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Tytuł:
"Mądre tautologie"
“Clever tautologies”
Autorzy:
Tomassucci, Giovanna
Powiązania:
https://bibliotekanauki.pl/articles/1391664.pdf
Data publikacji:
2016-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Wisława Szymborska
poetry
tautology
poezja
tautologia
Opis:
This article covers a particular form of Wisława Szymborska conceptism, her Thought fugues, which turns the world’s elements upside down and deconstructs them, uncovering their antinomies. The described reality takes the form of a concatenation, it is elliptic, based on seemingly symmetric tessellations, but in essence triggers some logic turns. It is possible to discern a similarity with advertising rhetoric and its constant variations of sense based on oppositions, such as double meaning, antiphrasis, paradox, or tautology. In all of which Szymborska is able to notice the condensing of meaning, or even some oxymoronic properties. It is perhaps this reason why her poetry is accessible to such a wide audience across the world. Though frequently condemned by 20th-century thinkers as a mere pleonasm, tautology becomes for the poetess a fluid material useful for her dialectics of imagination. Szymborska does not see language as a mirror of the world, but rather as an act of creating new worlds and new forms of life, like Wittgenstein did in his theory of language games. This is why she prefers such word games more than other poets. Due to their dual nature, tautologies constitute a potential and permanent element of Szymborska’s conceptual games.
Źródło:
Przestrzenie Teorii; 2016, 26; 269-287
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traumatyczna pamięć Wacława Iwaniuka
Traumatic memory of Wacław Iwaniuk
Autorzy:
Rydz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1392360.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
W. Iwaniuk
poezja
trauma
biografia
Opis:
Although the term “trauma” has recently been a bit abused, it is very well justified with regard to the poetry of Wacław Iwaniuk. Literary transformation of the biography of the author of “The Mirror” (World War II soldier serving on the front, prisoner of war and liberator of concentration camps in Germany) is realised within the “autobiographic space” of Ph. Lejeune. The war trauma is revealed in Iwaniuk’s literary output in the flashes of memory. Persistent reappearance of war scenes has been conveyed by the poet in a series of oneiric images. The metaphor of “a wound” (P. Ricoeur, R. Nycz) refers also to the post-war experience of a political exile. Wacław Iwaniuk lived outside Poland since 1939 and in 1948 he settled in Canada where he stayed till his death in 2001.
Źródło:
Przestrzenie Teorii; 2011, 16; 179-204
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hybrydy wciąż młode…
Hybrids are still young...
Autorzy:
Legeżyńska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1391100.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
polska literatura powojenna
poezja
"pokolenie 1968"
Opis:
This is a review of Paweł Majerski’s book Hybrydy. O „młodej poezji” z lat sześćdziesiątych (Wydawnictwo Uniwersytetu Śląskiego, Katowice 2011) [Hybrids. About “young poets” of the 1960s]. The author discusses the history of this literary group and interprets the literary output of some poets. This book is very important for Polish post-war literary history because it restores the importance of the generation, which was discredited by younger writers of the so-called “generation of 1968”.
Źródło:
Przestrzenie Teorii; 2013, 19; 203-210
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ewa Lipska jako pisarka polityczna
Ewa Lipska as a political writer
Autorzy:
Morawiec, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/1390861.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ewa Lipska
pisarka polityczna
poezja
dramat poetycki
proza
Opis:
The article deals with the image of Ewa Lipska as a political writer, a committed person, and also discusses her attitude to Poland. In the studies conducted so far this aspect of her work was merely indicated, and also was sometimes a subject of manipulation. From the point of view of today it can be clearly seen that, along with the “private” motif, it crucially co-creates Lipska’s oeuvre. It is also important that the writer has expressed her social and political commitment not only in poetry (which she has published from 1961) and poetic drama (Nie o śmierć tutaj chodzi, lecz o biały kordonek [Death is Not at Stake, But the White Cord] of 1981), but also, and even most of all, in her prose (which so far has been neglected by researchers), especially Żywa śmierć [Living Death] (2009), Sefer (2009) and the columns published since 2004 in the “Kraków” monthly.
