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    Wyświetlanie 1-8 z 8
    Tytuł:
    PALINGENEZA MITU W POEZJI ZBIGNIEWA HERBERTA (DEDAL I IKAR)
    DAEDALUS AND ICARUS: THE PALINGENESIS OF MYTHS IN ZBIGNIEW HERBERT’S POETRY
    Autorzy:
    Hejniak, Zuzanna
    Powiązania:
    https://bibliotekanauki.pl/articles/690290.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Zbigniew Herbert; Daedalus and Icarus; myth; myth criticism
    Zbigniew Herbert; Dedal i Ikar; mit; mitokrytyka
    Opis:
    The article provides an overview of scholarly research on the palingenesis of myths in Zbigniew Herbert’s poetry and offers an interpretation of his poem Daedalus and Icarus. The analysis of the text is based on Gilbert Durand’s isotopic classification of images and contextualized in the history of the evolution of the two eponymous mythical characters. This will help examine the changes that Herbert introduced to the classic images of Daedalus and Icarus.
    The article provides an overview of scholarly research on the palingenesis of myths in Zbigniew Herbert’s poetry and offers an interpretation of his poem Daedalus and Icarus. The analysis of the text is based on Gilbert Durand’s isotopic classification of images and contextualized in the history of the evolution of the two eponymous mythical characters. This will help examine the changes that Herbert introduced to the classic images of Daedalus and Icarus.  
    Źródło:
    Prace Polonistyczne; 2019, 74; 135-146
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    STRUKTURY WYOBRAŹNI CZESŁAWA MIŁOSZA I GILBERTA DURANDA
    THE ANTHROPOLOGICAL AND ANALOGICAL STRUCTURES OF THE IMAGINARY IN THE WORKS OF CZESŁAW MIŁOSZ AND GILBERT DURAND
    Autorzy:
    Lubelska-Renouf, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/690313.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    anthropological structures of the imaginary; imagination; image; myth; symbol
    antropologiczne struktury wyobraźni; wyobraźnia; obraz; mit; symbol
    Opis:
    Gilbert Durand, the author of the classic Les structures anthropologiques de l’imaginaire (published in English as The Anthropological Structures of the Imaginary), initiated a new area of research in the humanities, first in France and then worldwide. This approach involves the morphological classification of the broadly conceived structures of the imaginary, encompassing the symbols, images, and myths that are specific to a given author or culture. Drawing on various different disciplines, Durand’s work can be seen as a vast undertaking aimed at rehabilitating the imaginary. For Durand, the imaginary is art of human intellectual life and an essential aspect of human nature. Dreams, symbols, and images together constitute a kind of “transcendental fantastic”, without which a human being cannot experience wholeness or completeness. The article argues that the works of Czesław Miłosz, in which images form veritable magnetic fields gravitating around a number of central poetic symbols, can be read as a practical implementation of Durand’s theories.
    Źródło:
    Prace Polonistyczne; 2019, 74; 29-51
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    SKRWAWIONE ZIEMIE, SPALENI LUDZIE – O POWSTANIU I FUNKCJO NOWANIU ARKADYJSKIEGO MITU CZECH ORAZ O JEGO DEKONSTRUKCJI W TRYLOGII HUSYCKIEJ ANDRZEJA SAPKOWSKIEGO
    BLOODLANDS AND BURNED PEOPLE: REMARKS ON THE EMERGENCE AND FUNCTIONS OF THE ARCADIAN IMAGE OF BOHEMIA IN POLISH LITERATURE AND ITS DESTRUCTION IN SAPKOWSKI’S HUSSITE TRI
    Autorzy:
    Hanczakowski, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/690277.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Central Europe; Andrzej Sapkowski; Mariusz Szczygieł; Arcadian myth; John Hus
    Europa Środkowa; Andrzej Sapkowski; Mariusz Szczygieł; mit arkadyjski; Jan Hus
    Opis:
    The main aim of the article is to examine the representation of Bohemia in contemporary Polish literature. The first part of the text focuses on the early stage of its mythologization, in which Czech lands became a point of reference for Polish writers in the times of the emergence of the term “Central Europe” in Polish discourse. The author presents the concepts taken from Milan Kundera’s and Josef Kroutvor’s essays as critical in shaping the perception of Bohemia as a land where, unlike in Polish historical discourse, history does not serve a source of trauma. This Arcadian vision of Czech history is strongly present in Mariusz Szczygieł’s texts, which can be seen as playing the key role in the mythologization of Czech lands in Polish imagination. The second part of the text concentrates on the historical narrative in Andrzej Sapkowski’s Hussite Trilogy and its references to the history of Central Europe. In the trilogy Bohemia and Silesia are consistently presented as bloodlands and a source of trauma, not only in contemporary times but in medieval history as well.
