricature. Based on the principle of distance, he highlights the gap between the pretensions of the characters and the paltry result of their efforts. He restores the device of the framework of lithography, in which the figures move like puppets, on the model of ball scenes by Gavarni. He then adds a caption that emphasises their comical scope. Finally, he skillfully practices caricatural portrait on the model of Daumier through the accentuation and reduction of traits. Characters and narrator thus fashion and allow a satirical view of society through the use of caricature. However, Flaubert’s "romanesque" poetics aims not to conclude. As such, the sharp judgment specific to caricature is not satisfactory to him. The author will redirect the intention in the wake of Daumier in order to mitigate its satirical scope and develop its ludic aspect. He will thereby superimpose the different voices of the characters to preserve the narrative’s polyphony. Flaubert as well as Daumier take some distance in order to avoid any definitive moral conclusion.
Źródło:: Quêtes littéraires; 2015, 5; 65-77
2084-8099
2657-487X
Pojawia się w:: Quêtes littéraires
Dostawca treści:: Biblioteka Nauki

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