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Wyświetlanie 1-2 z 2
Tytuł:
Dramaturgia muzyczna
Musical Dramaturgy
Autorzy:
Wąchocka, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2036497.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musical dramaturgy
dramaturgy of sound
voice
composition
structural imitation
Opis:
In her paper, Ewa Wąchocka examines the phenomenon of recent dramatic works becoming increasingly more ‘musical’ and the terminological shift it brought about, i.e. the inclusion of the term ‘musical dramaturgy’ in writing for the stage. The author argues that far from being limited to the sounds of speech and language in general, musicality also encompasses a variety of non-musical sounds, the unravelling of the play’s narrative and the psychological makeup of its characters; it also penetrates deeply into the structure of the text. In the analysis of plays by W. Murek, A. Grzegorzewska, and S. Bogacz, the author demonstrates how essential the inspirations sourced from musical culture are for recent dramatic works: the 20th-century experiments with music, the discovery of how potent sound expression can be, or the most technologically advanced methods of sound reproduction. By presenting the many and varied dramatic strategies, the author shows that contemporary playwrights not only use musicality to represent the sound landscape of the world but, first and foremost, to create the ontology of an internally conflicted world.
Źródło:
Przestrzenie Teorii; 2021, 36; 73-91
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Udręki edukacji (Metafizyka dwugłowego cielęcia Witkacego)
Torments of Education “Metaphysics of a Two-Headed Calf” by S.I. Witkiewicz
Autorzy:
Wąchocka, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1392556.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
S. I. Witkiewicz
Witkacy
tożsamość
autokreacja
lacanowska psychoanaliza
konstrukcjonizm Foucault'a
Opis:
Identity crisis, one of the crucial problems tackled by Witkacy in his dramas, is linked first of all with the tradition of modernism by critics. The author of the article suggests a change in the viewpoint, and basing on the analysis of Metaphysics of a Two-Headed Calf presents that problem in the perspective of contemporary discourse concerning identity. The problems that Witkacy’s characters had with their own existence are in consonance not only with today’s quite common conviction that individuals can experiment with their own feeling of identity relatively freely, but also with the concepts of individual ego, that function within social sciences. The tools developed by social sciences allow to have a different perception on the relation between the process oriented/process-driven nature of identity (self-creation of the ‘I’, game, mystification) and the conviction that its borders are delineated by the cultural pressure and social discipline. In Metaphysics of particular importance are the relations with parents, with the family – representing society – as well as constructions of double-gangers (Doppelgänger) that reveal the subject as the Other, or deprive the subject of its ‘individual-ness’ undermine her/his individual (subjective) status. The diagnoses of Witkacy are quite close to the contemporary ways of conceptualization of the ‘I’, which – as Lacanian psychoanalysis, Foucault’s constructionism – negating the subjective power to cause, do not confine themselves to unmasking the pressure of institutionalized forms of life, and reveal their activity even at micro-level.
Źródło:
Przestrzenie Teorii; 2010, 14; 159-171
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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