Źródło:
Przestrzenie Teorii; 2011, 15; 35-54
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza psychokrytyczna poezji Stanisława Barańczaka
Psychocritical analysis of Stanisław Barańczak’s poetry
Autorzy:
Mulet, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1392323.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
S. Barańczak
poezja
doświadczenia traumatyczne
metoda psychokrytyczna
Opis:
The article is an attempt at a new reading of Stanisław Barańczak’s poetry by using Charles Mauron’s psychocritical method. Four volumes of poems are subjected to analysis, in which the writer’s obsessive metaphors are extracted, allowing the unveiling of his personal myth. It turns out that the romantic hero complex is underlying this myth, that defines the poet’s way of expression of traumatic experiences from his life. Then, the way of recording of such experiences as enslavement by the totalitarian system, alienation in exile, or Parkinson’s disease, is interpreted according to Hanna Segal’s psychoanalytic theory. Barańczak’s writing is gaining then the title of reparation, it becomes a way to recover lost objects from the past by the writer: freedom, stabilization, health, but also the past time, places, events and people.
Źródło:
Przestrzenie Teorii; 2011, 16; 157-178
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Wzruszenia wreszcie nie wmówione” – Barańczak afektywnie
“Emotion finally not induced” – Barańczak affectively
Autorzy:
Czyżak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1391657.pdf
Data publikacji:
2016-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Barańczak
poetry
interpretation
affect theory
poezja
interpretacja
teoria afektu
Opis:
The main aim of the article is an interpretation of Stanisław Barańczak’s poem Przywracanie porządku (Restoration of order), written in Cambridge, USA, between December 1981 and July 1982. This composition may be analysed as a specific closure of one stage of his literary output and the starting point of new forms of his creative work. Contemporary affect theory (as a multiplicity of forms and types) proves to be a useful methodology, which affords possibilities for new interpretations of Barańczak’s poetry.
Źródło:
Przestrzenie Teorii; 2016, 26; 195-206
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leśmian (rosyjski i angielski) w żywiole intertekstualności
Leśmian’s poetry Russian and English translations) in the realm of intertextuality
Autorzy:
Lukas, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1390361.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bolesław Leśmian
poezja
intertekstualność
przekład
Opis:
Marta Kaźmierczak’s book which is titled Przekład w kręgu intertekstualności. Na materiale tłumaczeń poezji Bolesława Leśmiana [“Translation and intertextuality: a study based on the translations of Bolesław Leśmian’s poetry”] is the first comprehensive monograph on Bolesław Leśmian’s poems that have been translated into English and Russian. The aim of the study is to examine how the “intertextual signals” from the source texts were translated into languages that are cognate with and distantly related to Polish. The author understands intertextuality as a significant relationship between a particular literary text and another text, a group of texts (e.g. philosophical), or cultural texts (e.g. a macrotext concerning Slavonic beliefs) that come before a given text in time. The intertextual elements in Leśmian’s poems are classified thematically, i.e. according to the domain to which they refer and based on the extent to which they are recognizable to those who have read the texts that are referred to.
Źródło:
Przestrzenie Teorii; 2014, 22; 268-275
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spektakl Jednym tchem w Teatrze Ósmego Dnia
In one breath (Jednym tchem) performed at the Theatre of the Eighth Day
Autorzy:
Raczak, Lech
Powiązania:
https://bibliotekanauki.pl/articles/1391660.pdf
Data publikacji:
2016-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Barańczak
poetry
theatre
poezja
teatr
Opis:
This text deals with the 1971 play Jednym tchem (In one breath), performed at the Theatre of the Eighth Day (Teatr Ósmego Dnia) and based on Stanisław Barańczak’s poem. Lech Raczak outlines the methods used in the play, the characters, way of presenting a poetic text and the music in the performance. The author uses fragments of performance records published in his previous book Szaleństwo i metoda. 48 tekstów o teatrze (Madness and method. 48 texts about theatre) (Wydawnictwo Miejskie Posnania, Poznań 2012).
Źródło:
Przestrzenie Teorii; 2016, 26; 223-226
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Holograficzny model reminiscencji w poezji Czesława Miłosza
A holographic model of reminiscence in the poetry of Czesław Miłosz
Autorzy:
Rydz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1390871.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
poezja
pamięć
reminiscencja
przypomnienie
metafora hologramu
Opis:
For a model of nostalgic memory in the poetry of Czesław Miłosz, based on the psychological phenomenon of reminiscence, an allegoric counterpart can be identified in the hologram metaphor (Douwe Draaisma). The question: “Who am I” – reappears in Miłosz’s late lyrical poetry when he ponders over both his biography and the biographies of others. The response is provided, for instance, in the concept of human dialectic biography (of subject and object), formulated by Paul Ricoeur in his philosophical analyses. Human memory remains equally dialectic, placed in the antinomy between memory and oblivion. Still, retrieving a detail which has been remembered evokes all experience along with its rich context. That is the holographic effect, described in literature as the “ghost image”. Also in poetry, the effacing of memory trace does not make a barrier for the restitution of recollection. “The Sun of Memory” beams through the lyric of the author of the collection of poems “This”.
