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Wyświetlanie 1-15 z 37
Tytuł:
Poezja młodopolska w kontekście stylów i prądów malarskich
Autorzy:
Wysłołuch, Seweryna
Powiązania:
https://bibliotekanauki.pl/articles/1392681.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Artykuł jest recenzją publikacji:  Piotr Siemaszko, Od akademizmu do ekspresjonizmu. Sugestie pikturalne w poezji polskiej końca XIX i początków XX wieku, Wydawnictwo Uniwersytetu Kazimierza Wielkiego, Bydgoszcz 2007.  
Źródło:
Przestrzenie Teorii; 2010, 13; 323-327
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Podsłuchać muzyczny motyw”. O cyklu muzyczno-poetyckim na przykładzie Muzyki wieczorem Jarosława Iwaszkiewicza
”Overhear the musical motif”. About a music-poetic cycle on the example of Music in the evening by Jarosław Iwaszkiewicz
Autorzy:
Reimann, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1390995.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
J. Iwaszkiewicz
poezja
muzyka
formy cykliczne
porządek muzyczny w literaturze
Opis:
The article compares the cyclic form in music with the poetic cycle. The analytico-interpretational identifying of two sub-cycles: “Music for quartet” and “Music for orchestra”, which make up the volume, helped to formulate the interdisciplinary proposition of terminology: the music-poetic cycle, which in literature also implies musical order. A reading dictated by musical expectations towards the verses touches upon many issues, such as song forms (AB, but also Lied), dynamics, intonation, phonemic assembly, the occurrence of motifs. Texts, which usually have musical titles allow comparative interpretations. The volume on poetry by Iwaszkiewicz is an example of music-literary complementarity, which must be respected, if the cycle is to be understood fully.
Źródło:
Przestrzenie Teorii; 2011, 15; 199-228
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Amerykańska ekopoezja – nowa odmiana tradycyjnej poezji natury
American ecopoetry – a new subgenre of traditional nature poetry
Autorzy:
Marszalski, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/1392352.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poezja ekologiczna
poezja natury
ekopoezja
Opis:
American ecological poetry is a relatively recent literary phenomenon that has marked its existence within the tradition of nature poetry. It is represented by such poets as Robinson Jeffers, Gary Snyder, Archie R. Ammons, Denise Levertov, Mary Oliver and Wendell Berry. The major feature that distinguishes ecopoetry from traditional nature poetry is its distinct biocentrism that is manifested in the attitude of humility towards the world of nature and a critical approach to technological civilization posing danger to Earth’s eco-community. On the level of the ecological consciousness that it promotes, ecopoetry is inspired by such ecosophies as Benedict Spinoza’s monistic pantheism, Aldo Leopold’s earth ethics, Arne Naess’s deep ecology and James Lovelock’s concept of Gaia.
Źródło:
Przestrzenie Teorii; 2011, 16; 51-68
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza psychokrytyczna poezji Stanisława Barańczaka
Psychocritical analysis of Stanisław Barańczak’s poetry
Autorzy:
Mulet, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1392323.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
S. Barańczak
poezja
doświadczenia traumatyczne
metoda psychokrytyczna
Opis:
The article is an attempt at a new reading of Stanisław Barańczak’s poetry by using Charles Mauron’s psychocritical method. Four volumes of poems are subjected to analysis, in which the writer’s obsessive metaphors are extracted, allowing the unveiling of his personal myth. It turns out that the romantic hero complex is underlying this myth, that defines the poet’s way of expression of traumatic experiences from his life. Then, the way of recording of such experiences as enslavement by the totalitarian system, alienation in exile, or Parkinson’s disease, is interpreted according to Hanna Segal’s psychoanalytic theory. Barańczak’s writing is gaining then the title of reparation, it becomes a way to recover lost objects from the past by the writer: freedom, stabilization, health, but also the past time, places, events and people.
