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Wyświetlanie 1-3 z 3
Tytuł:
Teatr w XXI wieku - ku nowym definicjom
Theatre in 21st Century -- Towards New Definitions
Autorzy:
Kosiński, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/1390309.pdf
Data publikacji:
2007-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article Theatre in 27” Century - Towards New Definitions deals with the problem of narrow understanding of theatre art that dominates not only common thought but also the scientific practise of Polish theatrologists. This traditional definition is based on five elements: theatrical illusion, close connection with drama, dramatic character, stage box and space/time community between actors and spectators. During the development of the theatre in 20,h century this distinctive features were disproved by the reformers and experimenters. At the same time such theatre categories as performance, role, stage etc. were widely used to describe "theatre of everyday life". In the last decades of the 20th century the new field of science - the performance studies - emerged. The reaction of the theatrology was one of defending the traditional borders and neglecting all that was different from the conventional theatre by calling it "paratheatrical" or "alternative". In the author's opinion this notion is false and causes real losses for the discipline, so he proposes to open the borders of theatrology by taking different activities into account. But it doesn't mean the full acceptation of performance studies' terminology and point of view, because there is a danger of substituting the term "theatre" by the wider term "performance". And the difference between one and the other seems to be important, because the theatre is a kind of consciously created performance which is marked as such. The ways and methods of this marking depend on the cultural and historical context, so they change in space and time. Only the exact act of marking is universal. It means, that in the scientific practise there is no universal group of definite "theatre factors". The definitions of theatre are always to be reached and that's why "towards" is the most important word in the article's title.
Źródło:
Przestrzenie Teorii; 2004, 3-4; 215-225
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramat, dramaturgia, dramatologia – retroperspektywy
Drama, dramaturgy, dramatology – retroperspectives
Autorzy:
Kosiński, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/2036500.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
drama
dramaturgy
dramatology
performance studies
performativity
Opis:
The article is an attempt to reconsider, reinterpret and, at the same time, summarize the concepts of dramaturgy and dramatology as they were developed by the author mainly in his research realized within the framework of the Chair of Drama and then the Chair of Performance Studies at the Jagiellonian University. Despite the fact that efforts to establish a broad understanding of drama and dramaturgy that is not restricted to art but is used to analyse and interpret performative aspects of social life were not fully successful, the main goal of the article is to support this idea by claiming the need for a ‘return to dramatology’.
Źródło:
Przestrzenie Teorii; 2021, 36; 17-32
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego
Literature as Vehicle. On Jerzy Grotowski’s Writing
Autorzy:
Kosiński, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/32054989.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jerzy Grotowski
Polish theatre of 20th century
Polish literature of 20th century
teatr polski XX wieku
literatura polska XX wieku
Opis:
Jerzy Grotowski (1933–1999), considered to be one of the greatest theatre artists of the 20th century, frequently expressed his ambivalent relation to words, repeating that any true knowledge has to be obtained by practice. However, all his life he had been creating and publishing text. The volume collecting them all in print has 1131 pages. Researchers interpreting his art (e.g. Krzysztof Rutkowski, Zbigniew Osiński) and his close collaborators like Ludwik Flaszen many times underlined the importance of Grotowski’s writings, stressing a special function the literature played in the artist’s research. Following their recognitions, partly polemizing with them, one can formulate some basic assumptions concerning the character and functions of Grotowski’s writing and its relation to the main aspects of contemporary literature. This was the man of theatre appears to be also an aware creator of a literature paradoxically close related and working for a mystery beyond the words.
Źródło:
Przestrzenie Teorii; 2022, 38; 59-74
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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