Źródło:
Przestrzenie Teorii; 2011, 15; 71-94
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wezwałem cię po numerze. 172364, 119198, 132434 i inni
I have called you by your number. 172364, 119198, 132434 and others
Autorzy:
Roszak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1392109.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literatura
poezja
numer
pseudonimy-anagramy
Opis:
The title “I have called you by your number” is paraphrased from the book of Isaiah. In Torah the change of name of the main character suggests the turning point of his/her fate. In the article I concentrate on the gesture of assuming pseudonym-anagrams by a few poets – it is viable to read it as an attempt at self-determination, and as a painful dividing line, and as a form of a mask, and an analogue of a perturbed fate. My reflection concentrates on texts by Sachs, Domin, Celan, Amichai, Améry with a motif of numbers (the turned over analogues of the names) – I find a context in the poem by Wisława Szymborska Still; and in the performance by Raimund Hoghe, staged only once, just in Poland, entitled site specific; the project 80064 by Artur Żmijewski or works by Roman Opałka. The promise written in the Book of Isaiah of liberating Israel, which was supposed to be a work of God’s omnipotence, God talking to Jacob – who is an allegory of Israel: “Don’t be afraid, for I have redeemed you; I have called you by your name, you are mine. When you pass through the waters, I will be with you; and through the rivers, they shall not overflow you: when you walk through the fire, you shall not be burned, neither shall the flame kindle on you. For I am Yahweh your God”, in Auschwitz turned into the antithesis, and hence a threat that has a completely different sender than a good father: Be afraid, or else nobody will redeem you. I am calling you by the number, you are no one’s. You will go to the fire and a flame will consume you. You are alone.
Źródło:
Przestrzenie Teorii; 2012, 18; 67-81
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zapomniane dzieło Daniela Naborowskiego De temperamentis disputatio medica (1593)
De temperamentis disputatio medica (1593) – a forgotten work of Daniel Naborowski
Autorzy:
Raubo, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1391848.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Daniel Naborowski
literature
poetry
the theory of temperaments
literatura
poezja
teoria temperamentów
Opis:
The article describes a forgotten work of Daniel Naborowski – “De temperamentis disputatio medica” (1593). Naborowski was a poet who lived at the turn of the 17th century and the work considered here is the result of his medical studies in Switzerland. The article addresses the poet’s scholarly interests, but first and foremost, it focuses on the subject of the research – the theory of temperaments. With ancient lineage and extremely popular in the sixteenth century, the theory was most frequently presented in the contexts of physiognomy, astrology and the lesions that were conditioned by the theory, yet in Naborowski’s work, it gained a new, solely theoretical perspec-tive. It was also concerned with the meticulous consideration of the systematics of temperaments (e.g. their differentiation – one was moderate and eight were merged, as well as their detailed division). The style of these considerations is characteristic for medical works of that period, and they constitute an interesting example of how practical issues in 16th and 17th century medicine were systematized. Furthermore, Naborowski’s considerations are a vivid example of permeable nature of disciplines – philosophy and medicine, and medicine with the broadly understood field of the humanities.
Źródło:
Przestrzenie Teorii; 2015, 24; 219-244
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niezwykły użytek z życia i poezji. O Wisławie Szymborskiej
The unusual use of life and poetry. On Wisława Szymborska
Autorzy:
Galaverni, Roberto
Powiązania:
https://bibliotekanauki.pl/articles/1391663.pdf
Data publikacji:
2016-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Montale
Szymborska
poetry
existence
discourse
paradox
allegory
irony
poezja
egzystencja
dyskurs
paradoks
alegoria
ironia
Opis:
This article is of a comparative nature and attempts to contrast the poetic output of two Nobel prize-winners, i.e. Eugenio Montale and Wisława Szymborska. The author uncovers numerous similarities especially between Montale’s late works and Szymborska’s poetry. This is particularly visible on two planes, i.e. existential reflection and language, as well as poetic means. The Italian poet and Polish poetess focus on the individual presented as being under pressure from the modern world’s vast, impersonal forces, e.g. history, progress etc. They treat the traditional poetic means of expression with mistrust and instead favour the kind of language that is as clear as possible, subject to philosophical reflection, and infused with irony, allegory and paradox.