    The main aim of the article is to examine the representation of Bohemia in contemporary Polish literature. The first part of the text focuses on the early stage of its mythologization, in which Czech lands became a point of reference for Polish writers in the times of the emergence of the term “Central Europe” in Polish discourse. The author presents the concepts taken from Milan Kundera’s and Josef Kroutvor’s essays as critical in shaping the perception of Bohemia as a land where, unlike in Polish historical discourse, history does not serve a source of trauma. This Arcadian vision of Czech history is strongly present in Mariusz Szczygieł’s texts, which can be seen as playing the key role in the mythologization of Czech lands in Polish imagination. The second part of the text concentrates on the historical narrative in Andrzej Sapkowski’s Hussite Trilogy and its references to the history of Central Europe. In the trilogy Bohemia and Silesia are consistently presented as bloodlands and a source of trauma, not only in contemporary times but in medieval history as well.  
    Źródło:
    Prace Polonistyczne; 2019, 74; 93-114
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zbrodnia w wieloetnicznym Lwowie. Żydzi w kryminałach Marka Krajewskiego
    Crime in multiethnic Lvow. Jews in Marek Krajewski’s crime stories
    Autorzy:
    Domagalska, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/690181.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Marek Krajewski
    crime story
    Lvow
    Polish-Jewish relations
    myth of ritual murder
    powieść kryminalna
    Lwów
    relacje polsko-żydowskie
    mit mordu rytualnego
    Opis:
    Recently there has been a boom in Polish popular novels. One of the most widely read genres are crime stories whose plot is set in the interwar Poland, in which the authors must take into consideration the demographics of that time. One of the most popular authors and pioneer of this type of crime stories is Marek Krajewski. In this article, I analyze his cycle of novels about detective inspector Popielski (Głowa Minotaura, Erynie, Liczby Charona) the plots of which are set in pre-war Lvow. I study how Krajewski presents the diversity of the Jewish minority and the types of clichés or stereotypes he uses. I especially focus on the myth of ritual murder and try to consider if this representation is legitimized, taking into consideration that the highly readable popular novel is an important tool to shape or modify ethnic myths and imageries.
    Źródło:
    Prace Polonistyczne; 2017, LXXII; 71-85
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MITOANALIZA JAKO SZTUKA SZEROKIEGO WIDZENIA. PRZYCZYNKI DO STUDIÓW NAD WYOBRAŹNIĄ PONOWOCZESNĄ
    MYTH ANALYSIS AS THE ART OF SEEING THE BIG PICTURE: REMARKS ON POSTMODERN IMAGINATION STUDIES
    Autorzy:
    Jasionowicz, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/articles/690309.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Gilbert Durand; myth; myth analysis; postmodernism; postmodernity; tradition; structures of the imaginary; postmodern imagination
    Gilbert Durand; mit; mitoanaliza; postmodernizm (ponowoczesność); tradycja; struktury wyobraźni; wyobraźnia ponowoczesna
    Opis:
    The article examines the possibility of applying Gilbert Durand’s concept of the creative imagination and, in particular, the interrelated methods for the analysis of cultural texts (myth criticism and analysis) to the study of texts and artefacts created in the “postmodern moment” of Western culture. Questioning both the traditional systems of connotation developed in Western culture as well as those constructed in opposition to it as part of the Enlightenment project of modernity, the postmodernist worldview is still grounded in the imaginary. The effect of the “imaginational reaction” on the current state of Western civilization can be either a deepening of the present stagnation or an injection of new, invigorating impulses. The “paradoxical” figure of the New Traditional Man and the concept of the New Anthropological Spirit suggest possibilities for emerging from the impasse that has been affecting the humanities, if the makers and scholars of culture would be willing to recognize the necessity of the existence of an “antagonistic tension between dichotomous and non-dichotomous structures of the imaginary.” The ability to “see the big picture” thus appears to be tantamount to accepting the mythanalitical perspective in cultural studies, as postulated by Durand.  
    Źródło:
    Prace Polonistyczne; 2019, 74; 13-28
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MIĘDZY POLAKIEM A CZŁOWIEKIEM. BRZOZOWSKI – ŻEROMSKI: DWIE STRATEGIE PISARSKIE Z MITAMI W TLE
    BETWEEN A POLE AND A MAN. STANISŁAW BRZOZOWSKI’S AND STEFAN ŻEROMSKI’S LITERARY STRATEGIES
    Autorzy:
    Badowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/690292.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Stanisław Brzozowski; Stefan Żeromski; identity in literature; patriotism in literature; myth in literature
    Stanisław Brzozowski; Stefan Żeromski; tożsamość w literaturze; patriotyzm w literaturze; polskość, mit w literaturze
    Opis:
    The author analyzes the strategies of keeping balance between the characters’ subjectivity and their national identity in the novels written by Stefan Żeromski and Stanislaw Brzozowski shortly before Poland regained independence. She argues that Żeromski, although well known for creating characters who are patriotic, committed, and actively involved in the making of their country’s history, tried to distance himself from the so-defined Polishness in order to show more universal characters. All Brzozowski’s works, on the other hand, prioritized the concept of a universal human being over an individual defined solely in terms of his Polish national identity, and asked whether a contemporary human being has any homeland at all. At the end of his life, however, he re-embraced his Polish identity, gradually giving up on the concept of a “universal man.”  
