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Wyszukujesz frazę "French poetry" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
« J’allais sous le ciel, Muse ! et j’étais ton féal ». Le vagabond dans la poésie française de la deuxième moitié du XIXe siècle
« I wandered beneath the sky, Muse! And I was your faithful » The vagrant in French poetry from the second half of the Nineteenth Century
Autorzy:
Varsimashvili-Raphael, Maïa
Powiązania:
https://bibliotekanauki.pl/articles/483590.pdf
Data publikacji:
2014
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
French poetry
Nineteenth Century
vagrant
marginality
space
Opis:
Throughout history, vagrancy appears as one of the notions of the Human Condition. Its artistic and poetical representations are drawn from multiple sources and offer various models. The fantasy of vagrancy in French poetry in the second half of the Nineteenth Century is fashioned as much through the vagrant’s relationship with space as with Society. Its models spring from marginality and contestation. Spatial structure presents an opposition between « closed » and « open », « interior » and « exterior », and so forth... These separations fluctuate and interact mutually. The poet conjures, from any questing, marginal figure, his own image. The general tendency, from Hugo to Rimbaud, shows both a crushing of the poetical figure, transforming it into a magus or a prophet, and the proliferation of the accursed poet’s « negating anger ».
Źródło:
Quêtes littéraires; 2014, 4; 56-66
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poésie et absence
Poetry and absence
Autorzy:
Litsardaki, Maria
Powiązania:
https://bibliotekanauki.pl/articles/483681.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
French poetry
poetic discourse
forms of absence
inspiration
Opis:
Considering poetry as a literary form in close relation with absence and scarcity; this paper deals with some of the most frequent and significant forms of absence that appear in poetic texts. The physical absence of the other, due either to death or to the distance between the two individuals, is the most common kind in lyric poetry. Modern poetry often deals with Gods’ absence, which represents an important loss for the contemporary human being, trying to understand or face it. There is also the lack of inspiration and words with efficient expressive capacity that make poets suffer. However, poetry is the only way in which they express their situation and create a meaningful language. Finally, absence in poetry is also a fundamental sign of its generic specificity in connection with the means that it uses, as well as with its printed representation on paper, especially in the contemporary production. In all cases, poetry, based on the dialectic of being – not being, operates as a material, sensible and intellectual presence, which like the primordial logos fillsthe vacuum, eliminates absence and scarcity, generates and animates the human world and en-riches it with presence and meaning.
Źródło:
Quêtes littéraires; 2012, 2; 162-172
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Entre dentelle et fragment : évolution de la tactique du vide rimbaldienne de la Saison aux Illuminationsv
Between Lace and Fragment: an evolution of Rimbaud’s Tactic of Emptiness from A Season in Hell to Illuminations
Autorzy:
Rafika, Hammoudi
Powiązania:
https://bibliotekanauki.pl/articles/483534.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Arthur Rimbaud
French poetry
19th century French literature
A Season in Hell
Illuminations
tactic of emptiness
Opis:
A Season in Hell and Illuminations both of these collections are considered as masterpieces of Rimbaud’s poetry. Whereas A Season in Hell is presented as his artistic testimony, Illuminations, on the other hand, is considered by critics as an abstruse writing, an enigma. Acknowledging critical scholarship on this topic, as well as inherent differences of both collections, this article will show that a link could be found between these two works. This thread, which creates what we would like to call Rimbaud’s embroidery, was created by himself through silence and words. That is this will of Rimbaud for both works and the readers that we will discuss here, a strategy that we have named: Tactic of Emptiness.
Źródło:
Quêtes littéraires; 2017, 7; 51-60
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Écrire l’image dans l’espace – transgression des formes poétiques au début du XXème siècle
Write the image in space – transgression of poetic forms in the early twentieth century
Autorzy:
Kukuryk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/483711.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
French modernism
graphic signs
ideogram
bilingual masterwork
visual poetry
Opis:
The aim of this article is to present the connections between literature and art, as well as a graphic and artistic sing. The main subject of the study is the problem of typography, pictography, calligraphy and the visualisation as a sign created from the merging of a verbal code and a drawing representation. The dialogue of two sisters, due to which poetry has become a verbal painting /pictura loquens/, exhibits the variety of artistic creations based on the selected French literature of the early 20th century. The new tendencies which provoked the writers and painters, they could define the plasticity of words and pictures, as well as discover similarities of these two layers. The study attempts to discuss the co-existence and co-implication of the verbal codes and pictorial codes.
Źródło:
Quêtes littéraires; 2015, 5; 99-108
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poésie et utopie en France, au XIXe siècle
Poetry and utopia in France during the 19th century
Autorzy:
Sylvos, Françoise
Powiązania:
https://bibliotekanauki.pl/articles/2053486.pdf
Data publikacji:
2021-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
XIXe siècle
littérature française
utopie
poésie sociale
poème en prose
didactisme
positivisme
19th century
French literature
utopia
social poetry
prose poem
didacticism
positivism
Opis:
Cet article oppose les textes de propagande positive et ouvrière en vers français du XIXe siècle (Du Camp) à la prose lyrique et visionnaire des saint-simoniens (Duveyrier). À partir du jugement de Baudelaire sur l’incompatibilité entre poésie et didactisme, on s’interroge sur le statut et l’artialité de la poésie sociale. Du côté de la poésie ouvrière (Cent et une petites misères, Œuvre sociale), on découvre la verdeur de la langue populaire, la vis comica et la fantaisie tandis que la fable socialiste (Lachambeaudie) est remarquable par la compassion. Sous la plume des prophètes du progrès (Enfantin), les disciplines – religion, architecture, poésie, mathématiques – loin d’être cloisonnées, sont objets analogues et langages convertibles. Le poème, l’image et la cité idéale elle-même changent leurs caractéristiques et se correspondent. L’innovation sociale ne peut se dire qu’à travers la forme novatrice du poème en prose urbain et la Révolution industrielle appelle une révolution des formes poétiques. La poéticité de ces textes, inversement proportionnelle au réalisme et à la spécialisation du lexique employé, tient à un art de la suggestion et à l’essor d’un imaginaire renouvelé par la modernité technique, citadine et scientifique.
This paper confronts versified positivist propaganda (Du Camp) with lyrical and visionary prose of Saint-Simon’s followers (Duveyrier). Taking as the point of departure Baudelaire’s judgment about the incompatibility between poetry and didacticism, this paper queries the status and aesthetic value of social poetry. The working class poetry (One hundred small miseries, Social work) is full of vitality of the popular style, replete with humorous energy and fantasy, whereas the socialist fable (Lachambeaudie) expresses a lot of empathy. Under the positivist prophets’ pen, the disciplines – religion, architecture, poetry, mathematics – are not separated but analogous and convertible. According to these thinkers, there is no difference between a poem, picture of the ideal city and utopia itself. Social innovation can only be told by the innovative form of the urban prose poem, and the Industrial Revolution calls for a revolution of poetic forms. The poeticity of these texts, inversely proportional to the realism and to the specialization of the lexicon used, stems from the art of suggestion and the rise of imagination renewed by technical, urban and scientific modernity.
Źródło:
Quêtes littéraires; 2021, 11; 60-75
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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