- Tytuł:
-
L’Homme-toupie. Le vagabond comme figure de la subversion dans Le Ventre de Paris d’Émile Zola
Spinning-top man. Vagabond as a personification of social order’s subversion in Le Ventre de Paris by Émile Zola - Autorzy:
- Rachwalska von Rejchwald, Jolanta
- Powiązania:
- https://bibliotekanauki.pl/articles/483441.pdf
- Data publikacji:
- 2014
- Wydawca:
- Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
- Tematy:
-
Zola
vagabond
vagrant
Second Empire
Les Rougon-Macquart
Le Ventre de Paris
bourgeois - Opis:
- A vagrant Florent Quenu serves as a methaphor of social-political shift that strikes France in the late XIX-th century. Intimidated by the magnitude of change, upon his return Florent wanders the streets, meanders and strolls in circles which casts a horrendous contradiction with the austerity of Hausmann’s new Paris, aligned with omnipresent straight line forms. This geometrical collision of a straight line and a curve is symptomatic of ferocious conflict between the Second Empire and the alternative social model embodied in the Florent’s attitude.
- Źródło:
-
Quêtes littéraires; 2014, 4; 28-37
2084-8099
2657-487X - Pojawia się w:
- Quêtes littéraires
- Dostawca treści:
- Biblioteka Nauki
Artykuł