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    Wyświetlanie 1-7 z 7
    Tytuł:
    Holograficzny model reminiscencji w poezji Czesława Miłosza
    A holographic model of reminiscence in the poetry of Czesław Miłosz
    Autorzy:
    Rydz, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1390871.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czesław Miłosz
    poezja
    pamięć
    reminiscencja
    przypomnienie
    metafora hologramu
    Opis:
    For a model of nostalgic memory in the poetry of Czesław Miłosz, based on the psychological phenomenon of reminiscence, an allegoric counterpart can be identified in the hologram metaphor (Douwe Draaisma). The question: “Who am I” – reappears in Miłosz’s late lyrical poetry when he ponders over both his biography and the biographies of others. The response is provided, for instance, in the concept of human dialectic biography (of subject and object), formulated by Paul Ricoeur in his philosophical analyses. Human memory remains equally dialectic, placed in the antinomy between memory and oblivion. Still, retrieving a detail which has been remembered evokes all experience along with its rich context. That is the holographic effect, described in literature as the “ghost image”. Also in poetry, the effacing of memory trace does not make a barrier for the restitution of recollection. “The Sun of Memory” beams through the lyric of the author of the collection of poems “This”.
    Źródło:
    Przestrzenie Teorii; 2011, 15; 71-94
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czytając między wierszami. Rodzinna Europa Czesława Miłosza i jej angielski/amerykański przekład
    Reading between the lines. Czesław Miłosz’s Native Realm. A Search for Self-Definition and its English/American translation
    Autorzy:
    Biegajło, Bartłomiej
    Powiązania:
    https://bibliotekanauki.pl/articles/1390971.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czesław Miłosz
    proza polska
    przekład
    Wschodnia/Zachodnia Europa
    Opis:
    The aim of this article is to discuss the problem of translating Polish prose, based on an analysis of a selection of samples taken from Czesław Miłosz’s Native Realm. A Search for Self-Definition translated by Catherine S. Leach. The book documents specific relations between the Western and the Eastern Europe determined by historical provenance of the realms in question. The dichotomy of the collective European history has a profound influence on the reception of Polish literature among the Western audience. Native Realm showcases the issue perfectly – it is interesting in terms of its careful account of the historical and social development of the Continent. The perception of reality is conditioned by an inherent dissimilarity of experiences between the West and the East. The intention of Miłosz was to provide an analysis of them and produce an insightful book addressed specifically to the Western readership. My discussion is an attempt to prove that the endeavour is doomed to failure due to the intrinsic differences between the cultures involved, as cultural inheritance determines the interpretation of historical facts and prompts dissimilar connotations. In the case of Native Realm, on the one hand, we encounter Miłosz’s vision/imagination that is irreversibly rooted in the Slavic way of looking at things and, on the other, the distinctively dissimilar Western vantage point. Translating these differences appears to be a major challenge for any translator.
    Źródło:
    Przestrzenie Teorii; 2011, 15; 111-124
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Barańczak i Ulro
    Barańczak and Ulro
    Autorzy:
    Skrendo, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1391622.pdf
    Data publikacji:
    2016-12-20
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stanisław Barańczak
    Czesław Miłosz
    Konstanty Jeleński
    essay
    esej
    Opis:
    The article comprises sketches by Stanisław Barańczak and Konstanty Jeleński on Czesław Miłosz’s The Land of Ulro. By comparing these three texts, important features of the thought of each author are described. The main figure is, however, Stanisław Barańczak: his thoughts on religion and literature.
    Źródło:
    Przestrzenie Teorii; 2016, 26; 109-129
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cóż po doświadczeniu wojny w czasie zarazy? Kilka uwag o definiowaniu kultury
    The meaning of war experience in pandemic times. A few notes on defining the concept of culture
    Autorzy:
    Popiel, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1038486.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    culture
    experience
    war
    pandemic
    literature
    Czesław Miłosz
    Józef Czapski
    Opis:
    The paper reflects on the concept of culture from the perspective of those who’ve experienced the cataclysms of the 20th and 21st centuries. The author poses questions about the current experience of the pandemic to verify the “usefulness” of the dominant cultural patterns. The author analyses the particular war experiences of Czesław Miłosz in Warsaw (Legends of Modernity) and Józef Czapski in a prisoner-of-war camp (Proust in Griazowiec). At the center of their traumatic experience is the process of seeking salvation through cultural gestures. The experience of war reveals both the strength and weakness of the fundamental version of culture. The article ends with a question aboutthe topicality of this experience and the upholding power of modern culture.
    Źródło:
    Przestrzenie Teorii; 2020, 34; 117-145
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    An Unfortunate Mistake or a Witkacy Dodge?
