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Wyszukujesz frazę "aesthetic" wg kryterium: Temat


Wyświetlanie 1-8 z 8
Tytuł:
Powtórzenie niemożliwe. O estetycznym doświadczeniu przeszłości w Pannach z Wilka Jarosława Iwaszkiewicza
Repetition Impossible. On the Aesthetic Experience of the Past in Jarosław Iwaszkiewicz’s The Wilko Girls
Autorzy:
Górska, Irena
Powiązania:
https://bibliotekanauki.pl/articles/1038703.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
repetition
aesthetic experience
sensuality
past
time
Opis:
The author attempts to describe the aesthetic experiences of the past lived by the protagonist of Jarosław Iwaszkiewicz’s The Wilko Girls, and answer the question about the possibility of repetition. Elaborating on the arguments proposed by Friedrich Nietzsche in The Gay Science and by Søren Kierkegaard in Repetition, the author proves that even with a favourable attitude to one’s own past, an attempt to repeat past experiences is impossible. Nothing can be experienced again. The past is closed. The possibility of only partial access to it is created by human sensuality referring to the notion of aisthesis, which is the source of aesthetic experience. The senses stimulated by various sounds, smells, tastes, images, and the accompanying memories and emotions, constitute a vast spectrum of aesthetic experiences, making the experience of the past an existential experience of time.
Źródło:
Przestrzenie Teorii; 2020, 33; 229-244
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rodin, czyli świat. Dwie kosmogonie – Rainera Marii Rilkego i Georga Simmla
Rodin, or the world. Two cosmogonies – Rainer Maria Rilke and Georg Simmel
Autorzy:
Popiel, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1039750.pdf
Data publikacji:
2019-01-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the aesthetics of creation
creative process
Rainer Maria Rilke
Georg Simmel
August Rodin
aesthetic experience
aesthetic world-view
Opis:
The article is a comparative analysis of the modernist aesthetics of creation. It describes how Rilke and Georg Simmel discovered August Rodin’s rules of modern perception, sensitivity and creative imagination. In the work of both writers we see them striving to interpret works of art as a creative process that is the effect of their astute diagnosis of contemporary culture. A new approach to aisthesis restores value to aesthetic experience and opens up broader learning opportunities.
Źródło:
Przestrzenie Teorii; 2018, 29; 15-29
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Płynność – od Heraklita do Baumana
Liquidity – from Heraklit to Bauman
Autorzy:
Błaszczak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1039334.pdf
Data publikacji:
2019-12-06
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
liquidity
transdisciplinarity
aesthetic categories
performance
variability
multiplicity
amorphism
Opis:
The text concerns liquidity understood as an extremely extensive category containing the aspect of changeability and blurring boundaries. It covers an extremely wide spectrum of phenomena. Liquidity is a physical category that refers to the element of water and the senses of touch and taste. It became extremely popular in sociology as an epistemological category thanks to Zygmunt Bauman. This category should be applied much more widely in analyzing phenomena in the field of literature, art, theater, performance, but also going beyond practical analytical use and transferring this concept to the level of theory. The term „liquid” refers to many associations, which in turn allow us to recall different orders and perspectives, at the same time incorporating the current argument into a broader discourse on the moving, fluid nature of the concepts of „wandering” between disciplines. These considerations are also part of the author’s concept of amorphous aesthetic categories, which include liquidity.
Źródło:
Przestrzenie Teorii; 2019, 31; 109-134
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramaturgia współtworzenia znaczeń wypowiedzi scenicznej. Na marginesie lektury Tekstów dla (Starego) Teatru Pawła Demirskiego
Dramaturgy of co-creating meanings of the stage statement. Aside reading Paweł Demirski’s Texts for the (Stary) Theatre
Autorzy:
Popczyk-Szczęsna, Beata
Powiązania:
https://bibliotekanauki.pl/articles/2036479.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
dramaturgy
texts for the theatre
stage statement
aesthetic experience
Opis:
The article deals with dramaturgy in the broad sense of the term – as a written creative work and the characteristic feature of human activities: artistic and social. The starting point for these discussions is the publication of an anthology of Paweł Demirski’s theatrical texts commissioned by the National Stary Theatre in Krakow. The book is an excellent testimony to stage creativity because it contains conversations with the author and actors about the stages of work in the performance. The article presents reflections on the dramaturgy of the process of creating a text and a theatrical performance, the characteristics of Paweł Demirski’s writing and the content arrangement in the anthology. Reading this book is a peculiar aesthetic experience and a challenge for the reader. The dramaturgy of the message leads to the dramaturgy of its reception: the reader updates and co-creates meanings of theatrical texts, according to individual knowledge and sensitivity. Aesthetic experience is shaped by combining different mental spaces: it is reading a text / seeing a performance.