Źródło:
Przestrzenie Teorii; 2011, 16; 157-178
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dar Czesława Miłosza w kontekście filozofii daru Jacques’a Derridy
Czesław Miłosz’s ’Dar’(’Gift’) in the light of Jacques Derrida’s philosophy of gift
Autorzy:
Umerle, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1390875.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Jacques Derrida
poezja
interpretacja dekonstrukcjonistyczna
filozofia daru
tytuł
"korpus tekstów"
Opis:
The aim of this text is to present an attempt at the deconstructionist interpretation of Czesław Miłosz’s verse ‘Dar’ (‘Gift’). On the one hand, this paper emphasizes the moment of ‘dissemination’ of the literary work – the space between the title and ‘the rest’ of the text (which appeals more to the American deconstructionism) is seen as both a connection and an irreducible gap. On the other hand, this ‘dissemination’ is understood in terms offered by J. Derrida’s philosophy of gift. Miłosz used a word ‘gift’ in the title, but in the ‘textual corpus’ he made this donation ‘imperceptible’. This observation enables the Author to interpret Miłosz’s poem in the context of Derrida’s discourse of (im)possibility of gift. Consequently the title will be understood here as a gift to the text (the gift of meaning to the experience described there), but at the same time this gift/title will be seen as irreducibly separated from the ‘rest’ of the text, because of the relation between the title and the ‘textual corpus’.
Źródło:
Przestrzenie Teorii; 2011, 15; 95-110
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ewa Lipska jako pisarka polityczna
Ewa Lipska as a political writer
Autorzy:
Morawiec, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/1390861.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ewa Lipska
pisarka polityczna
poezja
dramat poetycki
proza
Opis:
The article deals with the image of Ewa Lipska as a political writer, a committed person, and also discusses her attitude to Poland. In the studies conducted so far this aspect of her work was merely indicated, and also was sometimes a subject of manipulation. From the point of view of today it can be clearly seen that, along with the “private” motif, it crucially co-creates Lipska’s oeuvre. It is also important that the writer has expressed her social and political commitment not only in poetry (which she has published from 1961) and poetic drama (Nie o śmierć tutaj chodzi, lecz o biały kordonek [Death is Not at Stake, But the White Cord] of 1981), but also, and even most of all, in her prose (which so far has been neglected by researchers), especially Żywa śmierć [Living Death] (2009), Sefer (2009) and the columns published since 2004 in the “Kraków” monthly.
Źródło:
Przestrzenie Teorii; 2011, 15; 35-54
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Holograficzny model reminiscencji w poezji Czesława Miłosza
A holographic model of reminiscence in the poetry of Czesław Miłosz
Autorzy:
Rydz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1390871.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
poezja
pamięć
reminiscencja
przypomnienie
metafora hologramu
Opis:
For a model of nostalgic memory in the poetry of Czesław Miłosz, based on the psychological phenomenon of reminiscence, an allegoric counterpart can be identified in the hologram metaphor (Douwe Draaisma). The question: “Who am I” – reappears in Miłosz’s late lyrical poetry when he ponders over both his biography and the biographies of others. The response is provided, for instance, in the concept of human dialectic biography (of subject and object), formulated by Paul Ricoeur in his philosophical analyses. Human memory remains equally dialectic, placed in the antinomy between memory and oblivion. Still, retrieving a detail which has been remembered evokes all experience along with its rich context. That is the holographic effect, described in literature as the “ghost image”. Also in poetry, the effacing of memory trace does not make a barrier for the restitution of recollection. “The Sun of Memory” beams through the lyric of the author of the collection of poems “This”.
Źródło:
Przestrzenie Teorii; 2011, 15; 71-94
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stanisław Barańczak jako krytyk języka. Wokół dwóch esejów z tomu Poezja i duch uogólnienia
Stanisław Barańczak as a critic of language. On two essays from Poetry and Spirit of Generalisation
Autorzy:
Trubicka, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/1392325.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
S. Barańczak
teoria poezji
esej
krytyka języka
Opis:
The articles derives from a conviction that the later essays writing of Stanisław Barańczak in one of its important aspects is a criticism of the morally destructive features of the language. His theory of poetry as a particular kind of speech – directed to the concrete, multimeaning, always individual – is a simple consequence of a conviction abot what should be the language in general results from the deeply ethical objection to the generality, exaggerated abstractness, one-sidedness of an opinion. Manifestations of such “a laying the language in charge”, to use Barańczak’s own words, I can be found mostly in his two late essays titled Człowiek, Który Za Dużo Wie [The Man Who Knows Too Much] and Poezja i duch Uogólnienia [Poetry and the Spirit of Generalisation]. In their rhetoric I am looking for the supplement of his relation to language.