    Autorzy:
    Degler, Janusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1038802.pdf
    Data publikacji:
    2020-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wit Jaworski
    poetry of philosophers
    S.I. Witkiewicz’s poetry
    Czesław Miłosz
    Opis:
    In the Poetry of Philosophers anthology (Kraków–Wrocław 1984) Wit Jaworski published 221 works by 114 authors, starting with Tales from Milet to John Paul II. Almost all known philosophers composed poetry, which often complemented their philosophical reflections or concepts. The list of names also includes Stanisław Ignacy Witkiewicz, who wrote poems from his youth until his death, although at the same time regretting that he had no poetic talent and used some of his works in his dramas as examples of a graphomaniac’s work. Many poems have a humorous and parodical, which brings them closer to his numerous grotesque drawings. They were collected and published by Anna Micińska in an album entitled Wistość tych rzeczy jest nie z świata tego (Kraków 1977), illustrated by Urszula Kenar. In the anthology, under the name of Witkiewicz, there is a poem which begins with words: “Otom jest zwyciężony/ Ginę zgubą wszelkiego żywego stworzenia”. There is no doubt that this is the beginning of the third stanza of the well-known poem by Czesław Miłosz entitled St. Ign. Witkiewicz, published in the volume Ocalenie (Warsaw 1945). Is it an unfortunate mistake on the part of the author of the anthology, a seasoned critic and experienced editor, or is it his fortune to confuse the censor, who did not allow Miłosz’s texts to be published and thus to “smuggle” his poem in under the guise of Witkiewicz? The puzzle remains unresolved. The mistake is inscribed in the history of Witkacy’s so-called “dodges”, which he did to his friends and acquaintances, and then to those who dealt with his life and work. To attribute to him the authorship of Miłosz’s excellent work would certainly make him happy.
    Źródło:
    Przestrzenie Teorii; 2020, 33; 387-390
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dar Czesława Miłosza w kontekście filozofii daru Jacques’a Derridy
    Czesław Miłosz’s ’Dar’(’Gift’) in the light of Jacques Derrida’s philosophy of gift
    Autorzy:
    Umerle, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1390875.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czesław Miłosz
    Jacques Derrida
    poezja
    interpretacja dekonstrukcjonistyczna
    filozofia daru
    tytuł
    "korpus tekstów"
    Opis:
    The aim of this text is to present an attempt at the deconstructionist interpretation of Czesław Miłosz’s verse ‘Dar’ (‘Gift’). On the one hand, this paper emphasizes the moment of ‘dissemination’ of the literary work – the space between the title and ‘the rest’ of the text (which appeals more to the American deconstructionism) is seen as both a connection and an irreducible gap. On the other hand, this ‘dissemination’ is understood in terms offered by J. Derrida’s philosophy of gift. Miłosz used a word ‘gift’ in the title, but in the ‘textual corpus’ he made this donation ‘imperceptible’. This observation enables the Author to interpret Miłosz’s poem in the context of Derrida’s discourse of (im)possibility of gift. Consequently the title will be understood here as a gift to the text (the gift of meaning to the experience described there), but at the same time this gift/title will be seen as irreducibly separated from the ‘rest’ of the text, because of the relation between the title and the ‘textual corpus’.
    Źródło:
    Przestrzenie Teorii; 2011, 15; 95-110
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sekrety literatury i głód wtajemniczenia
    Secrets of Literature and a Hunger for Initiation
    Autorzy:
    Tischner, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/32061928.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    secrets
    initiation
    narrative
    Erich Auerbach
    Frank Kermode
    Sławomir Mrożek
    Czesław Miłosz
    Witold Gombrowicz
    Stanisław Lem
    sekrety
    wtajemniczenie
    narracja
    Opis:
    This article concerns secrets and secrecy in narrative works. The author, following in the footsteps of Auerbach and Kermode, argues that secrets should be understood as discontinuous places, gaps that demand to be filled. Auerbach and Kermode pointed to the biblical origins of the secret narrative. The latter in The Genesis of Secrecy. On the Interpretation of Narrative noted that secrets presuppose a mode of initiation – this was the case in the gospel of St Mark he analysed, addressed to believers. However, this sender’s intention also appears in strictly literary texts that operate the convention of the secret. This article refers to four twentieth-century Polish narrative texts that use elements of secrecy in different ways. Mrożek’s Moniza Clavier conceals the confabulatory character of the first-person statement, Miłosz’s Dolina Issy and Gombrowicz’s Kosmos conceal the deeply autobiographical character of the reflection on individual fate, while the narrative in Lem’s Solaris activates the possibility of ‘vertical reading’, referring to the concept of some absolute. Secrets in literary texts tend to be secularized versions of religious narratives addressed to the initiated, and the promise of an integration of discontinuous places attracts sceptics and believers.
    Źródło:
    Przestrzenie Teorii; 2022, 38; 163-178
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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