Temat: Gothic cathedral - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Agon bosko-ludzki. Korzystanie z (nie)ziemskiej mocy i światła (boskiej) wiedzy podczas wznoszenia ku niebu obiektów architektonicznych
Autorzy:: Benisz, Henryk
Powiązania:: https://bibliotekanauki.pl/articles/44898010.pdf
Data publikacji:: 2024
Wydawca:: Polskie Towarzystwo Religioznawcze
Tematy:: agon
power
mathematics
architecture
menhir
cromlech
obelisk
skyscraper
gothic cathedral
Opis:: People try with great determination to overcome the border between heaven and earth by erecting various objects. In antiquity, these objects were typically megaliths and temple towers, in the Middle Ages, gothic cathedrals, and in modern times, skyscrapers that almost defy the laws of gravity. This idea centers around vertical development, the act of surpassing physical boundaries and venturing into the supernatural realm in a symbolic sense. This concept is deeply ingrained in the relationship between man and divinity and serves to represent the constant tension between these two worlds.
Źródło:: Przegląd Religioznawczy; 2024, 1(291); 39-53
1230-4379
Pojawia się w:: Przegląd Religioznawczy
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Przeświecanie idei Boga w sztuce, czyli o symbolice katedry gotyckiej w Nostalgii Andrieja Tarkowskiego
Autorzy:: Przybysz, Hanna
Powiązania:: https://bibliotekanauki.pl/articles/2131270.pdf
Data publikacji:: 2021-09-01
Wydawca:: Polskie Towarzystwo Religioznawcze
Tematy:: Andrei Tarkovski
Nostalghia
the idea of God in art
Hegel
symbolism of light
Gothic cathedral
mysticism in art film
metaphysics in art film
Opis:: “Nostalghia” (1983) by Andrei Tarkowski is an outstanding materialization of Hegel’s concept of a work of art. Te flm is that pretense which is a bridge between perceptually perceptible matter and inexpressible idea. It is a work of art that, in a mediated way, abolishes the dialectics of sensory and conceptual experience and becomes in itself a beauty shining through a metaphysical, even mystical thought, elusive and elusive. Nothing essentially defnes Tarkowski’s cinema, and in particular “Nostalgia”, whose main symbolic heroine is a gothic temple that embodies the idea that shines through through the symbolism of light. Inexpressible for centuries, intuition of the Soul, God, Creator – is realized through the gothic cathedral. Tere is a great return to the sources, to the Absolute – to the worlds of Plato, Pseudo-Dionysius Aeropagita and divine light. Te idea behind Tarkowski found a material, architectural medium, which with its majesty expresses the heart and soul – speaking in silence with eternity. Perhaps a work of flm art, as a synthesis of arts, can be the most perfect medium known to man, which allows, by uniting a variety of rich means of expression, to capture and visualize the inexpressible. Te idea of God.
Źródło:: Przegląd Religioznawczy; 2021, 3/281; 55-66
1230-4379
Pojawia się w:: Przegląd Religioznawczy
Dostawca treści:: Biblioteka Nauki

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