Źródło:
Przestrzenie Teorii; 2016, 26; 255-267
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od Ryby ku Rybaczówkom. Bishop Barańczaka
From The Fish to At the Fishhouses. Barańczak’s Bishop
Autorzy:
Rajewska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1391621.pdf
Data publikacji:
2016-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Elizabeth Bishop
Stanisław Barańczak
Andrzej Sosnowski
John Ashbery
The Fish
At the Fishhouses
poetry
literary translation
poezja
przekład literacki
Opis:
The article discusses the immanent poetics of Elizabeth Bishop reconstructed the poet and critic Stanisław Barańczak, the translator of the Polish selection of her 33 wiersze [33 Poems] (1995). The reconstruction produced by Barańczak highlights the resemblance between Bishop’s poetics and his own – poetic constructivism, precision, the mastery of form – therefore confronting his essay on Bishop from 33 wiersze with an interpretative sketch by Andrzej Sosnowski, also a poet, literary critic and Bishop’s translator, seems all the more engaging. For his part, Sosnowski searches Bishop’s poetry for categories akin to the admired poetics of John Ashbery (and also to his own), pointing at her specific phonostylistics and ungraspable flow of meanings. The text is complemented by analyses and interpretations of Bishop's The Fish and At the Fishhouses in the original and Polish translations by Barańczak and Sosnowski.
Źródło:
Przestrzenie Teorii; 2016, 26; 87-108
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dar Czesława Miłosza w kontekście filozofii daru Jacques’a Derridy
Czesław Miłosz’s ’Dar’(’Gift’) in the light of Jacques Derrida’s philosophy of gift
Autorzy:
Umerle, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1390875.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Jacques Derrida
poezja
interpretacja dekonstrukcjonistyczna
filozofia daru
tytuł
"korpus tekstów"
Opis:
The aim of this text is to present an attempt at the deconstructionist interpretation of Czesław Miłosz’s verse ‘Dar’ (‘Gift’). On the one hand, this paper emphasizes the moment of ‘dissemination’ of the literary work – the space between the title and ‘the rest’ of the text (which appeals more to the American deconstructionism) is seen as both a connection and an irreducible gap. On the other hand, this ‘dissemination’ is understood in terms offered by J. Derrida’s philosophy of gift. Miłosz used a word ‘gift’ in the title, but in the ‘textual corpus’ he made this donation ‘imperceptible’. This observation enables the Author to interpret Miłosz’s poem in the context of Derrida’s discourse of (im)possibility of gift. Consequently the title will be understood here as a gift to the text (the gift of meaning to the experience described there), but at the same time this gift/title will be seen as irreducibly separated from the ‘rest’ of the text, because of the relation between the title and the ‘textual corpus’.
Źródło:
Przestrzenie Teorii; 2011, 15; 95-110
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Podsłuchać muzyczny motyw”. O cyklu muzyczno-poetyckim na przykładzie Muzyki wieczorem Jarosława Iwaszkiewicza
”Overhear the musical motif”. About a music-poetic cycle on the example of Music in the evening by Jarosław Iwaszkiewicz
Autorzy:
Reimann, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1390995.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
J. Iwaszkiewicz
poezja
muzyka
formy cykliczne
porządek muzyczny w literaturze
Opis:
The article compares the cyclic form in music with the poetic cycle. The analytico-interpretational identifying of two sub-cycles: “Music for quartet” and “Music for orchestra”, which make up the volume, helped to formulate the interdisciplinary proposition of terminology: the music-poetic cycle, which in literature also implies musical order. A reading dictated by musical expectations towards the verses touches upon many issues, such as song forms (AB, but also Lied), dynamics, intonation, phonemic assembly, the occurrence of motifs. Texts, which usually have musical titles allow comparative interpretations. The volume on poetry by Iwaszkiewicz is an example of music-literary complementarity, which must be respected, if the cycle is to be understood fully.
Źródło:
Przestrzenie Teorii; 2011, 15; 199-228
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł

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