Źródło:
Przestrzenie Teorii; 2021, 36; 163-175
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teoria splątana
Entangled theory
Autorzy:
Krajewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1038533.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
“entangled theory”
anamorphosis
dramaturgy
“suspensions of perception”
aesthetic
literary studies
Opis:
Referring to her earlier articles, Anna Krajewska develops her own concept of “entangled theory”. Adopting the principles of operation of elementary particles in quantum physics, referred to as the “entanglement state”, she proposes to see literary studies through anti-binary, performative concepts, which include, above all, anamorphosis. She ties theory in with the process of experiencing art. She proposes to “entangle” seeing in art (the viewer in front of the painting) with the role of seeing in theory (the viewer as practising dramaturgy). In this approach, the theory appears as the theory of entanglement. In this concept, disciplines become dramaturgies.
Źródło:
Przestrzenie Teorii; 2020, 34; 7-15
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z estetyką w tle
With aesthetics in the background
Autorzy:
Krajewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1391493.pdf
Data publikacji:
2016-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aesthetics
aesthetic categories
science
art
estetyka
kategorie estetyczne
nauka
sztuka
Opis:
This editorial discusses the functioning of aesthetics, which is shifting from an academic discipline to live discourse on the contemporary that forms our presence in the world and shapes the nature of art perception. Aesthetics is heading towards the field of post-disciplinary performance studies, allowing the creation of actions that blur the boundary between science and art in the humanities. From its function as guardian of the rules of decorum, aesthetics has become the creator of acts expressing reality in the categories of performance.
Źródło:
Przestrzenie Teorii; 2016, 25; 7-10
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Duma i uprzedzenie jak historia romantyczna. O adaptacji powieści Jane Austen w reżyserii Joe Wrighta
Dirty (un)Romantic story. An Analysis of Aesthetic Aspects in the Film Adaptation of Pride and Prejudice Directed by Joe Wright
Autorzy:
Pilawska, Roksana
Powiązania:
https://bibliotekanauki.pl/articles/1039139.pdf
Data publikacji:
2019-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pride and Prejudice
Jane Austen
Joe Wright
heritage films
film adaptations
aesthetic aspects
Opis:
Pilawska Roksana, Duma i uprzedzenie jak historia romantyczna. O adaptacji powieści Jane Austen w reżyserii Joe Wrighta [Dirty (un)Romantic story. An Analysis of Aesthetic Aspects in the Film Adaptation of Pride and Prejudice Directed by Joe Wright]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 417–431. ISSN 1644-6763. DOI 10.14746/pt.2019.32.23. The aim of my study is to attempt a comparative analysis of the two most famous film adaptations of the bestselling novel by Jane Austen, Pride and Prejudice. As research material, I chose the mini-series produced by the BBC in 1995, which was part of the then popular trend of heritage films (heritage cinema) and the feature film from 2005, directed by Joe Wright, which, in the opinion of film experts, was a completely new form of audiovisual presentation of Austen’s work. In the article, I focus only on interpreting the aesthetic aspects of both productions, which would indicate similarities and differences, thus showing numerous shifts of emphasis in the aesthetic layer of the newer version.
Źródło:
Przestrzenie Teorii; 2019, 32; 417-431
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teorie poetów. Manifesty późnoawangardowe i poetyckie programy
The Poet’s Theories. Late-Avant-Garde Manifestos and Meta-Poetic Statements
Autorzy:
Orska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2036685.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
avant-garde manifesto
programmatic statements
autonomy of art
engagement of literature
aesthetic discussions in modernity
Opis:
This research paper considers the avant-garde manifestos and programmatic statements of poets,in the light of the debate on the emancipatory potential of neoavant-garde art. The author shows the need to redefine the notion of artistic autonomy that new art programmes involve. In the first part of the article, the point of origin of the modern understanding of artistic autonomy is reflected on in its two basic formulas: Kantian and Hegelian. The second part evolves an analysis of three examples of contemporary metapoetic statements by Polish poets (Piotr Sommer, Andrzej Sosnowski, Kacper Bartczak). Their neoavant-garde premises of the performative character of the theoretical discussions, and of the artistic elements that connect their theoretical ideas to the actual works of these poets lead us to the conclusion that engaged, activistic poetic practice, concerning he rules directed by the questions of autonomy of art, cannot be judged from the point of view of the Kantian definition of this autonomy, especially if we take the poetical matter of avant-garde provenance into consideration.
Źródło:
Przestrzenie Teorii; 2021, 35; 13-41
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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