Temat: Mimesis - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Artykuł

Skocz do pozycji: 2.

Tytuł:: Bene nati w interpretacji plastycznej Piotra Stachiewicza
Piotr Stachiewicz’s visual interpretation of Bene Nati
Autorzy:: Imperowicz-Jurczak, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/1390565.pdf
Data publikacji:: 2014-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: interpretacja
rama
mimesis
język ezopowy
Opis:: The author describes the underappreciated, artistically innovative illustrations that Piotr Stachiewicz created for a jubilee edition of Bene Nati, which had been issued to commemorate the 25th anniversary of Eliza Orzeszkowa’s work as a writer in 1891. The author emphasizes the variety of Stachiewicz’s illustrations which portray the novel’s storyline, dramatic and genre scenes, characters and a winter landscape. These differ in format as well as the way in which they are integrated into the text and in which the images’ borders, which perform an interpretive function, are treated. When a border is interrupted and an illustration encroaches on the space that was intended for text, this means overstepping the boundaries of the fictional world and entering the real world. A reference to Andriolli’s illustrations brings to mind the world that was created in Pan Tadeusz [Sir Thaddeus] and constitutes a form of Aesopian language.
Źródło:: Przestrzenie Teorii; 2014, 22; 71-87
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Acheiropoietes – mimesis doskonała?
Acheiropoietes – perfect mimesis?
Autorzy:: Zawadzki, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/1391066.pdf
Data publikacji:: 2014-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: literatura
sztuka
obraz
mimesis
Tadeusz Różewicz
Opis:: The paper deals with the topic of an acheiropoietes (an image “not made by hands”) and, more broadly, with the motif of the so-called true or natural image. Such images were known to ancient Greek thinkers (Dionysius of Halicarnassus and Plotinus), but their importance grew significantly in the Christian theology of icons which treated Christ as the perfect image of His Father. In modern times true images mostly function in folklore and they are also referred to in modern art. From the perspective of the philosophy of representation, a true image is an interesting utopia of perfect mimesis – it comes into being in a natural, not artificial way, whereas a copy is regarded as equivalent to the original.
Źródło:: Przestrzenie Teorii; 2014, 21; 211-217
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

Artykuł

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