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Wyświetlanie 1-2 z 2
Tytuł:
« Qu’est-ce que la Religion universelle ? » : étude sur une question posée par Baudelaire
„What Is the Universal Religion?” – A Study of the Question Asked by Charles Baudelaire
Autorzy:
Szymański, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/483474.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Charles Baudelaire
universal religion
history of ideas
19th century French literature
Opis:
In “My heart laid bare” Baudelaire writes about the “Universal Religion” devised for “the alchemists of thought,” “a religion that comes from man, considered as a divine memento.” The idea, as we read in the text, was inspired by the writings of Chateaubriand, De Maistre and those of the “Alexandrians”. And indeed, the two former authors wrote explicitly about a „universal tradition” that finds its fulfillment in the Catholic religion. It does not matter if we recognize the “Alexandrians” as representatives of the Neoplatonic school, the Alexandrian Fathers of Church, or disciples of Hermetism, the very term implies a tradition of both syncretic and mystic character that resembles gnosis. Baudelaire’s “Universal Religion,” despite his Catholic convictions, cannot be associated with Catholicism. Based on a universal transmission of myths and symbols, it rather refers to eternal truths about man as well as to the divine source of all beings – also in the modern world, which puts God’s existence in doubt.
Źródło:
Quêtes littéraires; 2013, 3; 76-84
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Entre dentelle et fragment : évolution de la tactique du vide rimbaldienne de la Saison aux Illuminationsv
Between Lace and Fragment: an evolution of Rimbaud’s Tactic of Emptiness from A Season in Hell to Illuminations
Autorzy:
Rafika, Hammoudi
Powiązania:
https://bibliotekanauki.pl/articles/483534.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Arthur Rimbaud
French poetry
19th century French literature
A Season in Hell
Illuminations
tactic of emptiness
Opis:
A Season in Hell and Illuminations both of these collections are considered as masterpieces of Rimbaud’s poetry. Whereas A Season in Hell is presented as his artistic testimony, Illuminations, on the other hand, is considered by critics as an abstruse writing, an enigma. Acknowledging critical scholarship on this topic, as well as inherent differences of both collections, this article will show that a link could be found between these two works. This thread, which creates what we would like to call Rimbaud’s embroidery, was created by himself through silence and words. That is this will of Rimbaud for both works and the readers that we will discuss here, a strategy that we have named: Tactic of Emptiness.
Źródło:
Quêtes littéraires; 2017, 7; 51-60
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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