- Tytuł:
- Inny aktywizm w "Historii i czynie" Tadeusza Gajcego, czyli powrót Norwida na marginesach „Sztuki i Narodu”
- Autorzy:
- Christian, Zehnder,
- Powiązania:
- https://bibliotekanauki.pl/articles/897227.pdf
- Data publikacji:
- 2018-05-25
- Wydawca:
- Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
- Tematy:
-
Tadeusz Gajcy
Andrzej Trzebiński
Wacław Bojarski
Sztuka i Naród (Art and Nation)
Cyprian Norwid
Polish Activism
Nation
cultural history
performance
gesture
contemplation
underground
conspiracy - Opis:
- This paper focuses on the symbolic role attributed to Cyprian Norwid (1821–1883) in the young poets’ and critics’ circle gathered around the right-wing conspiracy journal Art and Nation (1942–1944) in occupied Warsaw. They used a paraphrase of Norwid’s words, “The artist is the organizer of national imagination”, in order to emphasize their aim of an autonomous and at the same time nationally committed art. However, in many statements by Andrzej Trzebiński (1922–1943) and Wacław Bojarski (1921–1943), the term “nation” appears to be more of a performative gesture than a reference to a consistent, historically evolving reality, as conceived of by Norwid. It was only in the 1944 essay “History and Deed”, never to be printed in the underground, that the circle’s foremost poet Tadeusz Gajcy (1922–1944) critically revisited anti-traditional activism and championed a genuinely “Norwidian”, contemplation-based understanding of creativity.
- Źródło:
-
Przegląd Humanistyczny; 2017, 61(4 (459)); 65-77
0033-2194 - Pojawia się w:
- Przegląd Humanistyczny
- Dostawca treści:
- Biblioteka Nauki
Artykuł