Źródło:
Przestrzenie Teorii; 2011, 16; 133-156
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traumatyczna pamięć Wacława Iwaniuka
Traumatic memory of Wacław Iwaniuk
Autorzy:
Rydz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1392360.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
W. Iwaniuk
poezja
trauma
biografia
Opis:
Although the term “trauma” has recently been a bit abused, it is very well justified with regard to the poetry of Wacław Iwaniuk. Literary transformation of the biography of the author of “The Mirror” (World War II soldier serving on the front, prisoner of war and liberator of concentration camps in Germany) is realised within the “autobiographic space” of Ph. Lejeune. The war trauma is revealed in Iwaniuk’s literary output in the flashes of memory. Persistent reappearance of war scenes has been conveyed by the poet in a series of oneiric images. The metaphor of “a wound” (P. Ricoeur, R. Nycz) refers also to the post-war experience of a political exile. Wacław Iwaniuk lived outside Poland since 1939 and in 1948 he settled in Canada where he stayed till his death in 2001.
Źródło:
Przestrzenie Teorii; 2011, 16; 179-204
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znaki misterium w liryku Zbigniewa Herberta pt. U wrót doliny
The signs of mystery play in the lyric At the Gate of the Valley by Zbigniew Herbert
Autorzy:
Urban, Piotr Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/1390994.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Z. Herbert
poezja
dramat
teatr
średniowieczny dramat religijny
wersyfikacja
dialog sceniczny
dramatis personae
Opis:
A superior aim of the article was to prove that Zbigniew Herbert’s lyrical works in an unusually clear way gravitate towards drama and theatre. To prove this, the author of the thesis revealed the relationship between the, coming from the volume Hermes, Dog and the Star, lyric At the Gate of the Valley and a mystery play which should be understood not only as a medieval variant of religious drama but also more widely that is in terms of outlook or as an anthropological, historiosophic or metaphoric category. The author of the article showed that for the mystery character of the work speaks not only the subject taken from the Bible or non-Aristotelian action but also sacred character of space-time and, above all, martyrological plot of the lyrical text, showing the suffering of individual characters of the poem as a mirror reflection of the torment of the Saviour. He also noticed that at the beginning of the lyric Herbert used verse which under certain conditions may resemble medieval ways of versification, also typical of dramatic mystery forms and he tried to prove that the author of The Report from a Besieged City, composing his mini drama, used also a film way of watching the stage and the events happening on it. Setting about revealing the relationships between the above-mentioned lyric and a mystery play, the author of the article first showed these signs which indicate the dramatic and theatrical provenance of the poem. He proved that the lyrical subject resigned from the direct characterization of the depicted world and let speak specific stage characters using different forms of dialogue. He showed that the author constructed the statements of individual characters in such a way as to overload them with the surplus of information, typical of stage dialogues. He also proved that the events that the reader follows from the position of the spectator, take place in a specific scenery and the dramatis personae not only have clear psychological construction but they also, as it is proper for the show, use a variety of visual and acoustic signs concerning both the performer and the space. The author of the article deeply hopes that with his thesis he will contribute to enriching traditional analysis of Zbigniew Herbert’s lyrics with such ways of reading that let notice dramatic and theatrical character of his poems.
Źródło:
Przestrzenie Teorii; 2011, 15; 185-197
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wezwałem cię po numerze. 172364, 119198, 132434 i inni
I have called you by your number. 172364, 119198, 132434 and others
Autorzy:
Roszak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1392109.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literatura
poezja
numer
pseudonimy-anagramy
Opis:
The title “I have called you by your number” is paraphrased from the book of Isaiah. In Torah the change of name of the main character suggests the turning point of his/her fate. In the article I concentrate on the gesture of assuming pseudonym-anagrams by a few poets – it is viable to read it as an attempt at self-determination, and as a painful dividing line, and as a form of a mask, and an analogue of a perturbed fate. My reflection concentrates on texts by Sachs, Domin, Celan, Amichai, Améry with a motif of numbers (the turned over analogues of the names) – I find a context in the poem by Wisława Szymborska Still; and in the performance by Raimund Hoghe, staged only once, just in Poland, entitled site specific; the project 80064 by Artur Żmijewski or works by Roman Opałka. The promise written in the Book of Isaiah of liberating Israel, which was supposed to be a work of God’s omnipotence, God talking to Jacob – who is an allegory of Israel: “Don’t be afraid, for I have redeemed you; I have called you by your name, you are mine. When you pass through the waters, I will be with you; and through the rivers, they shall not overflow you: when you walk through the fire, you shall not be burned, neither shall the flame kindle on you. For I am Yahweh your God”, in Auschwitz turned into the antithesis, and hence a threat that has a completely different sender than a good father: Be afraid, or else nobody will redeem you. I am calling you by the number, you are no one’s. You will go to the fire and a flame will consume you. You are alone.