     The author analyzes the strategies of keeping balance between the characters’ subjectivity and their national identity in the novels written by Stefan Żeromski and Stanislaw Brzozowski shortly before Poland regained independence. She argues that Żeromski, although well known for creating characters who are patriotic, committed, and actively involved in the making of their country’s history, tried to distance himself from the so-defined Polishness in order to show more universal characters. All Brzozowski’s works, on the other hand, prioritized the concept of a universal human being over an individual defined solely in terms of his Polish national identity, and asked whether a contemporary human being has any homeland at all. At the end of his life, however, he re-embraced his Polish identity, gradually giving up on the concept of a “universal man.”
    Źródło:
    Prace Polonistyczne; 2019, 74; 147-171
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    TRANSPOZYCJA STRUKTUR MITYCZNYCH W DOLINIE ISSY CZESŁAWA MIŁOSZA
    THE TRANSPOSITON OF MYTHICAL STRUCTURES IN THE ISSA VALLEY BY CZESŁAW MIŁOSZ
    Autorzy:
    Karwowska, Marzena
    Powiązania:
    https://bibliotekanauki.pl/articles/690284.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Czesław Miłosz; The Issa Valley; Gilbert Durand; myth criticism; myth; symbol; anthropological structures of the imaginary
    Czesław Miłosz; Dolina Issy; Gilbert Durand; mitokrytyka; mit; symbol; antropologiczne struktury wyobraźni
    Opis:
    The author reads Czesław Miłosz’s novel The Issa Valley through the prism of myth criticism, which was introduced to the humanities by Gilbert Durand. In particular, she focuses on the palingenesis of literary mythemes and the transposition of myth cal structures which can be found in various aspects of the text, including the novel’s chronotope and character construction. Moreover, The Issa Valley features processed paradigms of mythical time, mythical models of space, and individual mythemes transformed by Miłosz’s imaginary. The writer semantically inverts or demythologizes the myths of Tellus Mater, Pammetor Ge, and Arcadia, the mythologem of childhood, and the mythologem of family home, which have been deeply rooted in tradition. Miłosz addresses the given problem in an antithetical manner. He avoids simple answers. Instead, he poses questions, and thus opens the text to the individual hermeneutics of symbolic paths. Miłosz perceived the imaginary that has symbolic and mythical foundations as endowed with redemptive potential. In myth criticism, the symbolic modelling that takes place in the artistic imaginary is closely connected with the therapeutic role of an image. It helps an individual regain the state of internal balance which Gilbert Durand defines as anthropological balance. And, as Ernst Cassirer posits, this balance is a manifestation of human symbolic intelligence.
    Źródło:
    Prace Polonistyczne; 2019, 74; 53-69
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MIT MESJASZA W KSIĘGACH JAKUBOWYCH OLGI TOKARCZUK
    THE MYTH OF THE MESSIAH IN OLGA TOKARCZUK’S THE BOOKS OF JACOB
    Autorzy:
    Olędzka, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/690282.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    the Messiah; myth; The Books of Jacob; Olga Tokarczuk; Jacob Frank; Jesus Christ; Sabbatai Zevi; Eve Frank
    Mesjasz; mit; Księgi Jakubowe; Olga Tokarczuk; Jakub Frank; Jezus Chrystus; Sabbataj Cwi; Ewa Frank
    Opis:
    Olga Tokarczuk’s The Books of Jacob tells the little-known story of the (pseudo-)Messiah, Jacob Leibovitz Frank. Yet the motif of the Messiah recurs in the novel also in other contexts. Apart from Jacob Frank, it features such characters as: Jesus Christ, Sabbata Zevi, Barukhia, and Eve Frank. With this in mind, the article analyzes the reader’s expectations connected with the figure of the Messiah, the representations of the myth of the Messiah in Tokarczuk’s novel, and the way in which salvation is defined in the text.
     Olga Tokarczuk’s The Books of Jacob tells the little-known story of the (pseudo-)Messiah, Jacob Leibovitz Frank. Yet the motif of the Messiah recurs in the novel also in other contexts. Apart from Jacob Frank, it features such characters as: Jesus Christ, Sabbata Zevi, Barukhia, and Eve Frank. With this in mind, the article analyzes the reader’s expectations connected with the figure of the Messiah, the representations of the myth of the Messiah in Tokarczuk’s novel, and the way in which salvation is defined in the text.
    Źródło:
    Prace Polonistyczne; 2019, 74; 115-134
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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