Źródło:
Przestrzenie Teorii; 2012, 18; 67-81
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hybrydy wciąż młode…
Hybrids are still young...
Autorzy:
Legeżyńska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1391100.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
polska literatura powojenna
poezja
"pokolenie 1968"
Opis:
This is a review of Paweł Majerski’s book Hybrydy. O „młodej poezji” z lat sześćdziesiątych (Wydawnictwo Uniwersytetu Śląskiego, Katowice 2011) [Hybrids. About “young poets” of the 1960s]. The author discusses the history of this literary group and interprets the literary output of some poets. This book is very important for Polish post-war literary history because it restores the importance of the generation, which was discredited by younger writers of the so-called “generation of 1968”.
Źródło:
Przestrzenie Teorii; 2013, 19; 203-210
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lingwizm jako antropomorfizm. Wokół poetyckiej historiozofii Zbigniewa Bieńkowskiego
Linguistic poetry and anthropomorphism. Around Zbigniew Bieńkowski’s poetic historiosophy
Autorzy:
Stankowska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1391135.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poezja polska
poezja lingwistyczna
Zbigniew Bieńkowski
antropomorfizm
Opis:
The sketch presents the reconstruction of Zbigniew Bieńkowski’s theory of linguistic poetry. This author who is classified by critics and researchers as a member of linguistic poetry movement is by no means uncritical of its various perspectives and accomplishments. This complicated approach is reflected in the dispute that Bieńkowski was engaged in with Karpowicz and the poets of the New Wave in his critical sketches. He unfairly accuses them of being too minimalistic and of paying too much attention to linguistic experiments. He claims that distrust of language and its communicative functions in New Wavers’ programs overshadowed the broad philosophical and ideological functions of word games. Instead he proposed his own poetological project “Trzy poematy” [“Three poems”], where avant-garde traditions mingled with symbolist ones and called for breaking the numbness of language for broader, idealistic purposes. Referring to Vico’s historiosophy, Bieńkowski wishes to treat linguistic poetry both as a tool (a trick) and space for intervention, whose final purpose is to rebuild the anthropogenic locus amoenus in language.
Źródło:
Przestrzenie Teorii; 2013, 19; 41-56
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modalność aporetyczna. Wokół jednego wiersza Piotra Sommera
Aporetic modality. On Piotr Sommer’s poem
Autorzy:
Telicki, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1391123.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Piotr Sommer
aporia
metatekst
poezja i teoria języka
pragmatyka
Opis:
The author of this article analyzes and interprets Piotr Sommer’s meta-textual poem Czym mógłby być [What could it be]. The basic critical formula of “aporetic modality” is a property of language (which is improved in the poem) that reveals the impossibility of formulating clear hypotheses about writing poetry. And so, Sommer’s poem turns out to be a specific deconstruction of a poem – by speaking the poet conveys a message about the impossibility of speaking. The assertion becomes a doubt, and the poem, understood as a structure, exposes its non-constructive, and thus, maybe, its truly lyrical face
Źródło:
Przestrzenie Teorii; 2013, 19; 145-152
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poezja konkretna w trzech obszarach językowych
Concrete poetry in three languages
Autorzy:
Kremer, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1391128.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poezja konkretna
awangarda
recepcja
Opis:
This paper analyzes different paths of the development of both the movement and the notion of concrete poetry in three linguistic regions. The German-language konkrete Dichtung turns out to usually denote the original, historical shape of the movement, which was partly created in German- speaking countries and which has been treated as a literary phenomenon. The Englishlanguage term concrete poetry is a much broader category which also encompasses visual poetry and avant-garde texts that are distant from the sources of concretism in its early form. The Polish understanding of ‘poezja konkretna’ [concrete poetry] was influenced by both German- and English- language books and by the movement’s regional version, which appeared in Poland as late as in the 1970s. The selected linguistic areas allowed the author to show three basic ways of thinking about concretism, i.e. about its initial, international, and regional versions.
Źródło:
Przestrzenie Teorii; 2013, 19; 95-114
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
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